TORTOR BATAK TOBA DALAM KONTEKS PARIWISATA DI MUSEUM HUTA BOLON SIMANINDO KABUPATEN SAMOSIR

F. Siallagan
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Abstract

Abstract − This Research purposed to figure out the Performance of tortor Batak Toba as one of tourism package of Museum Huta Bolon Simanindo and its impact of increasing tourism visit tothe Museum. The method in this research uses descriptive qualitative method. The population are; the Department of Culture and Tourism Samosir, Museum Huta Bolon Simanindo officers, musicians, dancers, Public figures/Leader, community of Simanindo, and the tourists. The sample was part of the study population. The place of this research was taken in the Museum Huta Bolon Simanindo -Samosir regency. The data collection was done by observation, interviews, documentation and literature study. Generally, it discusses the development of cultural tourism through the performances of tortor Batak Toba which is the potential resources of local communities as cultural attractions. Cultural attractions are expected to have contributed to the preservation of culture in local communities. Tortor performance is held on an open stage in the old village of Huta Bolon. Performanceis no longer sacred but still follow the traditional rules of adatni gondang, such as the number of gondang types, rules of how to ask certain gondang types, the rules of motion in tortor, apparel and equipment. Another packaging of forms of performance that is of short duration and dense, full of variety, imitation of the original forms, and effective cost. Travelers can enjoy the Batak Toba culture, such as music, dance, historical objects, and the feel of Batak Toba villages. Overall the show is divided into two sessions, the first are Tortor Lae-lae, Tortor Mula-mula, Tortor Mula Jadi, Tortor Mangaliat, Tortor Marsiolop-olopan, tortor tortor Si Boru Si Doli, and Tortor Pangurason. Performing the second session has been packed in line with its objectives, namely manortor together, Tortor Tunggal Panaluan, and Tortor Si Gale-gale.      Keywords: Tortor Batak Toba, Context Tourism
TORTOR BATAK TOBA在HUTA BOLON SIMANINDO SAMOSIR博物馆的旅游背景下
摘要:本研究旨在了解胡塔博隆西曼尼多博物馆旅游套餐中tortor Batak Toba的表现及其对博物馆游客访问量增加的影响。本研究采用描述性定性方法。人口是;Samosir文化和旅游部、Huta Bolon Simanindo博物馆官员、音乐家、舞者、公众人物/领袖、Simanindo社区和游客。样本是研究人群的一部分。这项研究是在Huta Bolon Simanindo -Samosir摄政博物馆进行的。数据收集采用观察法、访谈法、文献法和文献研究法。一般来说,通过巴塔克多巴的表演来讨论文化旅游的发展,这是当地社区作为文化景点的潜在资源。文化景点有望为当地社区的文化保护做出贡献。Tortor表演在Huta Bolon老村的露天舞台上举行。表演不再是神圣的,但仍然遵循传统的贡当规则,例如贡当类型的数量,如何询问某些贡当类型的规则,酷刑,服装和装备的运动规则。另一种包装形式表现为持续时间短而密集,品种丰富,模仿原形式,且成本有效。游客可以享受巴塔克多巴文化,如音乐,舞蹈,历史文物,和巴塔克多巴村的感觉。总的来说,这个节目分为两个环节,第一个是tortorlae -lae, tortormula - Mula, tortormula Jadi, tortormangaliat, tortormarsiolop -olopan, tortortortorsi Boru Si Doli和tortorpangurason。第二届会议的执行工作已按照其目标进行安排,即共同管理、tortortungal Panaluan和tortorsigalegale。关键词:tortorbatak Toba;文脉旅游
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