Humanities (Basel, Switzerland)最新文献_第7页

Derek Jarman’s Tempest, William Shakespeare’s Salò Derek Jarman的《暴风雨》，William Shakespeare的《萨洛》

Humanities (Basel, Switzerland) Pub Date : 2023-08-03 DOI: 10.3390/h12040076

Tomas Elliott

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Palestine in the Cloud: The Construction of a Digital Floating Homeland 云中的巴勒斯坦:数字漂浮家园的建设

Humanities (Basel, Switzerland) Pub Date : 2023-08-01 DOI: 10.3390/h12040075

Hanine Shehadeh

{"title":"Palestine in the Cloud: The Construction of a Digital Floating Homeland","authors":"Hanine Shehadeh","doi":"10.3390/h12040075","DOIUrl":"https://doi.org/10.3390/h12040075","url":null,"abstract":"A widespread revolt during the months of April and May 2021 in the Palestinian city of Jerusalem, also known as Habbet Ayyar, responded to Israeli actions aiming to ethnically cleanse and force out residents from the neighborhood of Sheikh Jarrah in East Jerusalem, where approximately 3000 people reside, and to limit the movement and entry of Palestinians to Al-Aqsa Mosque. These measures were met with an unprecedented wave of youth-led protests against the Israeli army, police, security agencies, and settlers. Habbet Ayyar stands out not only for its innovative and effective use of new media to amplify the protests beyond Israel’s sphere of influence and control, but also for the unity displayed by fragmented Palestinians as they confronted Israel. By exploring the larger historical and geographical context of the movement that led to Habbet Ayyar, this article aims to understand how Palestinians have utilized, for the past 20 years, new media as a battleground—despite enforced digital colonialism—and how these media served to articulate and create what I call a digital “floating homeland”. The concept of a “floating homeland” is useful for exploring how the Palestinian virtual social movement has redefined and reconnected with Palestine beyond Israel’s control and fragmentation. This digital homeland is constructed through new technologies that have reshaped Palestinian self-identification and allowed for a virtual and digital reconceptualization of a borderless Palestine.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48333858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Fanaticism and E. M. Cioran’s “Lyrical Leprosy” 狂热与e.m.乔兰的“抒情麻风病”

Humanities (Basel, Switzerland) Pub Date : 2023-07-31 DOI: 10.3390/h12040073

T. Airaksinen

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Communication and Violence in the Poetics of Terayama Shūji: From the Poetic to the Theatric Terayama Shúji诗学中的交流与暴力：从诗学到戏剧

Humanities (Basel, Switzerland) Pub Date : 2023-07-31 DOI: 10.3390/h12040074

Shunsuke Okada, Jason M. Beckman

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Videographic, Musical, and Linguistic Partnerships for Decolonization: Engaging with Place-Based Articulations of Indigenous Identity and Wâhkôhtowin 非殖民化的录像、音乐和语言伙伴关系:参与基于地点的土著身份表达和Wâhkôhtowin

Humanities (Basel, Switzerland) Pub Date : 2023-07-28 DOI: 10.3390/h12040072

Joanie Crandall

{"title":"Videographic, Musical, and Linguistic Partnerships for Decolonization: Engaging with Place-Based Articulations of Indigenous Identity and Wâhkôhtowin","authors":"Joanie Crandall","doi":"10.3390/h12040072","DOIUrl":"https://doi.org/10.3390/h12040072","url":null,"abstract":"N’we Jinan, a group of young Indigenous artists who run a mobile production studio and an integrative arts studio, travel to different Indigenous communities, where they support youth in writing and recording music that involves the local community. N’we Jinan employs social media to articulate and protect Indigeneity through the sharing of Indigenous music videos, empowering youth to resist continued colonization. These videos serve to create a sense of connection in Indigenous communities in Turtle Island (Canada) as well as offer a means by which non-Indigenous listeners can learn about contemporary Indigenous cultures. Viewed in conjunction with Nunavut’s Inuit Qaujimajatuqangit and the Northwest Territories’ Dene Kede and Inuuqatigiit, which provide a framework of traditional knowledge, values, and skills specific to Indigenous communities in the Canadian Arctic, the texts implicitly invite non-Indigenous listeners’ engagement in social justice activism as settler allies. The texts invite listening to and viewing the empowering songwriting and recording practices through the lens of social justice and wâhkôhtowin or kinship relations, which involves walking together (Indigenous and settler) in a good way and engaging with Bourdieu’s influential framework of cultural capital. The themes explored in the songs include cultural identity, language, and self-acceptance. The empowering songs of N’we Jinan are place-based articulations of identity that resist coloniality and serve as calls to action, creating embodied videographic, musical, and linguistic partnerships that serve as important articulations of Indigenous identity and which promote the decolonization of reading and listening practices and, by extension, education.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44459241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Monsters on MTV: Adaptation and the Gothic Music Video MTV上的怪物:改编和哥特音乐录影带

Humanities (Basel, Switzerland) Pub Date : 2023-07-27 DOI: 10.3390/h12040071

Drago Momcilovic

{"title":"Monsters on MTV: Adaptation and the Gothic Music Video","authors":"Drago Momcilovic","doi":"10.3390/h12040071","DOIUrl":"https://doi.org/10.3390/h12040071","url":null,"abstract":"Music videos of the MTV era often use gothic visual signifiers as decorative elements or creative expressions of the musician’s star persona or latest record. But several video clips from the early 1980s adapt the figure of gothic monstrosity, and in particular, the images and stories of the undead or beastly Other, in ways that dramatize the music video’s evolving aesthetic, commercial, and technological character and its unpredictable relation to Gothic. In this article, I look closely at the narrative elements of two important configurations of gothic-themed video clips: “Don’t Go” (1982) by Yazoo, “Telefone (Long Distance Love Affair)” (1983) by Sheena Easton, and “Mary Jane’s Last Dance” (1993) by Tom Petty and the Heartbreakers, which creatively adapt textual elements of Mary Shelley’s 1818 novel Frankenstein and its various film adaptations and parodies and its cultural significance in the modern Western imaginary; and “Thriller” (1983) by Michael Jackson and “Heads Will Roll” (2009) by the Yeah Yeah Yeahs, which likewise adapt and reimagine aspects of John Landis’s 1981 horror comedy film An American Werewolf in London and its afterlife in the modern media ecosystem. These videos, I argue, trouble conventional understandings of the practice of adaptation as a one-to-one line of inheritance between source material and destination text. In so doing, furthermore, these clips amplify and elaborate certain socio-cultural anxieties about gender and race, personal and professional identity and autonomy, and technological innovation and automation that animate their source materials.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42765105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

An Ecofeminist Perspective of the Alternate-History Novel Pastwatch: The Redemption of Christopher Columbus 从生态女性主义视角看代际历史小说《守望往昔:克里斯托弗·哥伦布的救赎》

Humanities (Basel, Switzerland) Pub Date : 2023-07-27 DOI: 10.3390/h12040070

Shrouk Yasser Mohamed Abdelhalim Sultan, Asmaa Ahmed ElSherbini

引用次数: 0

Art and Storytelling on the Streets: The Council on Interracial Books for Children’s Use of African American Children’s Literature 街头艺术与讲故事:非裔美国儿童文学跨种族读物委员会

Humanities (Basel, Switzerland) Pub Date : 2023-07-25 DOI: 10.3390/h12040069

N. Batho

{"title":"Art and Storytelling on the Streets: The Council on Interracial Books for Children’s Use of African American Children’s Literature","authors":"N. Batho","doi":"10.3390/h12040069","DOIUrl":"https://doi.org/10.3390/h12040069","url":null,"abstract":"From 1970 until 1974, the Council on Interracial Children’s Books (CIBC) ran the Arts and Storytelling in the Streets program throughout New York City. This program involved African American and Puerto Rican artists and storytellers bringing children’s literature directly to children in the streets. This occurred amid a rise in African American children’s literature and educational upheavals in the city as local communities demanded oversight of their schools. Originating in the Ocean Hill-Brownsville district in New York City, the Arts and Storytelling on the Streets program helps to underscore the interrelation between African American children’s literature and educational activism. This article examines how storytelling sessions run by authors and illustrators became extensions of African American children’s literature and educational activism in the city as Black American children’s books became key tools in a fight for a more representative and relevant education. Storytelling teams hoped to use African American children’s literature to help engage children in reading and provide a positive association with literature among local children. The Art and Storytelling program mirrored ideas and themes within African American children’s literature including Black pride, community strength, and resisting white supremacy. The program also became a key extension of the literature as the locations, storytellers, and the audiences all helped to expand upon the impact and many meanings inherent in contemporary African American children’s literature.","PeriodicalId":93761,"journal":{"name":"Humanities (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44399292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

¿Por qué los Hombres tienen diversas Maneras de Ojos? Curiosities about the Eyes in Juan de Jarava’s Problemas o Preguntas problemáticas (1544) 为什么男人有不同的眼睛形状?胡安·德·贾拉瓦的问题或问题中的眼睛好奇(1544)

Humanities (Basel, Switzerland) Pub Date : 2023-07-21 DOI: 10.3390/h12040068

Folke Gernert

引用次数: 0

Strong Enough to Fight: Harriet Tubman vs. The Myth of the Lost Cause 强大到足以战斗:哈丽特·塔布曼与失败的神话

Humanities (Basel, Switzerland) Pub Date : 2023-07-20 DOI: 10.3390/h12040067

Laura Dubek

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