« Je m’attache tristement, amèrement aux lieux que je vais quitter ». L’écriture autobiogéographique dans les Carnets du voyage en Égypte d’Eugène Fromentin

Małgorzata Sokołowicz
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Abstract

“I am sadly and bitterly attached to the places I am about to leave”. Autobiogeographical Writings in Carnets du voyage en Égypte by Eugène Fromentin The present paper analyses Carnets du voyage en Égypte by a French painter and writer, Eugène Fromentin (1820-1876), using the concept of autobiogeography. The concept allows to examine how the author of a geographical description may be seen throughout this description and how s/he is influenced by the space. The paper argues that the personality of Fromentin emerges from his travel notes even though they are focused mainly on the description of the Egyptian space and the forms “I” or “we” appear there rarely. Three aspects of Fromentin’s personality may be seen through the analyses of his geographical descriptions of Egypt: the Orientalist painter enthusiastic towards the space; the traveler marked by his previous travels to Algeria who in Egyptian spaces sees Algerian ones; and the man who feels old and tired, refuses to discover the Egyptian space and who just wants to come back home.
“我悲伤而痛苦地依恋着我将要离开的地方。”eugene Fromentin在埃及旅行日记中的自生地理写作
“我对即将离开的地方怀着悲伤和痛苦的感情。”本文运用自生地理学的概念,对法国画家兼作家弗朗门坦(1820-1876)的《航行Carnets du voyage en Égypte》进行分析。这一概念允许研究如何在整个描述中看到地理描述的作者,以及他/她如何受到空间的影响。本文认为Fromentin的个性从他的游记中浮现出来,尽管这些游记主要集中在对埃及空间的描述上,“我”或“我们”的形式很少出现。通过分析弗罗门汀对埃及的地理描写,可以看出他的三个性格特征:东方主义画家对空间的热情;以前去过阿尔及利亚的旅行者在埃及的空间里看到了阿尔及利亚的空间;还有那个觉得自己又老又累,拒绝探索埃及空间,只想回家的男人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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