Gesture : Jurnal Seni Tari最新文献

{"title":"PENYUSUNAN LEMBAR KERJA SISWA (STUDENT WORK SHEET) UNTUK PEMBELAJARAN TARI PETERI BENSU TINGKAT SMP KELAS VII DI TAKENGON","authors":"S. Utari, Irwansyah Irwansyah","doi":"10.24114/SENITARI.V8I1.13302","DOIUrl":"https://doi.org/10.24114/SENITARI.V8I1.13302","url":null,"abstract":"ABSTRACT  This study aimed to develop a Student Work Sheet in learning Peteri Bensu dance for the seventh grade in Takengon. This study used the theory of Asra and Sumiati (2016: 171). For this reason, it took 3 stages in its preparation, namely: the planning stage, the implementation phase and the evaluation phase. The method used in this study was a qualitative method. The results of the study were in the form of a Student Work Sheet for VII grade in Peteri Bensu dance lessons. The preparation of this sheet was compiled based on the first semester of grade VII syllabus. The objective of this research was to produce Peteri Bensu Student Work Sheet which has been tested for its feasibility by material experts and media experts which meant it can be used by students as a guide for doing certain work that can enhance and strengthen the learning outcomes of Peteri Bensu dance material. The results of the average percentage by the experts in completing the evaluation sheet reached a value of 98.76% which was included in the category of very feasible to be used. Keywords: Preparation of Student Work Sheet, Peteri Bensu dance.     ABSTRAK            Penelitian ini bertujuan menyusun Lembar Kerja Siswa (Student Work Sheet) untuk pembelajaran tari Peteri Bensu tingkat SMP kelas VII di Takengon dengan menggunakan teori Asra dan Sumiati (2016: 171). Dalam penyusunannya dibutuhkan 3 tahapan yaitu: tahap perencanaan, tahap pelaksanaan dan tahap evaluasi. Metode yang digunakan pada penelitian ini adalah metode kualitatif. Hasil penelitian berupa produk Lembar Kerja Siswa (Student Work Sheet) pembelajaran tari Peteri Bensu tingkat SMP kelas VII. Penyusunan lembaran ini disusun berdasarkan silabus seni tari kelas VII semester satu. Ketercapaian penelitian menghasilkan Lembar Kerja Siswa (Student Work Sheet) tari Peteri Bensu yang telah diuji kelayakannya oleh ahli materi dan ahli media sehingga dapat digunakan oleh siswa sebagai panduan untuk mengerjakan pekerjaan tertentu mengenai materi tari Peteri Bensu. Hasil persentase rata-rata oleh para ahli dalam mengisi lembar evaluasi penilaian mencapai nilai 98,76% yang termasuk kedalam kategori sangat layak digunakan di lapangan. Kata Kunci : Penyusunan Lembar Kerja Siswa, tari Peteri Bensu.","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129637671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"NILAI-NILAI PENDIDIKAN DALAM TOR-TOR NAPOSO NAULI BULUNG","authors":"Meiliza Hijrati, Siti Rahmah","doi":"10.24114/SENITARI.V7I2.13299","DOIUrl":"https://doi.org/10.24114/SENITARI.V7I2.13299","url":null,"abstract":"ABSTRACT This study aims to describe Educational Values in Tor-Tor Naposo Nauli Bulung. Theories used in this study include value theory and educational theory. The method used in this research is descriptive qualitative method. The population of this research are South Tapanuli people in Mabar Hilir and Deli Serdang, and the sample of this research are 3 South Tapanuli people in Deli Serdang and Mabar Hilir. In the discussion of this study as for the focus of my research is using the theory of religious values according to Abdul (2012: 129) and moral values according to Sutardjo (2011: 54). This study aims to describe the educational values in Tor-Tor Naposo Nauli Bulung. Data collection in this research is done by observation method, interview, documentation, and analysis technique. This study discusses the explanation of the values of education contained in Tor-Tor Naposo Nauli Bulung for dancers and the public to know that in a dance there are also good values that can be a positive value in everyday life and can be used as material teachers for learners. The results of the research can be seen that in Tor-Tor Naposo Nauli Bulung, contained the values of education in which viewed from the pattern of motion, fashion, music, and rules. The values are peeled through religious values and moral values which can then be used as a source of information to the community and the dancers that there are values that can be used as learning can also be used as teacher material for learners. Keyword: Value, Education, Religious Value, Moral Value, Tor-Tor Naposo Nauli Bulung.","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123219120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ANALISIS MAKNA SIMBOL PADA TARI GENDANG BAKA DI DESA LINGGA KECAMATAN SIMPANG EMPAT KABUPATEN KARO","authors":"Tania Rosani, Rhd Nugrahaningsih","doi":"10.24114/SENITARI.V8I1.13254","DOIUrl":"https://doi.org/10.24114/SENITARI.V8I1.13254","url":null,"abstract":"ABSTRACT This study is intended to describe the analysis symbolic meaning of motion, property, floor pattem, accompaniment, and costume contained on gendang baka dancing in Desa Lingga Kecamatan Simpang Empat Kabupaten Karo. The theory that is used in this study is Sumandiyono Hadi’s theory (2005:23) contains the meaning of the symbol and Ibrahim (2018:103) contain the meaning analysis. The method of this study is descriptive kualitatif. The population of the study are traditional leaders, dancing, musician, and artist. The sampel of this study are artist, and dancing. The instrument of collecting data are observation, interview, literature study, and documentation. The result of this study show symbolic meaning of the gendang baka that contains four types. The four types of motion lead to the nature or character of the Karo’s community and other communition to the each other, consider things befoure acting, prioritize unity to achieve common goals. Symbolic meaning property and gendang baka dancing is a power that cannot be shaken, to start life wich relief and confort and more closer to God. The symbolic meaning floor pattern of gendang baka dancing keep holding fast togetherness in doing act. Togetherness and compactness create solid unity. Symbolic meaning of musical accompaniment of gendang baka is to intive Karo’s society to see and preserve gendang baka dancing and influence the audience to feel the beauty of gendang baka. symbolic meaning of costume in gendang baka dancing are as chastely, kindness and protection, because the fabric is used white and black who is belive to be able to dispel everthing that is not good. Keyword : Symbolic Meaning, Tari Gendang Baka.  ABSTRAK Penelitian ini bertujuan untuk mendeskripsikan analisis makna simbol dari gerak, properti, pola lantai, iringan musik, dan pakaian yang terdapat pada tari gendang baka di Desa Lingga Kecamatan Simpang Empat Kabupaten Karo. Teori yang digunakan dalam penelitian ini adalah teori Sumandiyono Hadi (2005:23) tentang makna simbol dan Ibrahim (2018:103) tentang pengertian analisis. Metode dari penelitian ini adalah deskriptif kualitatif. Populasi dalam penelitian ini adalah tokoh adat, penari, pemusik, seniman. Sedangkan yang menjadi sampel dalam penelitian ini adalah seniman, dan penari. Teknik pengumpulan data dengan observasi, wawancara, studi kepustakaan, dan dokumentasi. Hasil penelitian menunjukan bahwa makna simbol gerak tari gendang baka terdiri dari empat ragam, keempat ragam gerak ini mengarahkan bagaimana seharusnya sifat atau karakter masyarakat Karo dan masyarakat lainnya untuk saling tolong menolong, mempertimbangkan segala sesuatu hal sebelum bertindak, mengutamakan kesatuan untuk mencapai tujuan bersama, dan tetap berserah memohon kepada Tuhan agar apa yang kita inginkan dapat tercapai. Makna simbol properti dan sesaji tari gendang baka adalah adanya kekuatan yang tidak dapat tergoyahkan, mengawali kehidupan dengan kelegaan dan kenyamanan dapat membuat kehidupa","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129377746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TRANSFORMASI PANGURASON DARI RITUAL KE SENI PERTUNJUKAN","authors":"Sivalis Diana Sari Diana Sari, N. Nurwani","doi":"10.24114/SENITARI.V7I2.13297","DOIUrl":"https://doi.org/10.24114/SENITARI.V7I2.13297","url":null,"abstract":"ABSTRACT This study discusses the Transformation of Pangurason Performing Arts Ritual. Describes the presentation of Pangurason tortors in the transformation of saucers to the Batak Toba Society in Samosir, and also describes the transformation of Pangurason tortors in the art of tortor cup performances.The theory used in this research is Ritual theory, Transformation, presentation theory form. The time used in this study is during (two months), which starts from October to December 2016. The location of this study was conducted in Pangururan Government of Samosir Regency. The population in this study were artists who knew about Pangurason and the samples were all actors involved in tortor Pangurason and actors involved in tortor bow transformation, data collection techniques including observation, interview, literature study, and documentation, then analyzed by descriptive method qualitative.Based on the data collected, it can be seen that Pangurason is a cleansing or purification of a place that has been considered sacred, so that the place is far from distress, and not disturbed by evil spirits. Formerly when Pangurason was used because at that time, the place wanted to be disturbed by evil spirits, then sibaso or shaman made a ritual to reject the reinforcements, by making a bowl of water, kaffir lime and banyan leaves.The transformation transforms the form of ritual presentation into the performing arts and uses the media or property of the saucer as an attraction in the tortor cup art show. Keywords: Transformation, Pangurason Ritual, Performing Arts","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133311833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MENINGKATKAN KREATIVITAS DENGAN MENGGUNAKAN MODEL PEMBELAJARAN CREATIVE PROBLEM SOLVING PADA MATA PELAJARAN SENI TARI DI SMA NEGERI 1 PERCUT SEI TUAN","authors":"Ika Setiawati, Tuti Rahayu","doi":"10.24114/senitari.v8i1.13191","DOIUrl":"https://doi.org/10.24114/senitari.v8i1.13191","url":null,"abstract":"ABSTRACT This study aims to improve the creativity of students by using the Creative Problem Solving learning model in the study of Dance Arts in SMA 1 Percut Sei Tuan. Academic Year 2018/2019. To discuss the purpose of the study used theories about creativity, creative problem solving learning models and dance theory. This research method is descriptive quantitative. The research location is in SMA 1 Percut Sei Tuan Academic Year 2018/2019. The number of samples used were all students of class XI MIPA 2 as many as 34 people. Before conducting this research, the researcher gave a pre test to find out the ability of students, so that the average value of the class was 72.65. Next the researcher gave a post test and obtained a class average of 85.29. From the calculation of the hypothesis test performed, it is obtained thitung = 14.87 at the real level α = 0.05 and ttable = 1.6723, meaning that thitung > ttable (14.87> 1.6723) means that there is a very significant increase. Thus it can be concluded that by using the creative problem solving learning model can improve the creativity of students in the XI MIPA 2 class dance subjects in SMA 1 Percut Sei Tuan Academic Year 2018/2019.                                                                                                 Keyword : Learning Model of Creative Problem Solving, Creativity  ABSTRAK Penelitian ini bertujuan untuk meningkatkan kreativitas peserta didik dengan menggunakan model pembelajaran Creative Problem Solving pada mata Pelajaran Seni Tari di SMA Negeri 1 Percut Sei Tuan. Tahun Ajaran 2018/2019. Untuk membahas tujuan penelitian digunakan teori tentang kreativitas, model pembelajaran creative problem solving dan teori tari. Metode penelitian ini adalah deskriptif kuantitatif. Lokasi penelitian di SMA Negeri 1 Percut Sei Tuan Tahun Ajaran 2018/2019. Jumlah sampel yang digunakan adalah seluruh peserta didik kelas XI MIPA 2 sebanyak 34 orang. Sebelum melakukan penelitian ini, peneliti memberi pre test untuk mengetahui kemampuan peserta didik, sehingga diperoleh nilai rata-rata kelas yaitu 72,65. Selanjutnya peneliti member post test dan memperoleh rata-rata kelas yaitu 85,29.  Dari perhitungan uji hipotesis yang dilakukan diperoleh thitung = 14,87 pada taraf nyata α = 0,05 dan ttabel = 1,6723, berarti thitung  > ttabel (14,87 > 1,6723) artinya bahwa ada peningkatan yang sangat signifikan.  Dengan demikian dapat diambil kesimpulan bahwa dengan menggunakan model pembelajaran creative problem solving  dapat meningkatkan kreativitas peserta didik pada mata pelajaran seni tari kelas XI MIPA 2 di SMA Negeri 1 Percut Sei Tuan Tahun Ajaran 2018/2019. Kata Kunci: Model Pembelajaran Creative Problem Solving, Kreativitas.","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"27 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131923357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"RANGSANG IMITATIF DAN HUBUNGANNYA DENGAN KECERDASAN KINESTETIK DALAM PEMBELAJARAN TARI PADA ANAK USIA DINI DI TK HIKMATUL FADHILLAH KECAMATAN MEDAN DENAI","authors":"Debby Fitriana Yb, Inggit Prastiawan","doi":"10.24114/SENITARI.V7I2.13296","DOIUrl":"https://doi.org/10.24114/SENITARI.V7I2.13296","url":null,"abstract":"ABSTRACTThe results showed that through imitative stimuli in the dance learning process in Early Childhood there was a positive and significant relationship between imitative stimuli on kinesthetic intelligence of Early Childhood in Hikmatul Fadhillah Kindergarten, Medan Denai Subdistrict, indicated by the value r = 0.748 in the very high category . And 52.5% percent of children are seen while the remaining 47.5% percent is contributed by other variables outside of imitative stimuli. It is seen that the imitative stimulation coefficient has a positive influence with the development of child kinesthetic intelligence. The amount of 52.5% produced from kinesthetic intelligence is a large enough number of values to determine the relationship of imitative stimuli to kinesthetic intelligence. Keywords: Imitative stimuli, kinesthetic intelligence  ABSTRAK Hasil Penelitian diketahui bahwa melalui rangsang imitatif dalam proses pembelajaran tari pada Anak Usia Dini ada hubungan yang positif dan signifikan antara rangsang imitatif terhadap kecerdasan kinestetik Anak Usia Dini di TK Hikmatul Fadhillah Kecamatan Medan Denai yang ditunjukan dengan nilai r = 0.748 yang berada dalam katagori sangat tinggi. Dan sebesar 52,5% persen anak yang terlihat sedang sisanya sebesar 47,5%  persen adalah kontribusi oleh variabel lain diluar rangsang imitatif. Terlihat bahwa koefisien rangsang imitatif memberikan pengaruh secara positif dengan berkembangnya kecerdasan kinestetik anak. Jumlah 52,5% yang dihasilkan dari kecerdasan kinestetik, merupakan jumlah nilai yang cukup besar untuk mengetahui hubungan rangsang imitatif terhadap  kecerdasan kinestetik. Kata kunci : Rangsang Imitatif, Kecerdasan Kinestetik","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125262754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"HUBUNGAN MATAKULIAH TATA RIAS DAN BUSANA DENGAN JASA MUA PADA LULUSANDAN MAHASISWA PRODI PENDIDIKAN TARI UNIVERSITAS NEGERI MEDAN","authors":"Malisa Binti Ali Ibrahim, Sitti Rahmah","doi":"10.24114/senitari.v8i1.13190","DOIUrl":"https://doi.org/10.24114/senitari.v8i1.13190","url":null,"abstract":"ABSTRACT This study aims to understand the positive relationship between cosmetology and fashion courses with entrepreneurial Make Up Artist services for graduates and students of Medan State University Dance Education. The theoretical foundation in this paper is used as a guideline in writing a thesis consisting of cosmetology theory (Harymawan, 1993: 134), namely makeup is the art of using cosmetic materials to provide makeup or changes to the players on stage or stage with the appropriate atmosphere and naturally, the fashion code of Endang Caturwati (1996: 36), what is meant by clothing is everything that a person wears, consisting of clothing and accessories (accessories) and identical to the word costume, and entrepreneurial theory Thomas W. Zimmerer in Suryana (2011: 19) states entrepreneurship is the process of applying creativity and innovation in solving problems and finding opportunities to improve life or business. This research was conducted in November to January 2017. The data obtained were analyzed using quantitative data analysis using the Product Moment Correlation formula. The location of the study was conducted in the Dance Education Study Program at the Language and Arts Faculty of Sendratasik, Medan State University, Jl. Williem Iskandar Pasar V Medan Estate. Based on the results of the research conducted, it can be seen that cosmetology and fashion subjects make an effective contribution of 80.7% towards entrepreneurship for Make Up Artist services, it can be seen that the cosmetology courses really pay attention to the shape of the face with the desired makeup as well as the fashion where the subject provides knowledge about the differences in traditional clothing and creative clothing, so graduates and students are motivated to apply and hone the ability to become a make up  artist service. Keywords: Makeup and Clothing, Make Up Artist Entrepreneurship Services. ABSTRAK Penelitian ini bertujuan mengetaui hubungan positif antara matakuliah tata rias dan busana dengan kewirausahaan jasa  Make Up Artist pada lulusan dan mahasiswa Pendidikan Tari Universitas Negeri Medan. Landasan teoritis dalam skripsi ini dijadikan pedoman dalam penulisan skripsi yang terdiri dari teori tata rias (Harymawan,1993:134) yaitu Tata rias adalah seni menggunakan bahan-bahan kosmetika untuk memberikan dandanan atau perubahan pada para pemain di atas panggung atau pentas dengan suasana yang sesuai dan wajar, tata busana Endang Caturwati (1996:36), yang dimaksud dengan busana adalah segala yang dikenakan seseorang, yang terdiri dari pakaian dan perlengkapannya (accessories) dan identik dengan kata kostum, dan teori kewirausahaan Thomas W. Zimmerer dalam Suryana (2011:19) menyatakan kewirausahaan adalah proses penerapan kreativitas dan inovasi dalam memecahkan persoalan dan menemukan peluang untuk memperbaiki kehidupan atau usaha. Penelitian ini dilaksanakan pada bulan Nopember sampai dengan Januari 2017. Data yang diperoleh dianalisis menggunakan an","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116523457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"NILAI RELIGIUS TARI HANGGU PADA MASYARAKAT NIAS DI DESA TORELOTO NIAS UTARA","authors":"Lihar Marandra, Iskandar Muda","doi":"10.24114/SENITARI.V8I1.13192","DOIUrl":"https://doi.org/10.24114/SENITARI.V8I1.13192","url":null,"abstract":"ABSTRACT  This study aims to describe the content of religious values found in Hanggu dance in the community of Toreloto village, Lahewa sub-district, North Nias. The theories used in this study include Text theory by Nurwani and Gadamer Hermeneutics theory. This study uses a descriptive qualitative approach. Descriptive aims to describe or describe. Qualitative methods consist of three methods of data collection: 1) observation, 2) interviews, 3) utilization of written documents, and interviews. This research produced knowledge about the existence of Islamic cultural backgrounds that developed in the Nias islands, precisely in Toreloto Village, Lahewa sub-district, North Nias. Hanggu dance is an art that builds Islamic principles or values. This can be seen in the elements that exist in the Hanggu dance, namely, motion (religious value of human-god relations in the motion of greetings and religious values of human-human relations), music (religious values of human-god relations and religious values of human-human relations) , themes (religious values of human-god relations), clothing (religious values of human relations and religious values of human-human relations), property (religious values of human-god relations) and floor patterns (religious values of human relations). The religious value intended in this discussion is a learning process in people's lives where an art can create a harmonious relationship between creatures and the creator and among fellow humans. Keyword : Religious Value, Hanggu Dance, Gadamer Hermeneutics.     ABSTRAK Penelitian ini bertujuan untuk mendeskripsikan kandungan nilai religius yang terdapat dalam tari Hanggu pada masyarakat desa Toreloto, kecamatan Lahewa, Nias Utara. Teori-teori yang digunakan dalam penelitian ini meliputi teori Teks oleh Nurwani dan teori Hermeneutika Gadamer. Penelitian ini menggunakan pendekatan kualitatif yang bersifat deskriptif. Deskriptif bertujuan untuk menggambarkan atau menguraikan. Metode kualitatif terdiri dari tiga cara pengumpulan data : 1)observasi, 2)wawancara, 3)pemanfaatan dokumen tertulis, dan hasil wawancara. Penelitian ini menghasilkan ilmu pengetahuan mengenai eksistensi tari berlatar belakang kebudayaan Islam yang berkembang di kepulauan Nias, tepatnnya di Desa Toreloto, kecamatan Lahewa, Nias Utara. Tari Hanggu merupakan kesenian yang membangun prinsip ataupun nilai-nilai Islami. Hal ini terlihat dalam element-element yang ada pada tari Hanggu yaitu, gerak (Nilai religius hubungan manusia-tuhan pada gerak salam dan nilai religius hubungan manusi-manusia), musik (nilai religius hubungan manusia-tuhan dan nilai religius hubungan manusia-manusia), tema (nilai religius hubungan manusia-tuhan), busana (nilai religius hubungan manusi-tuhan dan nilai religius hubungan manusia-manusia), property (nilai religius hubungan manusia-tuhan) dan pola lantai (nilai religius hubungan manusi-tuhan). Nilai religius yang dimaksudkan dalam pembahasan ini adalah suatu proses pembelajaran dal","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124527459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ETIKA DAN ESTETIKA MEUDIKEE ANGGOK DI DAYAH DARUL HUDA DESA BAYI KECAMATAN TANAH LUAS LHOKSUKON KABUPATEN ACEH UTARA","authors":"Erna Fitriyawati, Iskandar Muda","doi":"10.24114/SENITARI.V7I2.13295","DOIUrl":"https://doi.org/10.24114/SENITARI.V7I2.13295","url":null,"abstract":"ABSTRACT This study discusses the Value of Ethics and Aesthetics Meudikee Anggok In Dayah Darul Huda Bayi Village District Lhoksukon District Luas Aceh. Aims to describe Ethical and Esthetic Value of Meudikee Anggok In Dayah Darul Huda Bayi Village, Lhoksukon Sub-district, Lhokukon District, Aceh. The theory used in this study is the ethical theory of K. Bertens According to K. Bertens The ethical theory according to K. Bertens (1993: 53) that ethics is the conscience (inner life), how to be ethical and good that actually arise from self awareness. Based on the theory of K. Bertens concluded that every human being has experience of the conscience and that experience is the most obvious encounter with morality as a reality, it is difficult to show another experience that is so frankly the ethical dimension of our lives. Hence the experience of the conscience is an appropriate entry point about ethics. Time in use in this study is during (two months), ie from July to September. The location of this research was conducted in Bayi Village, North Aceh District. The population in this study are artists who know about Meudikee Anggok dance, and the sample is Aneuk Dikee (son of Zikir). The research data analysis used is descriptive qualitative, data collecting technique done by obsevasi, literature study, interview, and documentation. Based on the data collected, it can be seen that Meudikee Anggok has been known for a long time. The number of boys who performed Meudikee Anggok at the beginning of choreographer formation was 16 Aneuk Dikee and 4 syeh (radad). Meudikee anggok has ethical values contained in the ethics of movement 1. Respect 2. Saleum. 6. Noble Prophets and 7. Prayers. Aesthetic value that can be observed every movement at 3. Istigfar, 4. Salawat prophets and 5. Qasas. Keywords: Meudikee Anggok Di Dayah darul Huda Deswa Bayi Kecamatan Luas Lhoksukon                  Kabupaten Aceh Utara,Ethics and Aesthetics.","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125036739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EKSISTENSI TARI POH KIPAH PADA MASYARAKAT LHOKSEUMAWE","authors":"Niza Vayatul Niza, Yusnizar Heniwaty","doi":"10.24114/SENITARI.V7I2.13305","DOIUrl":"https://doi.org/10.24114/SENITARI.V7I2.13305","url":null,"abstract":"ABSTRACT This study is a study of the existence of Poh Kipah dance in Lhokseumawe community. In this discussion using the theories relating to the topic of research is the theory of existence.The method used in this research is qualitative research method. The population in this study as well as a research sample of artists and dancers. Data collection techniques include literature study, interview, observation, and documentation.Based on the research that has been done, the existence of Poh Kipah dance which is seen from three time span, first from 1959-1979, Poh Kipah dance at this time become the beginning of the show performed as entertainment on the implementation to commemorate the Prophet's Maulid and the Circumcision. Where in the past this dance only has some movements such as hitting the fan into the palm of the hand, tapping the fan handle to the floor palm. Music accompaniment using internal music in the form of poetry in chant by syeh and in addition to the fan tap. The pattern of the floor from the beginning of entry has been sitting on the stage, with male dancers who numbered eight or the whole peoples, the clothing was only wearing bay clothing and wearing a cap, where in the dance held in the field and on the yard of the mosque, the purpose of dance Inn as an entertainment event at the Prophet's Maulid event. Second from 1979-1999, Poh Kipah dance in this period nothing changed from its existence in because at this time there is no data or documents that are clear for this dance performance. Third 1999-present, in this period the existence of this dance has undergone several changes that can be seen from the addition of varied motion, the music has been changed with the addition of musical instruments serune kale and rapai, in the composition of the accompaniment, from the side of the dancer has included a female dancer In the composition of the dance, this event is still still encountered in the entertainment event Prophet's Maulid and Circumcision but now we have found also in festivals, and Culture Week of Aceh. Keywords: Existence, Poh Kipah Dance In Lhokseumawe Society.","PeriodicalId":125038,"journal":{"name":"Gesture : Jurnal Seni Tari","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129009822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}