Kartezjusz — Lyotard — Dukaj. „Perfekcyjna niedoskonałość” jako propozycja oświecenia po uznaniu końca paradygmatu wielkich narracji

Gerard Ronge
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Abstract

The paper explores the philosophical statements emerging from the plot of Jacek Dukaj’s science-fiction novel Perfekcyjna niedoskonałość [The Perfect Imperfection]. The argument of the article states that the Polish novel proposes a complete philosophical model of possible ways of imagining the future which is unique, yet fully coherent with the Enlightenment paradigm. After recapitulating the most important arguments of the mid-century’s discussion about the end of the grand narratives and brief recall of most canonical texts of the period of the Enlightenment, the author analyses ontological presuppositions hidden after the structure of the fictional world created by Dukaj. The novel appears to fully acknowledge the Cartesian dualistic model of the human being (which strongly separates its biological and mental roots) and sets plots in times when all biological limitations have been transgressed. Despite that, both optimistic scenarios of eighteenth-century utopians and catastrophic visions of twentieth-century sci-fi authors have never been fulfilled and the fictional world of the twenty-ninth century appears to be just the same as ours in its core, despite being totally different in terms of its phenomenological appearance.
本文探讨了Jacek Dukaj的科幻小说《完美的不完美》(Perfekcyjna niedoskonałość)情节中出现的哲学命题。文章的论点指出,波兰小说提出了一个完整的哲学模型,可以想象未来的可能方式,这是独特的,但与启蒙范式完全一致。在概述了本世纪中叶关于宏大叙事终结的讨论中最重要的论点,并简要回顾了启蒙运动时期的大多数经典文本之后,作者分析了隐藏在杜卡伊所创造的虚构世界结构之后的本体论预设。这部小说似乎完全承认笛卡尔的二元论人类模型(它强烈地将其生物和精神根源分开),并将情节设定在所有生物限制都被超越的时代。尽管如此,18世纪乌托邦主义者的乐观设想和20世纪科幻作家的灾难性设想都从未实现,29世纪的虚构世界在其核心上似乎与我们的世界完全相同,尽管在现象学外观上完全不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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