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Repenser l’africanité à traverse le phénomène de la « circulation des mondes » 在“世界循环”现象中重新思考非洲性
Cahiers ERTA Pub Date : 2022-06-30 DOI: 10.4467/23538953ce.22.013.16082
R. Koumba
{"title":"Repenser l’africanité à traverse le phénomène de la « circulation des mondes »","authors":"R. Koumba","doi":"10.4467/23538953ce.22.013.16082","DOIUrl":"https://doi.org/10.4467/23538953ce.22.013.16082","url":null,"abstract":"Rethinking Africanity through the phenomenon of the “circulation of worlds”\u0000\u0000The term “circulation of worlds” was used by Achille Mbembe in her essay Sortir de la grande nuit (2013) to expose her Afropolitan thought. Evoking on the one hand the phenomenon of “dispersion”, that is to say the dissemination of Africans and Africa in the world illustrated in Un Océan, deux mers, trois continents (2018) by Wilfried N'Sondé, Tels des astres éteints (2008) and Crépuscule du tourment, I. Melancholy (2016) by Léonora Miano. And on the other hand the phenomenon of “immersion”, namely the migration of the world in Africa represented in Blues pour Élise (2010) by Léonora Miano, L’Africain (2004) by Jean-Marie Gustave Le Clézio, Mathématiques congolaises (2008) by In Koli Jean Bofane, Une Blanche dans le Noir (2001) by Jean-Roger Essomba and Ténèbres à midi (2010) by Theo Ananissoh ; among other things, he raises the limits of ancestral “African citizenship” based on the African = Black equation.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129514766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Claude Vigée au miroir de l’é/Écriture 克劳德站在e /写作的镜子前
Cahiers ERTA Pub Date : 2022-06-30 DOI: 10.4467/23538953ce.22.010.16079
Claire Hendrickx
{"title":"Claude Vigée au miroir de l’é/Écriture","authors":"Claire Hendrickx","doi":"10.4467/23538953ce.22.010.16079","DOIUrl":"https://doi.org/10.4467/23538953ce.22.010.16079","url":null,"abstract":"Claude Vigée in the mirror of the Scripture(s)\u0000\u0000According to Paul Ricœur, « The text is the medium through which one understands oneself ». Claude Vigée (1921-2020), as a Jewish writer, tries to receive, embrace and perpetuate the identity conveyed by the Holy Scriptures into his own writing, while also relating it to his life. Asserting oneself as part of a vaster destiny or History; developing a better self-knowledge in the light of a shared relation to the world; finding one’s reflection in Biblical figures, but also relinquishing one’s Self for a better understanding of one’s belonging: these are the paths taken by Vigée for this identity quest which implies the pursuit of the father – or, rather, of the Biblical Fathers – in a fully assumed filiation.\u0000\u0000Słowa kluczowe: identité narrative,","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115363444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Angoisse(s) salacrienne(s). Réappropriation de motifs expressionnistes dans L’Archipel Lenoir et Histoire de rire d’Armand Salacrou salacrienne苦恼(s) (s)。勒诺瓦群岛表现主义主题的重新挪用和阿曼德·萨拉克鲁的笑声历史
Cahiers ERTA Pub Date : 2022-03-31 DOI: 10.4467/23538953ce.22.006.15627
Sebastian Ziółkowski
{"title":"Angoisse(s) salacrienne(s). Réappropriation de motifs expressionnistes dans L’Archipel Lenoir et Histoire de rire d’Armand Salacrou","authors":"Sebastian Ziółkowski","doi":"10.4467/23538953ce.22.006.15627","DOIUrl":"https://doi.org/10.4467/23538953ce.22.006.15627","url":null,"abstract":"Salacrou’s anguish. Reappropriation of some expressionist motifs in L’Archipel Lenoir and Histoire de rire by Armand Salacrou\u0000\u0000This paper aims to highlight the exploitation of some expressionist motifs in two plays by the French playwright Armand Salacrou (1899-1989), L’Archipel Lenoir and Histoire de rire throughout the painting of a metaphysical anxiety. In those pieces we can see realisation of such expressionist concepts as the war of brains (bataille des cerveaux), irradiation of the author’s I which conditions an antinaturalistic and caricatured expression of anxiety in an axiologically misstructured world. We can also appreciate elaboration of the expressionist motif of psychological murder which is an illustration of empoisoned relations between man and woman who do seek to destruct and moulder each other.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"86 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131468350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’espoir au coeur du désespoir dans La guerre m’a surprise à Beyrouth de Carmen Boustani 在贝鲁特,卡门·布斯塔尼的《战争中的绝望中的希望》让我大吃一惊
Cahiers ERTA Pub Date : 2022-03-31 DOI: 10.4467/23538953ce.22.003.15624
Nehmat Hazzoury
{"title":"L’espoir au coeur du désespoir dans La guerre m’a surprise à Beyrouth de Carmen Boustani","authors":"Nehmat Hazzoury","doi":"10.4467/23538953ce.22.003.15624","DOIUrl":"https://doi.org/10.4467/23538953ce.22.003.15624","url":null,"abstract":"The hope in the heart of despair in Carmen Boustani’s La guerre m’a surprise à Beyrouth [The war surprised me in Beirut]\u0000\u0000The purpose of this article is to analyze the topic of hope in Carmen Boustani’s La guerre m’a surprise à Beyrouth [The war surprised me in Beirut]. The narrative structure of Greimas shows that hope exists even in a catastrophic situation and pushes the characters to act. The ending is happy not only for the country but also for the various women who lived through the war. The narrator Yasmina and her friends show that hope can arise even in a destroyed space and that life is found even in the throes of death. The act of writing itself becomes a sign of hope which proves that from black, light is born.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127026737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le masque au théâtre CRICOT1 : du geste pictural au geste « opératoire » CRICOT1剧院的面具:从绘画手势到“操作”手势
Cahiers ERTA Pub Date : 2022-03-31 DOI: 10.4467/23538953ce.22.005.15626
Jadwiga Bodzińska-Bobkowska
{"title":"Le masque au théâtre CRICOT1 : du geste pictural au geste « opératoire »","authors":"Jadwiga Bodzińska-Bobkowska","doi":"10.4467/23538953ce.22.005.15626","DOIUrl":"https://doi.org/10.4467/23538953ce.22.005.15626","url":null,"abstract":"The Mask at the CRICOT1 Theatre: From the Pictorial to the « Operative » Gesture\u0000\u0000The aim of this paper is to describe the beginnings, rather unknown, of the CRICOT theatre and to demonstrate the evolution which took place between the first show of CRICOT1 and the last piece performed in 1938. Focusing on the manners of treating the scenic object, the scenography, the costumes and the masks, the paper analyses the transformation of the amateur theatre: artistic, satirical, visual and comic into quasi-professional theatre, carrying an existential message. Message to be developed afterward by the world-famous collective, reformer of the European stages: Tadeusz Kantor’s CRICOT2.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115751858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Małgorzata Sokołowicz, Orientalisme, colonialisme, interculturalité. L’oeuvre d’Aline Réveillaud de Lens, Warszawa, Wydawnictwo Uniwersytetu Warszawskiego, 2020, p. 378
Cahiers ERTA Pub Date : 2022-03-31 DOI: 10.4467/23538953ce.22.007.15628
Ewa M. Wierzbowska
{"title":"Małgorzata Sokołowicz, Orientalisme, colonialisme, interculturalité. L’oeuvre d’Aline Réveillaud de Lens, Warszawa, Wydawnictwo Uniwersytetu Warszawskiego, 2020, p. 378","authors":"Ewa M. Wierzbowska","doi":"10.4467/23538953ce.22.007.15628","DOIUrl":"https://doi.org/10.4467/23538953ce.22.007.15628","url":null,"abstract":"est consacrée à l’œuvre littéraire et picturale d’Aline Réveillaud, née de Lens. Cette écrivaine et peintre, presque complètement oubliée dix ans après sa mort, suscite l’intérêt autant par le caractère de ses écrits et tableaux que par sa manière de penser la vie et de la vivre. M. Sokołowicz nous la présente sans « dissimuler les contradictions qu’elle cache » et « avec ses points forts et faibles ». Pour ne rien perdre de la dynamique de l’œuvre lensienne, la chercheuse combine plusieurs démarches (l’imagologie, la géocritique, les outils postcoloniaux et féministes) que lui offre la perspective comparatiste. Elle organise son discours autour de trois axes de réflexion : l’orientalisme, le colonialisme et l’interculturalité. Ces trois notions forment la structure de la monographie divisée en trois parties subdivisées en trois chapitres chacune et bouclées par une conclusion. Dans chaque partie la chercheuse juxtapose la notion principale avec un texte de référence de Mme Réveillaud, en enrichissant ses analyses d’autres textes. L’ensemble, clos par une conclusion Małgorzata Sokołowicz, Orientalisme, colonialisme, interculturalité. L’œuvre d’Aline Réveillaud de Lens, Warszawa, Wydawnictwo Uniwersytetu Warszawskiego, 2020, p. 378","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124570914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Victoires de Wajdi Mouawad: de la défenestration à l’espoir collectif 瓦伊迪·穆阿瓦德的胜利:从森林砍伐到集体希望
Cahiers ERTA Pub Date : 2022-03-31 DOI: 10.4467/23538953ce.22.004.15625
Enzo Giacomazzi
{"title":"Victoires de Wajdi Mouawad: de la défenestration à l’espoir collectif","authors":"Enzo Giacomazzi","doi":"10.4467/23538953ce.22.004.15625","DOIUrl":"https://doi.org/10.4467/23538953ce.22.004.15625","url":null,"abstract":"Victoires of Wajdi Mouawad : when defenestration becomes a collective hope\u0000\u0000Victoire, a student at the National Conservatory of Dramatic Art, committed suicide when she was only twenty-four years old. This death, inspired by Greek tragedies, reveals a gesture that is both heroic and symptomatic of an era. In his play, Wajdi Mouawad questions the depth of the deadly gesture of suicide as well as fate of death. By analyzing the funeral rites evoked in the play, we will see how Victoire's friends engage in a process of idealizing death, making Victoire a modern heroine. The gesture of death transforms into that of a gesture of hope, leading them towards a surge of life itself.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129579561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La possibilité de l’espoir chez Michel Houellebecq Michel Houellebecq的《希望的可能性》
Cahiers ERTA Pub Date : 2022-03-31 DOI: 10.4467/23538953ce.22.002.15623
Xinying Liu
{"title":"La possibilité de l’espoir chez Michel Houellebecq","authors":"Xinying Liu","doi":"10.4467/23538953ce.22.002.15623","DOIUrl":"https://doi.org/10.4467/23538953ce.22.002.15623","url":null,"abstract":"The possibility of hope in Michel Houellebecq\u0000\u0000Often considered depressive, Michel Houellebecq’s writing seems to be at the antipodes of hope, even if fragile. In this article, we will attempt to explore the three levels of hope in the author’s work. Hope in Houellebecq’s writing is first presented in a derisory way as a variant of an illusion. It constitutes an evil associated with sexual desires in contemporary hyper-liberalist society. Then, the author stages a positivist utopia, that of immortal neo-humans. But hope does not exist in this post-human society. Finally, by freeing himself from all illusory hopes, the author intends to seek hope in the present, in the manner of Schopenhauerian contemplation. He uses an approach that is both clinical and pathetic and gives a new form to hope that hopes for the unhoped-for.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115779520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un palliatif en vers. L’Épître au docteur Alfred G*** sur l’espérance, considérée dans l’exercice de la médecine (1811) de Jean-Marie Caillau (1765-1820) 诗歌中的姑息疗法。让-玛丽·卡约(1765-1820)给阿尔弗雷德·G博士的关于希望的信(1811)
Cahiers ERTA Pub Date : 2022-03-31 DOI: 10.4467/23538953ce.22.001.15622
B. Prot
{"title":"Un palliatif en vers. L’Épître au docteur Alfred G*** sur l’espérance, considérée dans l’exercice de la médecine (1811) de Jean-Marie Caillau (1765-1820)","authors":"B. Prot","doi":"10.4467/23538953ce.22.001.15622","DOIUrl":"https://doi.org/10.4467/23538953ce.22.001.15622","url":null,"abstract":"A Poetic Palliative. The Épître au docteur Alfred G*** sur l’espérance, considérée dans l’exercice de la médecine (1811), by Jean-Marie Caillau (1765-1820)\u0000\u0000In 1811, the poetic academy of Toulouse awarded an epistle about hope in medical practice, by Jean-Marie Caillau, a now unknown physician who combined medicine and writing. This article provides contextualizing and close reading. It presents Caillau’s works and reputation, and highlights how he defined himself as a doctor-writer. Then it focuses on the didactic epistle, in which hope is regarded as a moral palliative, or a soothing and comforting illusion that the empathetic clinician prescribes to incurable, moribund and suffering people. The study of the text reveals the significant use of the peritext, the strong connection between medical discourse and poetical devices, and the praise of an eloquent physician at the patient’s bedside. By correlating hope and eloquence, Caillau embodies and promotes the dual figure of the doctorpoet. This article thus explores the fruitful and sometimes challenging interplay between medicine and poetry during the early 19th century.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123446481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Edyta Kociubińska (dir.), Romanciers fin-de-siècle, Leiden-Boston, Brill-Rodopi, 2021, p. 205
Cahiers ERTA Pub Date : 2021-12-30 DOI: 10.4467/23538953ce.21.042.15192
Ewa Małgorzata Wierzbowska
{"title":"Edyta Kociubińska (dir.), Romanciers fin-de-siècle, Leiden-Boston, Brill-Rodopi, 2021, p. 205","authors":"Ewa Małgorzata Wierzbowska","doi":"10.4467/23538953ce.21.042.15192","DOIUrl":"https://doi.org/10.4467/23538953ce.21.042.15192","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127544815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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