Gesture : Jurnal Seni Tari最新文献

{"title":"BENTUK KOREOGRAFI MEUDIKEE ANGGOK DI DAYAH DARUL HUDA DESA BAYI KECAMATAN TANAH LUAS LHOKSUKON KABUPATEN ACEH UTARA","authors":"Ovi Wulandary, Rhd Nugrahaningsih, Sitti Rahmah","doi":"10.24114/SENITARI.V7I1.11904","DOIUrl":"https://doi.org/10.24114/SENITARI.V7I1.11904","url":null,"abstract":"Abstract − This study discusses the form of choreography meudikee anggok in dayah Darul Huda Bayi Village District Lhoksukon Land Area North Aceh District. Aims to describe the form of choreography meudikee Anggok in one studayah District of North Aceh.The theory used in this research is the theory of Choreography Sal Murgiyanto that choreography is the process of selecting and arranging movements into a dance, in which there is a creative behavior. Composition is part or aspect of creative behavior. The time spent in the study for two months, starting from July to September. The location of this research was conducted in Bayi Village, Tanah Luas Lhoksukon Sub District, North Aceh District. The population in this study are the dayah-dayah (pengajian) in the District Land Luas Lhoksukon District of North Aceh and the sample is Dayah Darul Huda Bayi Village. The research analysis used is descriptive qualitative. Technique of collecting data is done by observation, interview, documentation and literature study. The result of the research based on the data obtained shows that the form of Meudikee Anggok choreography is a form of the dance result from the elements of dance composition that is, motion meudikee Anggok is the motion of dhikr distortion and distillation, has some motive motive and dihat from energy aspect space and time. The design of the floor created is a straight line. The top designs created are pure, flat, curved, painted, contrasting, medium, deep and straight design. The music design follows the rhythm of chanting dhikir in khairat that brought the radat. The dramatic design created by multiple cone. Dynamics according to the chanting dhikrdhikr in khairat that brought the radat. The composition of the group that created the composition of a large group. The theme is Prophet Muhammad SAW. Makeup everyday. Muslim clothing namely peci, koko shirt and sarong. Not using property. The stage or stage stage is open. Tata the light from the sun. Keywords: Choreography Shape, Meu Dike Anggok, Dayah, Bid'ah, Dalail","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114789576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DIHAR SITARLAK PADA MASYARAKAT SIMALUNGUN : KAJIAN SEMIOTIK","authors":"S. Simanungkalit, N. Nurwani, Iskandar Muda","doi":"10.24114/senitari.v7i1.11901","DOIUrl":"https://doi.org/10.24114/senitari.v7i1.11901","url":null,"abstract":"Abstract−This study examines the semiotics contained in diharsitarlak in Simalungun society. The goal is to explore the meaning contained in the sararar and interpretation of meaning seen through the theory of semiotics. Sitarlak is a martial arts that comes from Simalungun who became the performing arts for the community that is as a welcome dance for accompanied by music and using a special outfit. The theory used relates to the research topic of Suzanna K. Langer theory which discusses the motion and the theory of semiotic de Saurrsure to express the meaning. The research time used to discuss the semiotics was held in Simalungun society was done for 2 months ie end of August until October 2017. The research place was SanggarTortor Elak-elak in Kelurahan Sirpang Dalig Raya, Raya Subdistrict, Simalungun Regency. Population in this research is artist as well as adat character, sambual (pemusik), pandihar (people who bersilat) who understand about diharsitarlak. Data collection techniques include literature study, observation, interview and documentation, and then analysis with qualitative descriptive method. Based on the research conducted, the form of diharsitarlak is a series of silat movements consisting of 7 main motifs yaitu sombah, throw boxing worship, marsimbur, mangindo (top level), mangindo (lower level), lakkasitolu-tolu and cover worship. Clothing that is used in the sitarlakdihar is long shirt and trousers (black, red, and mixture of black, white, red), yeast pane, suri-suri, and gotong salalu. The accompaniment of music on the sitarlakdihar gondrang haro-day, parahot, and gual porang. As for the semiotics contained in the scarred sitarlak poured through the sign (sign) seen from the form of motion in the series of presentation, marker (signifier) is a form of motion as the main motive in the diharsitarlak, and signified (signified) is the meaning contained in diharsitarlak. So it can be interpreted the overall meaning in the absolute sarar is the actualization of life of the people of Simalungun in various conditions, such as giving thanks to God, facing temptation, being polite and humble, respecting and appreciating others. Keywords: semiotics, signs, signifer, signified, diharsitarlak","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123158509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PENGEMBANGAN PEMBELAJARAN TARI LENGGOK MAK INANG MELALUI MULTIMEDIA INTERAKTIF BERBASIS E-LEARNING","authors":"Ronni Lirahman, Yusnizar Heniwaty","doi":"10.24114/SENITARI.V8I1.13193","DOIUrl":"https://doi.org/10.24114/SENITARI.V8I1.13193","url":null,"abstract":"ABSTRACT This research produced a product of the development of Lenggok Mak Inang dance learning through interactive multimedia which included appreciation learning material (Basic Competence 3) and expression (Basic Competence 4) in class X of SMK / SMA. The appreciation material contains the definition of dance, accompaniment music, clothing, patterns, while the expression material contains terms, variety and arrangement of motion in the Lenggok Mak Inang dance. From the test media experts got a score of 4,42 (Very Good), media experts got a score of 4 (Good), user trials which included an initial field trial of 4,08 (Good), main field trial 4,22 ( Very Good) and an operational field trial of 4,53 (Very Good). The results obtained indicate that the development of interactive multimedia learning Lenggok Mak Inang dance is very feasible to use or be used as a learning media for dance.                                                                                    \u0000Keywords: Interactive Multimedia, E-Learning, Lenggok Mak Inang Dance.  ABSTRAKPenelitian ini menghasilkan produk pengembangan pembelajaran tari Lenggok Mak Inang melalui multimedia interaktif yang didalamnya terdapat materi pembelajaran apresiasi (Kompetensi Dasar 3) dan ekspresi (Kompetensi Dasar 4) kelas X SMK/SMA. Materi apresiasi berisikan definisi tari, musik pengiring, busana, pola/ garis, sedangkan materi ekspresi berisikan istilah, ragam dan susunan gerak pada tari Lenggok Mak Inang. Dari uji ahli media mendapatkan skor 4,42 (Sangat Baik), ahli media mendapatkan skor 4 (Baik), uji coba pengguna yang meliputi uji coba lapangan awal 4,08 (Baik), uji coba lapangan utama 4,22 (Sangat Baik) dan uji coba lapangan operasional 4,53 (Sangat Baik). Hasil yang diperoleh menunjukkan bahwa pengembangan multimedia interaktif pembelajaran tari Lenggok Mak Inang ini Sangat Layak digunakan atau dijadikan media pembelajaran tari. Kata kunci: Multimedia Interaktif, E-Learning, Tari Lenggok Mak Inang.","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116506390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TORTOR BATAK TOBA DALAM KONTEKS PARIWISATA DI MUSEUM HUTA BOLON SIMANINDO KABUPATEN SAMOSIR","authors":"F. Siallagan","doi":"10.24114/SENITARI.V7I1.11902","DOIUrl":"https://doi.org/10.24114/SENITARI.V7I1.11902","url":null,"abstract":"Abstract − This Research purposed to figure out the Performance of tortor Batak Toba as one of tourism package of Museum Huta Bolon Simanindo and its impact of increasing tourism visit tothe Museum. The method in this research uses descriptive qualitative method. The population are; the Department of Culture and Tourism Samosir, Museum Huta Bolon Simanindo officers, musicians, dancers, Public figures/Leader, community of Simanindo, and the tourists. The sample was part of the study population. The place of this research was taken in the Museum Huta Bolon Simanindo -Samosir regency. The data collection was done by observation, interviews, documentation and literature study. Generally, it discusses the development of cultural tourism through the performances of tortor Batak Toba which is the potential resources of local communities as cultural attractions. Cultural attractions are expected to have contributed to the preservation of culture in local communities. Tortor performance is held on an open stage in the old village of Huta Bolon. Performanceis no longer sacred but still follow the traditional rules of adatni gondang, such as the number of gondang types, rules of how to ask certain gondang types, the rules of motion in tortor, apparel and equipment. Another packaging of forms of performance that is of short duration and dense, full of variety, imitation of the original forms, and effective cost. Travelers can enjoy the Batak Toba culture, such as music, dance, historical objects, and the feel of Batak Toba villages. Overall the show is divided into two sessions, the first are Tortor Lae-lae, Tortor Mula-mula, Tortor Mula Jadi, Tortor Mangaliat, Tortor Marsiolop-olopan, tortor tortor Si Boru Si Doli, and Tortor Pangurason. Performing the second session has been packed in line with its objectives, namely manortor together, Tortor Tunggal Panaluan, and Tortor Si Gale-gale.      Keywords: Tortor Batak Toba, Context Tourism","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133599020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}