Angoisse(s) salacrienne(s). Réappropriation de motifs expressionnistes dans L’Archipel Lenoir et Histoire de rire d’Armand Salacrou

Sebastian Ziółkowski
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Abstract

Salacrou’s anguish. Reappropriation of some expressionist motifs in L’Archipel Lenoir and Histoire de rire by Armand Salacrou This paper aims to highlight the exploitation of some expressionist motifs in two plays by the French playwright Armand Salacrou (1899-1989), L’Archipel Lenoir and Histoire de rire throughout the painting of a metaphysical anxiety. In those pieces we can see realisation of such expressionist concepts as the war of brains (bataille des cerveaux), irradiation of the author’s I which conditions an antinaturalistic and caricatured expression of anxiety in an axiologically misstructured world. We can also appreciate elaboration of the expressionist motif of psychological murder which is an illustration of empoisoned relations between man and woman who do seek to destruct and moulder each other.
salacrienne苦恼(s) (s)。勒诺瓦群岛表现主义主题的重新挪用和阿曼德·萨拉克鲁的笑声历史
Salacrou的痛苦。本文旨在探讨法国剧作家阿尔芒·萨拉克鲁(1899-1989)的两部戏剧《勒努群岛》和《河的历史》对表现主义主题的运用,这两部戏剧贯穿着一种形而上学的焦虑。在这些作品中,我们可以看到表现主义概念的实现,如大脑的战争(bataille des cerveaux),作者的自我的辐射,在一个价值结构失调的世界中,这是一种反自然主义和讽刺的焦虑表达。我们也可以欣赏到表现主义主题心理谋杀的阐述这是一个男人和女人之间的病态关系的例证他们试图摧毁和塑造彼此。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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