消极的方式,消极的观点:valere Novarina的召唤剧场

In-Tae Hong
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引用次数: 0

摘要

消极的道路,消极的观点:诺瓦里娜的戏剧在诺瓦里娜的作品中,这个词建立了一个“抒情的姿态”:它呼唤。既然所谓的出现构成了戏剧本身,那么我们可以把作为主客体交流的抒情看作是创作的过程。这种创造性的姿态是双重消极的。首先,作者不再存在于与观众一起完成的创作过程中。其次,诺伐利亚小说以其消极的特质为特征:非正式和永恒,它发展了一种隐藏在语言背后的消极观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Voie négative, vue négative: Le théâtre de l’appel de Valère Novarina
Negative Path, Negative View: Valère Novarina's Theatre of Appeal In Novarina’s work, the word establishes a “lyrical gesture” : it calls. Since the appearance of what is called constitutes the drama itself, we can consider the lyricism as communication between the subject and the object as the process of creation. This creative gesture is doubly negative. First of all, the writer does not exist anymore in the creation process accomplished with the spectators. Secondly, Novarinian fiction is defined by its negative qualities : informal and timeless, it develops a negative view that opens behind the language.
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