RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series最新文献_第7页

THE CORPOREAL IN THE VIDEO INSTALLATIONS OF IRANIAN-AMERICAN ARTIST AND FILMMAKER SHIRIN NESHAT 伊朗裔美国艺术家和电影制作人shirin neshat的影像装置中的肉体

RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series Pub Date : 1900-01-01 DOI: 10.28995/2686-7249-2023-2-119-136

Natalia V. Kazurova, E. Y. Trushkina

{"title":"THE CORPOREAL IN THE VIDEO INSTALLATIONS OF IRANIAN-AMERICAN ARTIST AND FILMMAKER SHIRIN NESHAT","authors":"Natalia V. Kazurova, E. Y. Trushkina","doi":"10.28995/2686-7249-2023-2-119-136","DOIUrl":"https://doi.org/10.28995/2686-7249-2023-2-119-136","url":null,"abstract":"The article studies the art of the famous Iran-American artist and director Shirin Neshat. The recognition of Neshat’s talent around the world and the demand for her works show to the relevance of the issues spotlighted in her works. Shirin Neshat’s video installations have become classics of modern art and the subject of scientific study for art historians, orientalists, cultural scientists, philosophers and a wide range of researchers. The artwork by Neshat is wildly known as the symbol of modern Iranian art. It reflects all the painful political events of the modern Iran history. The article focuses on corporeal practices considered on the example of key works of the artist. The video installations “Turbulent” (1998), “Rapture” (1999), “Soliloquy” (1999), “Fervor” (2000), “Passage” (2001). The article provides a consistent and detailed analysis of corporeal practices (facial expressions, gestures, body plasticity, voice vibrations, etc.) and the body itself as a tool through which the author constructs the space of an artistic statement. The article presents the new classification of the corporeal through the concepts of “political body”, “poetical body” and “autobiographical body” in the art of Shirin Neshat","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129932614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

TYPOLOGICAL FEATURES OF THE CATEGORY OF PERSON IN RUSSIAN GRAMMAR. EXPANSION INTO SYNTAX, MAXIMUM ACTIVITY OF SUBJECTLESS SENTENCES IN SLAVIA, VARIETY OF UNREAL MODALITIES 俄语语法中人称范畴的类型特征。扩展到句法，斯拉夫语中无主语句子的最大活动，各种虚幻模态

RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series Pub Date : 1900-01-01 DOI: 10.28995/2686-7249-2022-8-24-45

Nina B. Mechkovskaya

{"title":"TYPOLOGICAL FEATURES OF THE CATEGORY OF PERSON IN RUSSIAN GRAMMAR. EXPANSION INTO SYNTAX, MAXIMUM ACTIVITY OF SUBJECTLESS SENTENCES IN SLAVIA, VARIETY OF UNREAL MODALITIES","authors":"Nina B. Mechkovskaya","doi":"10.28995/2686-7249-2022-8-24-45","DOIUrl":"https://doi.org/10.28995/2686-7249-2022-8-24-45","url":null,"abstract":"The restructuring in the system of verb tenses, which took place in the separate history of the Slavic languages, led in a number of languages to the loss of grammatical person indicators s in some predicative models and to the activation of impersonal and subjectless sentences. If in the Proto-Slavic and Old Russian languages in all forms of the past tenses the meaning of the person was present, then in the Russian language, in place of the four past tenses, one perfect was preserved, in which the link present time from the verb *byti, which explicitly expressed the meaning of the person, was gradually lost. The linguistic consciousness of the speakers got used to the indistinctness of the grammatical person, which led to the emergence of structurally diverse and widely used non-subjective sentences. According to the repertoire of models of subjectless sentences, the Slavic languages are close to each other, but differ in the activity of the models. The occurrence of infinitive and mononuclear sentences with a verbal predicate in the 2nd person singular increases in the direction from Slovenian to Polish and further to Russian. In the aspect of areal-diachronic differences between the Slavic languages, the considered facts show that in the direction from west to east (from Slovene to Polish and further to Russian) there is a typological tendency to weaken the inflectional nature of the grammatical category of a person and to blur the basic meanings of a person.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130099889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

FROM THE “NOTEBOOKS” OF PROFESSOR A.V. KARAVASHKIN 来自卡拉瓦什金教授的"笔记本

RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series Pub Date : 1900-01-01 DOI: 10.28995/2686-7249-2021-7-18-30

引用次数: 0

IN THE SETTING OF AN EXPLOSION. THE END OF THE 20TH CENTURY IN JOURNALISM OF YU.M. LOTMAN 在爆炸的背景下。20世纪末中国新闻学的发展。秉承

RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series Pub Date : 1900-01-01 DOI: 10.28995/2686-7249-2022-10-134-152

A. Gotovtseva, Dmitry E. Kuzovkin

{"title":"IN THE SETTING OF AN EXPLOSION. THE END OF THE 20TH CENTURY IN JOURNALISM OF YU.M. LOTMAN","authors":"A. Gotovtseva, Dmitry E. Kuzovkin","doi":"10.28995/2686-7249-2022-10-134-152","DOIUrl":"https://doi.org/10.28995/2686-7249-2022-10-134-152","url":null,"abstract":"The article is focusing on an application of the theory of explosion to the processes of the late 80s – early 90s in the USSR in the journalistic texts of Lotman. In the last years of his life, which coincided with perestroika and the collapse of the USSR, Lotman often acted as a publicist. That was facilitated both by external circumstances (scientific fame and the popularity of the TV shows “Conversations about Russian culture”, which provided him with an unprecedentedly wide audience for a humanities scholar), and an internal need associated with the desire to understand rapidly changing circumstances. Lotman’s journalism is closely related to his scientific work. Thus, the theory of the explosion as a cultural phenomenon, which gradually took shape in his works during the 1980s and early 1990s, found, perhaps unexpectedly for the author himself, confirmation in the collapse of the USSR. Lotman’s reaction to those events was very complex. As a researcher, he was well aware of the nature and mechanisms of the cultural explosion, and in that sense, reality stimulated his scientific research. As a “common person” (that is how Lotman positioned himself), he was confused and alarmed by the unpredictability of the modern world, as can be seen from his letters. The desire to connect these two poles, to take a certain civic position, in which a sober understanding of current events merges with an emotional reaction to them, forced Lotman to turn to journalism. The scientist defined the pathos of his publicistic speeches as “restrained optimism”, balancing between hope and anxiety. Several layers are distinguished in those texts: autobiographical, historical, theoretical. The object of the study is the public speeches of the late Lotman, letters, autobiographical text","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130882927","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE USING FEATURES OF THE SCIENCETAINMENT METHOD IN POPULAR SCIENCE JOURNALISM (ON THE EXAMPLES OF THE PROGRAMS OF THE TV CHANNEL “SCIENCE”) 科普新闻中科学娱乐化手法的运用特点(以“科学”频道节目为例)

RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series Pub Date : 1900-01-01 DOI: 10.28995/2686-7249-2021-10-69-76

Dar’ya V. Nerents, A. Skvortsova

引用次数: 1

LUCKY OKUDZHAVA BOOK REVIEW: ALEKSANDROVA M А . BULAT OKUDZHAVA’S CREATIVE PATH AND THE MYTH OF THE “GOLDEN AGE”, M.: F LINTA, 2021. 592 P. Lucky okudzhava书评:aleksandrova m А。《布拉特·奥库扎瓦的创作之路与“黄金时代”的神话》，弗林塔，2021年。592便士。

RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series Pub Date : 1900-01-01 DOI: 10.28995/2686-7249-2022-7-254-264

S. S. Boyko

引用次数: 0

"CONSTITUTIONAL TUG-OF-WAR": THE PROCESS OF DRAFTING A NEW CONSTITUTION BY THE PRESIDENT AND THE SUPREME COUNCIL IN THE NEWSPAPERS IN 1993 “宪法拔河”:1993年报纸上总统和最高委员会起草新宪法的过程

RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series Pub Date : 1900-01-01 DOI: 10.28995/2686-7249-2019-9-40-46

Tatyana V. Skokova

引用次数: 0

RESPONDING TO DOSTOYEVSKY? JULIO JURENITO BY ILYA EHRENBURG 回应陀思妥耶夫斯基?伊利亚·埃伦伯格的《胡里奥·尤伦尼托》

RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series Pub Date : 1900-01-01 DOI: 10.28995/2686-7249-2021-8-30-42

G. Prokhorov

{"title":"RESPONDING TO DOSTOYEVSKY? JULIO JURENITO BY ILYA EHRENBURG","authors":"G. Prokhorov","doi":"10.28995/2686-7249-2021-8-30-42","DOIUrl":"https://doi.org/10.28995/2686-7249-2021-8-30-42","url":null,"abstract":"Julio Jurenito – a 1924 Modernist novel by Ilya Ehrenburg, written hot on the heels of the 1917 Revolution and is distinguished by both a wide intertextual spectrum and an acute satirical orientation in relation to all ideological trends and factions. The article focuses on references of the novel by Ilya Ehrenburg to the legacy of Dostoevsky – primarily – The Brothers Karamazov. Ilya Ehrenburg resets Dostoevsky’s features – his protagonists and some elements of plot – into the reality of European history of the First World War, Russian Revolution and Civil War. But also, Ehrenburg goes beyond Dostoevsky’s semantic continuum, replacing the author’s sense of History as a process striving for its endpoint with a History in which an end is fundamentally impossible, and there is always at least the potential to put the flow of event on pause and rewrite their mistakes. As well, the idea important for Dostoevsky that of the moral damage of the modern atheist-minded person is transformed into a demonstration of the people’s inclination to create idols and devoutly worship the latter. Ilya Ehrenburg’s novel is grounded on an interpretation of Dostoevsky, perfected through the prism of the traditions of the Jewish Enlightenment.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129251308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE CAMPAIGN TO “CLEANSE” THE PARTY AND STATE APPARATUS IN THE SATIRICAL MAGAZINE “CROCODILE” (1929–1930) 讽刺杂志《鳄鱼》的“清洗”党和国家机器运动(1929-1930)

RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series Pub Date : 1900-01-01 DOI: 10.28995/2686-7249-2022-9-62-100

A. L. Yurganov

引用次数: 0

VISUAL AND MUSICAL IN THE VERBAL TEXT. “BOLERO” BY N. ZABOLOTSKY 视觉和音乐在口头文本。扎波洛斯基的《波莱罗》

RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series Pub Date : 1900-01-01 DOI: 10.28995/2686-7249-2021-8-43-52

Victoria Malkina

引用次数: 0