Victoires de Wajdi Mouawad: de la défenestration à l’espoir collectif

Enzo Giacomazzi
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Abstract

Victoires of Wajdi Mouawad : when defenestration becomes a collective hope Victoire, a student at the National Conservatory of Dramatic Art, committed suicide when she was only twenty-four years old. This death, inspired by Greek tragedies, reveals a gesture that is both heroic and symptomatic of an era. In his play, Wajdi Mouawad questions the depth of the deadly gesture of suicide as well as fate of death. By analyzing the funeral rites evoked in the play, we will see how Victoire's friends engage in a process of idealizing death, making Victoire a modern heroine. The gesture of death transforms into that of a gesture of hope, leading them towards a surge of life itself.
瓦伊迪·穆阿瓦德的胜利:从森林砍伐到集体希望
瓦伊迪·穆阿瓦德的胜利:当自杀成为一个集体的希望维托瓦,一个国家戏剧艺术学院的学生,在她24岁的时候自杀了。这种受希腊悲剧启发的死亡,揭示了一种既英勇又代表一个时代的姿态。在他的戏剧中,Wajdi Mouawad质疑自杀的致命姿态的深度以及死亡的命运。通过分析剧中所唤起的葬礼仪式,我们可以看到维多利亚的朋友们是如何将死亡理想化的,从而使维多利亚成为一个现代的女主人公。死亡的姿态变成了希望的姿态,引导他们走向生命本身的涌动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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