在“世界循环”现象中重新思考非洲性

R. Koumba
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引用次数: 0

摘要

Achille Mbembe在她的文章Sortir de la grande nuit(2013)中使用了“世界循环”一词来揭示她的非洲人思想。一方面唤起了“分散”现象,即非洲人和非洲人在世界上的传播,如威尔弗里德·恩森德(Wilfried N’sond)的《三大洲》(2018)、《三大洲》(2008)和《忧郁》(2016)。另一方面,“浸入”现象,即世界在非洲的迁移,代表在蓝色pour Élise(2010年)由lsamonora Miano, L 'Africain(2004年)由Jean- marie Gustave Le clsamzio, mathacimmatiques congolaise(2008年)由in Koli Jean Bofane, Une Blanche dans Le Noir(2001年)由Jean- roger Essomba和tsamonres commidi(2010年)由Theo Ananissoh;除此之外,他还根据非洲人=黑人的等式提出了祖先“非洲公民身份”的限制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Repenser l’africanité à traverse le phénomène de la « circulation des mondes »
Rethinking Africanity through the phenomenon of the “circulation of worlds” The term “circulation of worlds” was used by Achille Mbembe in her essay Sortir de la grande nuit (2013) to expose her Afropolitan thought. Evoking on the one hand the phenomenon of “dispersion”, that is to say the dissemination of Africans and Africa in the world illustrated in Un Océan, deux mers, trois continents (2018) by Wilfried N'Sondé, Tels des astres éteints (2008) and Crépuscule du tourment, I. Melancholy (2016) by Léonora Miano. And on the other hand the phenomenon of “immersion”, namely the migration of the world in Africa represented in Blues pour Élise (2010) by Léonora Miano, L’Africain (2004) by Jean-Marie Gustave Le Clézio, Mathématiques congolaises (2008) by In Koli Jean Bofane, Une Blanche dans le Noir (2001) by Jean-Roger Essomba and Ténèbres à midi (2010) by Theo Ananissoh ; among other things, he raises the limits of ancestral “African citizenship” based on the African = Black equation.
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