Literatura i Kultura Popularna最新文献

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Uniwersum „Fallouta” w kontekście „atomic culture” 原子文化 "背景下的 "辐射 "宇宙
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.5
Rafał Kochanowicz
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引用次数: 0
Editorial Note on the Translation of Prof. Tadeusz Żabski’s ‘The Mode of Being of Popular Literature in the 20th Century’ 塔德乌什-扎布斯基教授《20 世纪通俗文学的存在方式》译文的编辑说明
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.22
Anna Gemra, Adam Mazurkiewicz
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引用次数: 0
Pop-sypte mu hrachu, budete bez strachu — Jánošík ako popkultúrny fenomén 豌豆在他身上,你将无所畏惧 - 雅诺西克是一种流行文化现象
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.18
Juraj Malíček
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引用次数: 0
Cthulhu Mythos: History of H.P. Lovecraft’s Monstrous Presence in Popular Culture 克苏鲁神话:H.P. 洛夫克拉夫特的怪物在流行文化中的存在史
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.19
Jozefa Pevčíková
{"title":"Cthulhu Mythos: History of H.P. Lovecraft’s Monstrous Presence in Popular Culture","authors":"Jozefa Pevčíková","doi":"10.19195/0867-7441.29.19","DOIUrl":"https://doi.org/10.19195/0867-7441.29.19","url":null,"abstract":"\u0000 \u0000 \u0000The aim of this paper is to analyse various forms of the so-called Cthulhu Mythos and describe specific shifts in reception and reflexion of H.P. Lovecraft’s legacy in contemporary culture. The opening part of the paper introduces H.P. Lovecraft as the author of weird fiction, cosmic horror and the philosophy of cosmicism, and corrects common misconceptions regarding the Cthulhu Mythos. Then, the semiotic versioning of three versions of the Cthulhu Mythos is explained and all three versions are further analysed. Version 1.0 of the Mythos includes Lovecraft’s legacy, works of the authors from the Lovecraft Circle, but also August Derleth’s interpretations of cosmic horror and works of the next generation of authors that emerged after Lovecraft’s death or were discovered and guided by Derleth. It’s a complex set of terminology, ideas, philosophies, plot devices and narratological specifications that is, as is further explained, wrongly interpreted as a fictional mythology. Version 2.0 includes all the works created under the label of ‘Lovecraftian’ or ‘cosmic’ horror, all transmedia adaptations, influences, and pop cultural additions where the influence of the original Mythos can be traced and is either explicitly admitted or just implied. Finally, Cthulhu Mythos 3.0 is a version of the Mythos that acknowledges the existence of the previous versions, yet approaches them through a specific self-reflective, self-critical lens and is more focused on intertextual play and metacommentaries on these previous versions than on expanding them. \u0000 \u0000 \u0000","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"8 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140963745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Przed” i „po” Bramie Stokerze (D. Stoker, I. Holt, „Dracula: Nieumarły;” D. Stoker, J.D. Barker, „Dracul”) "布拉姆-斯托克 "之前 "和 "之后"(D. Stoker、I. Holt,"Dracula:Undead;"D. Stoker、J.D. Barker,"Dracul)
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.20
Krystyna Walc
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引用次数: 0
Wiedźmą być. Kobiece motywy inicjacyjne w polskiej literaturze popularnej XXI wieku 成为女巫。21 世纪波兰通俗文学中的女性启蒙主题
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.9
Grażyna Lasoń-Kochańska
{"title":"Wiedźmą być. Kobiece motywy inicjacyjne w polskiej literaturze popularnej XXI wieku","authors":"Grażyna Lasoń-Kochańska","doi":"10.19195/0867-7441.29.9","DOIUrl":"https://doi.org/10.19195/0867-7441.29.9","url":null,"abstract":"","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"21 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140963389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fantastyczne zwierzęta i jak je... stworzyć. Konstrukcja fantastycznych gatunków w kulturze popularnej 神奇的动物和如何...创造。大众文化中奇幻物种的构建
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.2
Mateusz Antczak
{"title":"Fantastyczne zwierzęta i jak je... stworzyć. Konstrukcja fantastycznych gatunków w kulturze popularnej","authors":"Mateusz Antczak","doi":"10.19195/0867-7441.29.2","DOIUrl":"https://doi.org/10.19195/0867-7441.29.2","url":null,"abstract":"","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"52 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140964946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Widmo wychodzi z podziemi. „Domofon” Zygmunta Miłoszewskiego a „Zagłada domu Usherów” Edgara Allana Poego 一个幽灵从阴间现身。齐格蒙特-米沃谢夫斯基的 "对讲机 "与埃德加-爱伦-坡的 "厄舍的厄运 "对比
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.16
Barbara Hac-Rosiak
{"title":"Widmo wychodzi z podziemi. „Domofon” Zygmunta Miłoszewskiego a „Zagłada domu Usherów” Edgara Allana Poego","authors":"Barbara Hac-Rosiak","doi":"10.19195/0867-7441.29.16","DOIUrl":"https://doi.org/10.19195/0867-7441.29.16","url":null,"abstract":"","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"79 22","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140964618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Wrocław. Escape Room” — groza w teatrze lalek dla dorosłych "弗罗茨瓦夫。密室逃脱"--成人木偶剧院中的恐怖故事
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.13
J. Królikowska
{"title":"„Wrocław. Escape Room” — groza w teatrze lalek dla dorosłych","authors":"J. Królikowska","doi":"10.19195/0867-7441.29.13","DOIUrl":"https://doi.org/10.19195/0867-7441.29.13","url":null,"abstract":",","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":" 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141127321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Mode of Being of Popular Literature in the 20th Century 20 世纪通俗文学的存在方式
Literatura i Kultura Popularna Pub Date : 2024-05-17 DOI: 10.19195/0867-7441.29.23
Tadeusz Żabski
{"title":"The Mode of Being of Popular Literature in the 20th Century","authors":"Tadeusz Żabski","doi":"10.19195/0867-7441.29.23","DOIUrl":"https://doi.org/10.19195/0867-7441.29.23","url":null,"abstract":"\u0000 \u0000 \u0000The article is devoted to the functioning of literature (and, more broadly, cultural texts) in popular circulation and the transformation of their role in the 20th century. The starting point for the analysis is the link between commercialisation (as an immanent feature of the ‘lowbrow’ circulation) and the artistic quality of the output that is part of it. \u0000The examples of the phenomena under discussion come from different linguistic milieux. This highlights the transnational nature of popular works, which feature invariant solutions to plots. In these two contradictory yet simultaneous tendencies can be observed: schematisation and de-schematisation, which renews conventionalised solutions. The author also emphasises the role of English-language works in the creation of figures of the collective imagination. Their presence in the minds of readers and the transformations they undergo with the development of industrial society and urbanisation processes can be traced from the late 19th century to the 1990s. That is why the 20th century — a period of intense expansion of popular culture — is a cohesive cultural entity with distinguishable individual periods. They are usually associated with socio-political crises, with stories becoming a cultural response to them and, at the same time, their artistic reception in the imaginarium communis. In addition, this is a time of technological progress, significantly affecting the distribution and media-based mediation of cultural texts in popular circulation. Literature has ceased to be a ‘separate phenomenon’ in it, hence the need to look at it as a part of a larger whole, with which it enters into various relationships. \u0000 \u0000 \u0000 \u0000The domination of English-language output during the analysed period is associated with the global hegemony of the Anglo-American entertainment model. At the same time — in the works available to Polish-speaking readers — its ‘over-presence’ stems from the appearance after 1989 of a large number of translations, which have significantly influenced domestic pop-culture; moreover, their popularity in the reality of the free market economy has been determined by the read- ers themselves with their purchasing choices. It is hard to speak in this situation of the existence of national models of popular culture, although undeniably there are authors who dominate the local publishing markets. And yet they, too, exist in the context of the global pop culture industry. \u0000 \u0000 \u0000 \u0000 \u0000 \u0000","PeriodicalId":141509,"journal":{"name":"Literatura i Kultura Popularna","volume":"14 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140963207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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