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Voie négative, vue négative: Le théâtre de l’appel de Valère Novarina 消极的方式，消极的观点:valere Novarina的召唤剧场
Cahiers ERTA Pub Date : 2023-03-31 DOI: 10.4467/23538953ce.23.002.17564
In-Tae Hong
{"title":"Voie négative, vue négative: Le théâtre de l’appel de Valère Novarina","authors":"In-Tae Hong","doi":"10.4467/23538953ce.23.002.17564","DOIUrl":"https://doi.org/10.4467/23538953ce.23.002.17564","url":null,"abstract":"Negative Path, Negative View: Valère Novarina's Theatre of Appeal\u0000\u0000In Novarina’s work, the word establishes a “lyrical gesture” : it calls. Since the appearance of what is called constitutes the drama itself, we can consider the lyricism as communication between the subject and the object as the process of creation. This creative gesture is doubly negative. First of all, the writer does not exist anymore in the creation process accomplished with the spectators. Secondly, Novarinian fiction is defined by its negative qualities : informal and timeless, it develops a negative view that opens behind the language.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"161 8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129103853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les voies négatives de Samuel Beckett 塞缪尔·贝克特的消极方式
Cahiers ERTA Pub Date : 2023-03-31 DOI: 10.4467/23538953ce.23.001.17563
Lydie Parisse
{"title":"Les voies négatives de Samuel Beckett","authors":"Lydie Parisse","doi":"10.4467/23538953ce.23.001.17563","DOIUrl":"https://doi.org/10.4467/23538953ce.23.001.17563","url":null,"abstract":"Samuel Beckett’s negative paths\u0000\u0000The author evokes some hypotheses on the question of the negative way as a structural data in relation to the process of Beckettian writing (the critical position with respect to language; the practice of dispossession; disfigurement) by taking up elements of his books published by Classiques Garnier in 2019: La parole trouée. Beckett, Tardieu, Novarina, and Les Voies négatives de l’écriture dans le théâtre moderne et contemporain.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121670923","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kim Tschang-Yeul : La voie de l’eau 金敬玉:《水之路》
Cahiers ERTA Pub Date : 2023-03-31 DOI: 10.4467/23538953ce.23.005.17567
Sébastien Galland
{"title":"Kim Tschang-Yeul : La voie de l’eau","authors":"Sébastien Galland","doi":"10.4467/23538953ce.23.005.17567","DOIUrl":"https://doi.org/10.4467/23538953ce.23.005.17567","url":null,"abstract":"Kim Tschang-Yeul: The Way of Water\u0000\u0000From the series Event of the Night in 1972 to Neige in 2003, via Gouttes d'eau (1979-2013), the painter Kim Tschang Yeul has developed a poetics of formlessness in which negation, emptiness and absence direct the creative process. The Korean plastic artist offers through the materiality of the work a meditation on the fluence of worlds and forms. The drop of water expresses the precariousness of things, but also evokes a beyond of representation whose richness is as great as its restraint. Water is the metaphor of the void without which the full cannot unfold; it introduces the practice of non-action, which does not consist in doing nothing but in letting the supporting factors at work in the form happen. The creative process abstains from any intentional action, to let the invisible power of the tao act.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116691139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La purification ardente et l’échec. Antonin Artaud lu par Josep Palau i Fabre 燃烧的净化和失败。由Josep Palau i Fabre朗读
Cahiers ERTA Pub Date : 2023-03-31 DOI: 10.4467/23538953ce.23.003.17565
Sergi Castella-Martinez
{"title":"La purification ardente et l’échec. Antonin Artaud lu par Josep Palau i Fabre","authors":"Sergi Castella-Martinez","doi":"10.4467/23538953ce.23.003.17565","DOIUrl":"https://doi.org/10.4467/23538953ce.23.003.17565","url":null,"abstract":"Fiery Purification and Failure: Antonin Artaud read by Josep Palau i Fabre\u0000\u0000Antonin Artaud’s « Théâtre de la cruauté » consists in the extreme display of the conflictive nature of the world. The Catalan poet Josep Palau i Fabre highlighted the poetic and negative dimensions of Artaud’s project and insisted on its failure, addressing its impossible objectivation and its similarity with alchemy. The article aims to identify the central elements of Palau’s interpretation, annihilation and debirth, and to assess their inscription in an experimental poetics proposal inspired by alchemy.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128681934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pierre Klossowski. L’acte créateur de l’écrivain-peintre
Cahiers ERTA Pub Date : 2023-03-31 DOI: 10.4467/23538953ce.23.006.17568
C. Klettke
{"title":"Pierre Klossowski. L’acte créateur de l’écrivain-peintre","authors":"C. Klettke","doi":"10.4467/23538953ce.23.006.17568","DOIUrl":"https://doi.org/10.4467/23538953ce.23.006.17568","url":null,"abstract":"The Creative Act of the Writer-Painter\u0000\u0000Klossowski, who had originally started as a religious seeker of truth in his younger years, will – after his « reversal » – feel himself invested with the role of a « heretic » struggling with the libidinous search for truth. Even as the creator of a perverted metaphysics, he remains a seeker of the revelation of being, now in the role of the divine « adversary » who, thrown back on himself, tends to imitate a religious mystic. The divine is replaced by the whispers of the demon, which Klossowski experiences as « la complicité d'une force \"démonique\" » in the creation of his artworks. The Diana myth becomes a parable for the act of artistic creation. Sexuality, understood as the primordial ground of creative force that shapes the signe unique, the phantasm, shifts metaphysics to « phantasmaphysics » (Foucault), in which the mystery of the divine is exposed as a delusion (Wahnbild).","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130913341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lydie Parisse, Les Voies négatives de l’écriture dans le théâtre moderne et contemporain, Paris, Lettres Modernes Minard, 2019, p. 288 Lydie Parisse，《现代和当代戏剧中的消极写作方式》，巴黎，现代文学，Minard, 2019，第288页
Cahiers ERTA Pub Date : 2023-03-31 DOI: 10.4467/23538953ce.23.008.17570
{"title":"Lydie Parisse, Les Voies négatives de l’écriture dans le théâtre moderne et contemporain, Paris, Lettres Modernes Minard, 2019, p. 288","authors":"","doi":"10.4467/23538953ce.23.008.17570","DOIUrl":"https://doi.org/10.4467/23538953ce.23.008.17570","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127676086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un testament dans les tiroirs. En marge d’une nouvelle traduction de Sodome et Gomorrhe 抽屉里的遗嘱。所多玛和蛾摩拉的新译本
Cahiers ERTA Pub Date : 2023-03-31 DOI: 10.4467/23538953ce.23.007.17569
Tomasz Swoboda
{"title":"Un testament dans les tiroirs. En marge d’une nouvelle traduction de Sodome et Gomorrhe","authors":"Tomasz Swoboda","doi":"10.4467/23538953ce.23.007.17569","DOIUrl":"https://doi.org/10.4467/23538953ce.23.007.17569","url":null,"abstract":"A will in the drawers. On the sidelines of a new translation of Sodom and Gomorrah\u0000\u0000Written on the sidelines of a new translation of Sodom and Gomorrah into Polish, the article evokes the problem that the translator had in finding the equivalent of the term inverti. This problem serves as a pretext to speak, on the one hand, of homosexuality in Proust, on the other, of language as the subject of the novel. In this context, the role of Albertine and the etymological tirades of professor Brichot are studied in particular. The author also highlights the testamentary character of this part of the Proustian cycle.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131727295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sodome et Gomorrhe: le social et la cruauté. Une petite récapitulation 所多玛和蛾摩拉:社会和残酷。一个简短的总结
Cahiers ERTA Pub Date : 2022-12-30 DOI: 10.4467/23538953ce.22.020.17159
Tomasz Swoboda
{"title":"Sodome et Gomorrhe: le social et la cruauté. Une petite récapitulation","authors":"Tomasz Swoboda","doi":"10.4467/23538953ce.22.020.17159","DOIUrl":"https://doi.org/10.4467/23538953ce.22.020.17159","url":null,"abstract":"Sodom and Gomorrah: the social end cruelty. A short recap \u0000\u0000Taking up Antoine Compagnon’s thesis, according to which Sodom and Gomorrah constitutes a privileged place to look at the whole Proustian cycle, the article focuses on the social dimension of the novel, as well as on cruelty. In this context, the image of Jews and servants, and the role of the baron de Charlus are studied in particular. For the author also discusses the vision of love, especially homosexual, to show how Proust’s approach stems from sadism and masochism.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134575256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
« Je m’attache tristement, amèrement aux lieux que je vais quitter ». L’écriture autobiogéographique dans les Carnets du voyage en Égypte d’Eugène Fromentin “我悲伤而痛苦地依恋着我将要离开的地方。”eugene Fromentin在埃及旅行日记中的自生地理写作
Cahiers ERTA Pub Date : 2022-12-30 DOI: 10.4467/23538953ce.22.018.17157
Małgorzata Sokołowicz
{"title":"« Je m’attache tristement, amèrement aux lieux que je vais quitter ». L’écriture autobiogéographique dans les Carnets du voyage en Égypte d’Eugène Fromentin","authors":"Małgorzata Sokołowicz","doi":"10.4467/23538953ce.22.018.17157","DOIUrl":"https://doi.org/10.4467/23538953ce.22.018.17157","url":null,"abstract":"“I am sadly and bitterly attached to the places I am about to leave”. Autobiogeographical Writings in Carnets du voyage en Égypte by Eugène Fromentin \u0000\u0000The present paper analyses Carnets du voyage en Égypte by a French painter and writer, Eugène Fromentin (1820-1876), using the concept of autobiogeography. The concept allows to examine how the author of a geographical description may be seen throughout this description and how s/he is influenced by the space. The paper argues that the personality of Fromentin emerges from his travel notes even though they are focused mainly on the description of the Egyptian space and the forms “I” or “we” appear there rarely. Three aspects of Fromentin’s personality may be seen through the analyses of his geographical descriptions of Egypt: the Orientalist painter enthusiastic towards the space; the traveler marked by his previous travels to Algeria who in Egyptian spaces sees Algerian ones; and the man who feels old and tired, refuses to discover the Egyptian space and who just wants to come back home.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115446654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jean-Marc Quaranta, Un amour de Proust. Alfred Agostinelli (1888-1914), Paris, Bouquins, 2021, 446 p. Marcel Proust, Le temps perdu, édition établie, présentée et annotée par Jean-Marc Quaranta, Paris, Bouquins, 2021, XLIV + 1040 p. 让-马克·夸兰塔，普鲁斯特的爱。马塞尔·普鲁斯特，Le temps perdu, edition建立，呈现和注释由Jean-Marc Quaranta，巴黎，Bouquins, 2021, XLIV + 1040 p。
Cahiers ERTA Pub Date : 2022-12-30 DOI: 10.4467/23538953ce.22.022.17161
Tomasz Swoboda
{"title":"Jean-Marc Quaranta, Un amour de Proust. Alfred Agostinelli (1888-1914), Paris, Bouquins, 2021, 446 p. Marcel Proust, Le temps perdu, édition établie, présentée et annotée par Jean-Marc Quaranta, Paris, Bouquins, 2021, XLIV + 1040 p.","authors":"Tomasz Swoboda","doi":"10.4467/23538953ce.22.022.17161","DOIUrl":"https://doi.org/10.4467/23538953ce.22.022.17161","url":null,"abstract":"","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116398624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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