Jerzy Szyłak
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摘要

在共产主义波兰,不可能出现超人这样的英雄,因为他代表了个人主义的力量,并遵循自己的正义感觉。与此同时,共产党人希望一个人在集体行动中完全服从官方政府。对超级英雄的模仿弥补了这一缺陷。首先应该列举电视电影《Hydrozagadka》,这部电影讲述了一个英雄的故事,虽然他是对漫画书的诗学及其所传达的简单化的嘲弄,但他没有画出类似的人物。共产主义制度垮台后,其他超级英雄的模仿出现了,比如Ratman, Strain, Milkyman和Wilq。此外,Ryszard的《Likwidator》Dąbrowski对波兰的政治事件作出了不敬和恶作剧的评论。直到后来才出现了严肃的超级英雄故事散文:拉瓦沃夫的《Bler》Szłapa, Biały奥尔泽沃夫·亚当的Kmiołek,以及雅克布·基朱克的《简·哈代》。这些作者非常认真地对待他们的英雄,但读者可以在故事中发现许多讽刺。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jaki kraj, taki Superman
No hero similar to Superman could have appeared in communist Poland, as he represented the power of individualism and followed his own feelings of justice. Meanwhile, the communists expected one to act in a collectivity fully subordinate to the official government. This deficiency was compensated by superhero parodies. One should firstly enumerate the TV film Hydrozagadka, about a hero, who had no drawn equivalent, though he was a mockery of the comic book poetics and of the simplifications it conveys. After the communist system fell, other superhero parodies appeared, such as Ratman, Strain, Milkyman and Wilq. Also, Likwidator by Ryszard Dąbrowski constituted irreverent and mischievous comment to political events in Poland. Only later did serious superhero stories essays appear: Bler by Rafał Szłapa, Biały Orzeł by Adam Kmiołek and Jan Hardy by Jakub Kijuc. These authors take their heroes very seriously but readers can find much irony in the stories.
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