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L’annulation du visage: une «morale substitutive»? 取消面部:一种“替代道德”?
Cahiers ERTA Pub Date : 2021-12-30 DOI: 10.4467/23538953ce.21.035.15185
Sophie Guermès
{"title":"L’annulation du visage: une «morale substitutive»?","authors":"Sophie Guermès","doi":"10.4467/23538953ce.21.035.15185","DOIUrl":"https://doi.org/10.4467/23538953ce.21.035.15185","url":null,"abstract":"Cancelled face, a «moral substitute»?\u0000\u0000The pandemic affecting our world in 2020 leads us to question a centuries-old socio-cultural practice, namely the wearing of masks, and to rethink their use in light of the current context. Depending on the civilizations and eras, masks have had various functions: religious, social and artistic. None of these functions corresponds, however, to the recent use of masks. Henri Michaux, Jean Starobinski, Michel Butor and Yves Bonnefoy will help us to answer these questions: How the wearing of masks does change our relation to identity? our relationship with others? Does not seeing the whole face make it possible to see others better?","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"203 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125823040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Masque(s) et cinéma européen 面具和欧洲电影
Cahiers ERTA Pub Date : 2021-12-30 DOI: 10.4467/23538953ce.21.036.15186
Virginie Podvin
{"title":"Masque(s) et cinéma européen","authors":"Virginie Podvin","doi":"10.4467/23538953ce.21.036.15186","DOIUrl":"https://doi.org/10.4467/23538953ce.21.036.15186","url":null,"abstract":"Mask(s) and European Cinema\u0000\u0000The aim of this study is to question the links between Mask, Cinema and Europe. The five films selected are Three Colours: Blue from Kieślowski, Crazy Pierrot from Godard, Strada from Fellini, Death in Venice from Visconti, Wings of Desire from Wenders. These movies exhibit a particular type of mask: the mask without mask. Mask obtained by light or make-up, it seems to express the character’s aspiration for an elsewhere.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122918374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La Force du désir de Krysinska comme roman à clef 克里辛斯卡的欲望的力量作为小说的钥匙
Cahiers ERTA Pub Date : 2021-12-30 DOI: 10.4467/23538953ce.21.038.15188
Ewa Małgorzata Wierzbowska
{"title":"La Force du désir de Krysinska comme roman à clef","authors":"Ewa Małgorzata Wierzbowska","doi":"10.4467/23538953ce.21.038.15188","DOIUrl":"https://doi.org/10.4467/23538953ce.21.038.15188","url":null,"abstract":"Krysinska’s La Force du Désir as a roman à clef\u0000\u0000In Krysinska’s novel, La Force du Désir, which I consider a roman à clef, rich referentiality is a guarantee of authenticity. Spatial and cultural references build a world familiar to the reader who can easily decipher the prototypes of the presented characters. Moreover, Krysinska’s novel contains the philosophy of the mask, both explicitly and implicitly, within the characters’ behavior. This, however, does not exhaust the issue of the mask, because a roman à clef, on the generic level, is a mask of an esoteric novel.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122515594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tannhäuser réhabilité (VI) – « La Quatrième » devant la presse parisienne – le snobisme et l’enthousiasme tannhauser恢复(VI) -“第四”在巴黎媒体面前-势利和热情
Cahiers ERTA Pub Date : 2021-12-30 DOI: 10.4467/23538953ce.21.041.15191
M. Mrozowicki
{"title":"Tannhäuser réhabilité (VI) – « La Quatrième » devant la presse parisienne – le snobisme et l’enthousiasme","authors":"M. Mrozowicki","doi":"10.4467/23538953ce.21.041.15191","DOIUrl":"https://doi.org/10.4467/23538953ce.21.041.15191","url":null,"abstract":"« La quatrième »’s image in the parisian press – the snobbery and the enthusiasm\u0000\u0000The greatest star of the Parisian Tannhäuser’s performances in 1895 was Ernest Van Dyck in the title role. According to the Parisian press this production of Wagner’s work owed its success mainly to this Belgian tenor. However after his departure from Paris, and after some other changes of the cast that took place rather rapidly (still in the summer 1895), the performances’ artistic level hasn’t decreased in a significant way, and the work, played continuously until December 15th, 1913, was always highly appreciated by the French audience. Were the enthusiastic reactions of the Parisian public at the turn of the XIXth and XXth centuries to Wagner’s Tannhäuser and his other operas and musical dramas sincere and spontaneous? What was the part of the snobbery in Wagner’s reception in France during La Belle Époque? That was the question asked by some French journalists (Heugel, Maret, Doumic, Coppée and others). The author of the article recalls Georges Rodenbach’s Solomonic answer to this question presented in his text Tannhäuser et le snobisme.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133341029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Identités fictives de Cindy Sherman et de Sophie Calle 辛迪·谢尔曼和索菲·卡莱的虚构身份
Cahiers ERTA Pub Date : 2021-12-30 DOI: 10.4467/23538953ce.21.040.15190
Katarzyna Kotowska
{"title":"Identités fictives de Cindy Sherman et de Sophie Calle","authors":"Katarzyna Kotowska","doi":"10.4467/23538953ce.21.040.15190","DOIUrl":"https://doi.org/10.4467/23538953ce.21.040.15190","url":null,"abstract":"Fictional identities of Cindy Sherman and Sophie Calle\u0000\u0000In this paper we confront the issue of masquerade in chosen works of contemporary artists Cindy Sherman and Sophie Calle. Referring to Joan Riviere's (1929) statement that femininity is a masquerade, we examine the fictional embodiments of the mentioned artists in which the mask not only conceals but also reveals reality. The artistic and literary corpus is composed as follows: Cindy Sherman (Untilted Film Stills 1977, Society portraits (2008) and Flappers (2016-18)); Sophie Calle (La filature (1981), Les histoires vraies (2002) and Prenez soin de vous (2007)). Following the analysis of the artists' projects and their autobiographical or semiautobiographical approaches, we come to reveal the reversal of the techniques used by the artists. It means that Sherman, like the film stills, captures a moment and immobilizes it; Calle, for her part, gives life to the events that she provokes. However, in both cases the masks they wear, the fictitious identities that the artists embody, contribute to revisit the codes of the time we live in.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115659997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Annie Ernaux et Édouard Louis : Écrire le réel entre bruit(s) et silence 安妮·埃诺和edouard路易斯:在噪音和沉默之间写真实
Cahiers ERTA Pub Date : 2021-06-28 DOI: 10.4467/23538953ce.21.026.13998
Delphine Edy
{"title":"Annie Ernaux et Édouard Louis : Écrire le réel entre bruit(s) et silence","authors":"Delphine Edy","doi":"10.4467/23538953ce.21.026.13998","DOIUrl":"https://doi.org/10.4467/23538953ce.21.026.13998","url":null,"abstract":"A. Ernaux and É. Louis – writers of the real, between silence and noise\u0000\u0000In A. Ernaux’s steps, É. Louis writes to account for truth, to bear witness for the real. They experience sounds, noises and silences as particularly meaningful signs of the social classes that they live in. Their original, popular environment is made of constant noise, whether coming from inside the body or the surrounding working-place. Later as they rise socially, they realise that more privileged classes live in a filtered, muffled world. But being loud may also be a move toward freedom, an expression of the lived experience. The theatre stage is a particularly apt media for the telling of É. Louis’s stories as it enables the varied experiences to be heard and felt through their vibrations, and all noises on stage make sense.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130100512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tannhäuser réhabilité (II) – Les spectacles de province tannhauser恢复(II) -省级展览
Cahiers ERTA Pub Date : 2020-12-29 DOI: 10.4467/23538953CE.20.020.13222
M. Mrozowicki
{"title":"Tannhäuser réhabilité (II) – Les spectacles de province","authors":"M. Mrozowicki","doi":"10.4467/23538953CE.20.020.13222","DOIUrl":"https://doi.org/10.4467/23538953CE.20.020.13222","url":null,"abstract":"Tannhäuser rehabilitated (II) – Performances in the provinces Tannhäuser’s reemergence at Paris Opera’s stage was preceded by the work’s productions in some French provincial theatres: in Lyons (première on April 4th, 1892), in Toulouse (première on April 13th, 1892), in Nice (première on March 14th, 1894) and in Nantes (première on March 27th, 1894). The author of the article discusses various aspects of these performances accentuating the fact that this time the main objects of controversies weren’t the composer and his Tannhäuser, but the soloists observed attentively by the musical critics and the spectators, as one can guess reading the reviews quoted in the article.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128850365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La pièce climatique d’Henri-rené Lenormand ou un désarroi ontologique henri - rene Lenormand的气候作品或本体论的混乱
Cahiers ERTA Pub Date : 2019-12-29 DOI: 10.4467/23538953ce.19.033.11557
Sebastian Ziółkowski
{"title":"La pièce climatique d’Henri-rené Lenormand ou un désarroi ontologique","authors":"Sebastian Ziółkowski","doi":"10.4467/23538953ce.19.033.11557","DOIUrl":"https://doi.org/10.4467/23538953ce.19.033.11557","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"41 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121178267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les récits de filiation. Naissance, raisons et évolutions d’une forme littéraire 从属关系的故事。一种文学形式的诞生、原因和演变
Cahiers ERTA Pub Date : 2019-09-30 DOI: 10.4467/23538953ce.19.018.11065
D. Viart
{"title":"Les récits de filiation. Naissance, raisons et évolutions d’une forme littéraire","authors":"D. Viart","doi":"10.4467/23538953ce.19.018.11065","DOIUrl":"https://doi.org/10.4467/23538953ce.19.018.11065","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132753156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Quel récit de filiation pour les Inuits canadiens ? 加拿大因纽特人的从属关系是什么?
Cahiers ERTA Pub Date : 2019-09-30 DOI: 10.4467/23538953ce.19.021.11068
E. Beránková
{"title":"Quel récit de filiation pour les Inuits canadiens ?","authors":"E. Beránková","doi":"10.4467/23538953ce.19.021.11068","DOIUrl":"https://doi.org/10.4467/23538953ce.19.021.11068","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129550409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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