金敬玉:《水之路》

Sébastien Galland
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引用次数: 0

摘要

△金昌烈:从1972年的《夜之事件》系列到2003年的《Neige》系列,画家金昌烈通过《Gouttes d’eau》(1979-2013)发展了一种无形的诗学,在这种诗学中,否定、空虚和缺席指导了创作过程。这位韩国造型艺术家通过作品的物质性提供了对世界和形式影响的思考。这滴水表达了事物的不稳定性,但也唤起了一种超越的表现,其丰富性与有限性一样大。水是空虚的隐喻,没有它,充实就无法展开;它引入了不作为的实践,不作为不是什么都不做,而是让在形式中起作用的辅助因素发生。创造的过程摒弃了任何有意的行动,让无形的道的力量发挥作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kim Tschang-Yeul : La voie de l’eau
Kim Tschang-Yeul: The Way of Water From the series Event of the Night in 1972 to Neige in 2003, via Gouttes d'eau (1979-2013), the painter Kim Tschang Yeul has developed a poetics of formlessness in which negation, emptiness and absence direct the creative process. The Korean plastic artist offers through the materiality of the work a meditation on the fluence of worlds and forms. The drop of water expresses the precariousness of things, but also evokes a beyond of representation whose richness is as great as its restraint. Water is the metaphor of the void without which the full cannot unfold; it introduces the practice of non-action, which does not consist in doing nothing but in letting the supporting factors at work in the form happen. The creative process abstains from any intentional action, to let the invisible power of the tao act.
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