BENTUK KOREOGRAFI MEUDIKEE ANGGOK DI DAYAH DARUL HUDA DESA BAYI KECAMATAN TANAH LUAS LHOKSUKON KABUPATEN ACEH UTARA

Gesture : Jurnal Seni Tari Pub Date : 2018-12-31 DOI:10.24114/SENITARI.V7I1.11904

Ovi Wulandary, Rhd Nugrahaningsih, Sitti Rahmah

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Abstract

Abstract − This study discusses the form of choreography meudikee anggok in dayah Darul Huda Bayi Village District Lhoksukon Land Area North Aceh District. Aims to describe the form of choreography meudikee Anggok in one studayah District of North Aceh.The theory used in this research is the theory of Choreography Sal Murgiyanto that choreography is the process of selecting and arranging movements into a dance, in which there is a creative behavior. Composition is part or aspect of creative behavior. The time spent in the study for two months, starting from July to September. The location of this research was conducted in Bayi Village, Tanah Luas Lhoksukon Sub District, North Aceh District. The population in this study are the dayah-dayah (pengajian) in the District Land Luas Lhoksukon District of North Aceh and the sample is Dayah Darul Huda Bayi Village. The research analysis used is descriptive qualitative. Technique of collecting data is done by observation, interview, documentation and literature study. The result of the research based on the data obtained shows that the form of Meudikee Anggok choreography is a form of the dance result from the elements of dance composition that is, motion meudikee Anggok is the motion of dhikr distortion and distillation, has some motive motive and dihat from energy aspect space and time. The design of the floor created is a straight line. The top designs created are pure, flat, curved, painted, contrasting, medium, deep and straight design. The music design follows the rhythm of chanting dhikir in khairat that brought the radat. The dramatic design created by multiple cone. Dynamics according to the chanting dhikrdhikr in khairat that brought the radat. The composition of the group that created the composition of a large group. The theme is Prophet Muhammad SAW. Makeup everyday. Muslim clothing namely peci, koko shirt and sarong. Not using property. The stage or stage stage is open. Tata the light from the sun. Keywords: Choreography Shape, Meu Dike Anggok, Dayah, Bid'ah, Dalail

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摘要:本研究探讨了亚齐北部地区Lhoksukon Land地区dayah Darul Huda Bayi Village区medikee anggok的编舞形式。目的描述北亚齐一个研究区的舞蹈形式。本研究使用的理论是舞蹈编排理论萨尔·穆尔吉扬托，他认为舞蹈编排是对舞蹈动作进行选择和编排的过程，是一种创造性的行为。作曲是创作行为的一部分或一个方面。在研究中花费的时间为两个月，从7月到9月。这项研究的地点是在北亚齐区Tanah Luas Lhoksukon街道的八一村。本研究的人口为北亚齐省Land Luas Lhoksukon区的Dayah - Dayah (pengajian)，样本为Dayah Darul Huda Bayi村。使用的研究分析是描述性定性的。数据收集技术采用观察法、访谈法、文献法和文献法。根据所获得的资料进行研究的结果表明，梅迪基秧歌编舞的形式是舞蹈构成要素的一种舞蹈结果形式，即运动梅迪基秧歌是对秧歌的运动的扭曲和升华，从时空能量方面具有一定的动机和动机。地板的设计是一条直线。创造的顶级设计是纯、平、弯、画、对比、中、深、直的设计。音乐设计遵循在khairat中诵经dhikir的节奏，这带来了radat。由多个圆锥体构成的戏剧性设计。根据在khairat中吟诵的dhikrhikr而产生的动力。群体的构成构成了一个大群体的构成。主题是先知穆罕默德。每天化妆。穆斯林服装，即佩奇、科科衬衫和纱笼。不使用财产。舞台或舞台是开放的。塔塔从太阳的光。关键词:编舞形态，Meu Dike Anggok, Dayah, Bid'ah, Dalail

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Gesture : Jurnal Seni Tari

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