DIHAR SITARLAK PADA MASYARAKAT SIMALUNGUN : KAJIAN SEMIOTIK

S. Simanungkalit, N. Nurwani, Iskandar Muda
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Abstract

Abstract−This study examines the semiotics contained in diharsitarlak in Simalungun society. The goal is to explore the meaning contained in the sararar and interpretation of meaning seen through the theory of semiotics. Sitarlak is a martial arts that comes from Simalungun who became the performing arts for the community that is as a welcome dance for accompanied by music and using a special outfit. The theory used relates to the research topic of Suzanna K. Langer theory which discusses the motion and the theory of semiotic de Saurrsure to express the meaning. The research time used to discuss the semiotics was held in Simalungun society was done for 2 months ie end of August until October 2017. The research place was SanggarTortor Elak-elak in Kelurahan Sirpang Dalig Raya, Raya Subdistrict, Simalungun Regency. Population in this research is artist as well as adat character, sambual (pemusik), pandihar (people who bersilat) who understand about diharsitarlak. Data collection techniques include literature study, observation, interview and documentation, and then analysis with qualitative descriptive method. Based on the research conducted, the form of diharsitarlak is a series of silat movements consisting of 7 main motifs yaitu sombah, throw boxing worship, marsimbur, mangindo (top level), mangindo (lower level), lakkasitolu-tolu and cover worship. Clothing that is used in the sitarlakdihar is long shirt and trousers (black, red, and mixture of black, white, red), yeast pane, suri-suri, and gotong salalu. The accompaniment of music on the sitarlakdihar gondrang haro-day, parahot, and gual porang. As for the semiotics contained in the scarred sitarlak poured through the sign (sign) seen from the form of motion in the series of presentation, marker (signifier) is a form of motion as the main motive in the diharsitarlak, and signified (signified) is the meaning contained in diharsitarlak. So it can be interpreted the overall meaning in the absolute sarar is the actualization of life of the people of Simalungun in various conditions, such as giving thanks to God, facing temptation, being polite and humble, respecting and appreciating others. Keywords: semiotics, signs, signifer, signified, diharsitarlak
−本研究考察了司马伦贡社会diharsitarlak所包含的符号学。目的是通过符号学的理论来探讨话语所包含的意义和意义的解释。Sitarlak是一种武术,来自于Simalungun,它成为了社区的表演艺术,是一种欢迎舞蹈,伴随着音乐,使用特殊的服装。所使用的理论涉及到苏珊娜·兰格理论的研究主题,该理论讨论了表达意义的运动和符号学理论。讨论符号学的研究时间在司马伦根学会进行,时间为2个月,即2017年8月底至10月。研究地点为Simalungun县Raya街道Kelurahan Sirpang Dalig Raya的SanggarTortor Elak-elak。本研究的人群是艺术家和adat角色,sambual (pemusik), pandihar (bersilat的人),他们了解diharsitarlak。数据收集技术包括文献研究法、观察法、访谈法和文献法,然后采用定性描述法进行分析。经研究,迪哈西塔勒克的形式是一系列的silat动作,由7个主要主题组成:yaitsombah、throw boxing worship、marsimbur、mangindo(上层)、mangindo(下层)、lakkasitolu-tolu和cover worship。在sitarlakdihar中使用的衣服是长衬衫和裤子(黑色,红色和黑色,白色,红色的混合物),酵母板,suri-suri和gotong salalu。锡塔拉克迪哈尔贡德拉琴上的音乐伴奏——哈洛日、帕拉特和瓜尔波朗。从一系列呈现中的运动形式来看,伤痕累累的西塔拉克所包含的符号学通过符号(sign)倾泻而出,标记(signifier)是西塔拉克中作为主要动机的运动形式,所指(signified)是西塔拉克中所包含的意义。因此,绝对萨拉的总体意义可以解释为司马伦贡人在各种条件下的生活实现,如感谢上帝,面对诱惑,礼貌谦逊,尊重和欣赏他人。关键词:符号学,符号,能指,所指,diharsitarlak
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