{"title":"视觉和音乐在口头文本。扎波洛斯基的《波莱罗》","authors":"Victoria Malkina","doi":"10.28995/2686-7249-2021-8-43-52","DOIUrl":null,"url":null,"abstract":"In the article the poem by N.A. Zabolotsky “Bolero” (1957) is considered from the point of view of the visual and musical imagery representation in it. The main purpose of the paper is to determine how the title In the article the poem by N.A. Zabolotsky “Bolero” (1957) is considered from the point of view of the visual and musical imagery representation in it. The main purpose of the paper is to determine how the title","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"94 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"VISUAL AND MUSICAL IN THE VERBAL TEXT. “BOLERO” BY N. ZABOLOTSKY\",\"authors\":\"Victoria Malkina\",\"doi\":\"10.28995/2686-7249-2021-8-43-52\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the article the poem by N.A. Zabolotsky “Bolero” (1957) is considered from the point of view of the visual and musical imagery representation in it. The main purpose of the paper is to determine how the title In the article the poem by N.A. Zabolotsky “Bolero” (1957) is considered from the point of view of the visual and musical imagery representation in it. The main purpose of the paper is to determine how the title\",\"PeriodicalId\":124543,\"journal\":{\"name\":\"RSUH/RGGU Bulletin. \\\"Literary Theory. Linguistics. Cultural Studies\\\" Series\",\"volume\":\"94 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RSUH/RGGU Bulletin. \\\"Literary Theory. Linguistics. Cultural Studies\\\" Series\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.28995/2686-7249-2021-8-43-52\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.28995/2686-7249-2021-8-43-52","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
VISUAL AND MUSICAL IN THE VERBAL TEXT. “BOLERO” BY N. ZABOLOTSKY
In the article the poem by N.A. Zabolotsky “Bolero” (1957) is considered from the point of view of the visual and musical imagery representation in it. The main purpose of the paper is to determine how the title In the article the poem by N.A. Zabolotsky “Bolero” (1957) is considered from the point of view of the visual and musical imagery representation in it. The main purpose of the paper is to determine how the title