{"title":"LUCKY OKUDZHAVA BOOK REVIEW: ALEKSANDROVA M А . BULAT OKUDZHAVA’S CREATIVE PATH AND THE MYTH OF THE “GOLDEN AGE”, M.: F LINTA, 2021. 592 P.","authors":"S. S. Boyko","doi":"10.28995/2686-7249-2022-7-254-264","DOIUrl":null,"url":null,"abstract":"The review considers the book “Bulat Okudzhava’s creative path and the myth of the ‘golden age’ ” by M.A. Aleksandrova. This monograph covers the creative heritage of Bulat Okudzhava. M. Alexandrova considers it in a broad literary context. She adequately interprets the writer’s cultural landmarks and the artistic features of his works. She convincingly refutes the popular opinion about the poet as a “singer of antiquity”. The monograph thoroughly examines the motive of personal responsibility as the dominant of Okudzhava’s work of the 1980s - 1990s.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.28995/2686-7249-2022-7-254-264","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
The review considers the book “Bulat Okudzhava’s creative path and the myth of the ‘golden age’ ” by M.A. Aleksandrova. This monograph covers the creative heritage of Bulat Okudzhava. M. Alexandrova considers it in a broad literary context. She adequately interprets the writer’s cultural landmarks and the artistic features of his works. She convincingly refutes the popular opinion about the poet as a “singer of antiquity”. The monograph thoroughly examines the motive of personal responsibility as the dominant of Okudzhava’s work of the 1980s - 1990s.