{"title":"Pierre Klossowski. L’acte créateur de l’écrivain-peintre","authors":"C. Klettke","doi":"10.4467/23538953ce.23.006.17568","DOIUrl":null,"url":null,"abstract":"The Creative Act of the Writer-Painter\n\nKlossowski, who had originally started as a religious seeker of truth in his younger years, will – after his « reversal » – feel himself invested with the role of a « heretic » struggling with the libidinous search for truth. Even as the creator of a perverted metaphysics, he remains a seeker of the revelation of being, now in the role of the divine « adversary » who, thrown back on himself, tends to imitate a religious mystic. The divine is replaced by the whispers of the demon, which Klossowski experiences as « la complicité d'une force \"démonique\" » in the creation of his artworks. The Diana myth becomes a parable for the act of artistic creation. Sexuality, understood as the primordial ground of creative force that shapes the signe unique, the phantasm, shifts metaphysics to « phantasmaphysics » (Foucault), in which the mystery of the divine is exposed as a delusion (Wahnbild).","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"19 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cahiers ERTA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4467/23538953ce.23.006.17568","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The Creative Act of the Writer-Painter
Klossowski, who had originally started as a religious seeker of truth in his younger years, will – after his « reversal » – feel himself invested with the role of a « heretic » struggling with the libidinous search for truth. Even as the creator of a perverted metaphysics, he remains a seeker of the revelation of being, now in the role of the divine « adversary » who, thrown back on himself, tends to imitate a religious mystic. The divine is replaced by the whispers of the demon, which Klossowski experiences as « la complicité d'une force "démonique" » in the creation of his artworks. The Diana myth becomes a parable for the act of artistic creation. Sexuality, understood as the primordial ground of creative force that shapes the signe unique, the phantasm, shifts metaphysics to « phantasmaphysics » (Foucault), in which the mystery of the divine is exposed as a delusion (Wahnbild).
作家-画家的创作行为克罗索夫斯基在他年轻的时候最初是作为一个宗教真理的寻求者,在他的“逆转”之后,他将感到自己被投入了一个“异教徒”的角色,在对真理的性欲探索中挣扎。即使作为一个变态形而上学的创造者,他仍然是一个存在启示的寻求者,现在在神圣的“对手”的角色中,他被抛回自己身上,倾向于模仿一个宗教神秘主义者。神性被恶魔的低语所取代,Klossowski在他的艺术创作中将其体验为“la complicit d’une force“dassamonique”。戴安娜神话成为艺术创作行为的寓言。性,被理解为创造力量的原始基础,它塑造了独特的符号,幻像,将形而上学转变为“幻像学”(福柯),其中神性的神秘被暴露为一种错觉(Wahnbild)。