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Architecture in Anticipation: Building Socialist Friendship between Hungary and North Korea in the 1950s 《期待中的建筑:20世纪50年代匈牙利和朝鲜之间建立社会主义友谊
IF 0.5 2区 艺术学
Art History Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12684
Douglas Gabriel, Adri Kácsor
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引用次数: 0
Crafting Friendship 制作的友谊
IF 0.5 2区 艺术学
Art History Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12685
Christine I. Ho
{"title":"Crafting Friendship","authors":"Christine I. Ho","doi":"10.1111/1467-8365.12685","DOIUrl":"10.1111/1467-8365.12685","url":null,"abstract":"<p>Craft exhibitions were one of the major forms of cultural and economic exchange among socialist countries, a key feature of friendship exchanges that mapped Cold War alliances at mid-century. This essay examines the implications of craft exhibitions exported between China and her ‘brother’ nations, especially in Eastern Europe. Export exhibitions enabled the circulation of objects, craftspeople, and students, and trod a grey zone between art and industry, mutual cultural appreciation, and mutual economic dependency. Promoting craft as the epitome of socialist culture's diversity also questioned Soviet hegemony over the forms associated with high state culture, opening the way for other routes of formal experimentation and abstraction. Mapping craft exhibitions underscores how the socialist valorization of the ‘folk’ was not solely an enterprise of national identity, but construed as part of a crafted internationalism.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88017612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Countercultural Misunderstandings: Alternative Art and Cold War Politics 反主流文化的误解:另类艺术与冷战政治
IF 0.5 2区 艺术学
Art History Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12687
Klara Kemp-Welch
{"title":"Countercultural Misunderstandings: Alternative Art and Cold War Politics","authors":"Klara Kemp-Welch","doi":"10.1111/1467-8365.12687","DOIUrl":"10.1111/1467-8365.12687","url":null,"abstract":"<p>Drawing on Theodore Roszak's 1969 classic, <i>The Making of a Counter Culture: Reflections on the Technocratic Society and its Youthful Opposition</i>, this essay argues that the difficulties experienced by members of the counterculture in establishing bonds of solidarity with potentially like-minded groups were often shared by alternative artists working internationally post-1968. Opening with a case study in hostile American feedback on the politics of Russian émigré art in early 1980s New York, the article works through a range of unintended and intentional misunderstandings among leftist art workers and countercultural figures, whose political positions were formed in different centres and peripheries. Arguing that alternative art should be viewed as part of a shared, anti-technocratic project, the article proposes that glitches in communication are worth lingering over, as we continue to grapple with different accounts of historical developments, and seek to find ways of working across borders in polarized times.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/1467-8365.12687","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89761611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Between Two Easts: Picturing a Global Socialism in Albanian Post-War Art, 1959–69 在两个东方之间:描绘阿尔巴尼亚战后艺术中的全球社会主义，1959-69
IF 0.5 2区 艺术学
Art History Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12686
Raino Isto
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引用次数: 0
Introduction: Making Room for Misfits 引言:为不适合的人腾出空间
IF 0.5 2区 艺术学
Art History Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12690
Vivian Li
{"title":"Introduction: Making Room for Misfits","authors":"Vivian Li","doi":"10.1111/1467-8365.12690","DOIUrl":"10.1111/1467-8365.12690","url":null,"abstract":"<p>This special issue of <i>Art History</i> critically revisits the often-overlooked institutional circulations of art and art professionals, exhibitions, and other forms of cultural production within the Communist sphere from the late 1940s to its peak in the early 1960s during de-Stalinization, and eventual departure by the 1980s from the international ambitions of a ‘socialist’ globalism. As this collection of essays underscores, while the promise of ‘friendship’ and ‘solidarity’ in socialist internationalism offered a variety of transnational opportunities for art and artists, at the same time these complex concepts were also dependent on an unevenness of power, and not necessarily only with the Soviet Union. ‘Red Networks: Post-War Art Exchange’ emphasizes the contributions of the artists, art critics, and cultural administrators in state-socialist networks to the worldwide modernization of art after the Second World War through to contemporary art's global turn in the 1990s.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73901892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Out of Sync in Havana: Two Socialist Visions of Global Contemporary Art 在哈瓦那不同步:全球当代艺术的两种社会主义愿景
IF 0.5 2区 艺术学
Art History Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12689
Sohl Lee
{"title":"Out of Sync in Havana: Two Socialist Visions of Global Contemporary Art","authors":"Sohl Lee","doi":"10.1111/1467-8365.12689","DOIUrl":"10.1111/1467-8365.12689","url":null,"abstract":"<p>On 1 November 1989, when the third edition of la Bienal de la Habana opened its doors, the show included ink paintings from North Korea called <i>chosŏnhwa</i> (literally ‘Korean paintings’). By that time, the Korean–Cuban friendship had lasted for more than three decades, following its formation after the 1959 Cuban Revolution, and based on the principle of Third World solidarity. But this encounter in 1989 illustrates that their contemporary art was out of sync with one another. The Korean presentation contrasted with the more installation-oriented, inter-media works submitted by Cuban artists who were part of the ‘New Cuban art’ wave. As an archeological study on these two starkly different visions of ‘contemporary art’, this essay sustains a bifurcated view onto Pyongyang and Havana as a method with which to reassess the culture of Third World politics and post-coloniality at the Cold War's end, and to propose a translocational, South-to-South method of art history.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77463343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Doves and Machetes: Rina Lazo's Portable Mural Venceremos (1959) in Guatemala, North Korea, and Beyond 鸽子和大砍刀:丽娜·拉佐在危地马拉、朝鲜和其他地方的便携式壁画(1959)
IF 0.5 2区 艺术学
Art History Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12693
Marisol Villela Balderrama
{"title":"Doves and Machetes: Rina Lazo's Portable Mural Venceremos (1959) in Guatemala, North Korea, and Beyond","authors":"Marisol Villela Balderrama","doi":"10.1111/1467-8365.12693","DOIUrl":"10.1111/1467-8365.12693","url":null,"abstract":"<p>The portable mural <i>Venceremos</i> (<i>We Will Win</i>, 1959) by Guatemalan-born Rina Lazo (1923–2019) draws rarely seen parallels between the United States’ imperialist actions in North Korea and Guatemala during the 1950s. Using tactics and strategies of modern Mexican muralism, which she learned as an assistant to Diego Rivera, Lazo attempted to encourage Guatemalans to follow the North Korean example to overcome the US. This essay considers the qualities of <i>Venceremos</i> as a portable mural. As a work in progress, <i>Venceremos</i> functioned as a passport that allowed Lazo and her partner, Mexican artist Arturo García Bustos, to travel to Asia and Europe through the network of socialist nations in the 1950s. After its purchase by a Mexican politician in 1960, <i>Venceremos</i> was considered lost and remained out of view until 2010. This purchase functioned as an act of censorship that thwarted the revolutionary agency of <i>Venceremos</i> for half a century.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79034777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Abstracts & Authors' Biographies 摘要与作者传记
IF 0.5 2区 艺术学
Art History Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12710
{"title":"Abstracts & Authors' Biographies","authors":"","doi":"10.1111/1467-8365.12710","DOIUrl":"https://doi.org/10.1111/1467-8365.12710","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"137963107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imagined Solidarities: Cairo-Moscow and the Struggle for Realist Art 想象中的团结:开罗-莫斯科和现实主义艺术的斗争
IF 0.5 2区 艺术学
Art History Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12691
Maria Mileeva
{"title":"Imagined Solidarities: Cairo-Moscow and the Struggle for Realist Art","authors":"Maria Mileeva","doi":"10.1111/1467-8365.12691","DOIUrl":"10.1111/1467-8365.12691","url":null,"abstract":"<p>This essay examines an understudied history of reciprocal art exhibitions between Cairo and Moscow during the Cold War period. It focuses on the work of Gamal El Sagini, Inji Efflatoun, and Hamed Owais, and sets out their role in forging new networks of revolutionary art in the Soviet Union. By addressing how post-colonial art was received and utilized in Soviet Russia, this article uncovers the extent of Soviet cultural engagement with Egypt, the African national liberation struggles, pan-Arabism, and international solidarity amongst the Second and Third Worlds more broadly. Offering a more complex reading of the processes behind Soviet involvement in the utopian project of socialist worldmaking, this essay argues for the need to assess critically Soviet claims to anti-imperialism, peace, international solidarity, and friendship. It discusses the role of art in these processes, and addresses the changing definitions of realism, nationalism, and humanism in the socialist world, making a contribution to alternative understandings of post-war figuration.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89219316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Moscow's Outreach to Hanoi: Artistic Ties between the Soviet Union and Vietnam 莫斯科向河内伸出援手:苏联和越南之间的艺术联系
IF 0.5 2区 艺术学
Art History Pub Date : 2023-02-22 DOI: 10.1111/1467-8365.12688
Natalia Kraevskaia, Nora Annesley Taylor
{"title":"Moscow's Outreach to Hanoi: Artistic Ties between the Soviet Union and Vietnam","authors":"Natalia Kraevskaia,&nbsp;Nora Annesley Taylor","doi":"10.1111/1467-8365.12688","DOIUrl":"10.1111/1467-8365.12688","url":null,"abstract":"<p>In the 1960s through the 1970s, and afterwards, a number of Vietnamese artists travelled to the Soviet Union to study at prestigious Soviet art and film academies. While Vietnamese artists did not develop a considerable body of work that can match the grandiose works of socialist realism under Josef Stalin, some artists did work in a socialist realist style that merged academic oil painting styles with local themes. This essay examines the work of Vũ Duy Nghı̃a (1935–2022), Lê Huy Tiếp (b. 1950) and Đào Châu Hải (b. 1955), who studied in the Soviet Union during this period and integrated various painting methods, styles and techniques into their art works. The legacy of Soviet–Vietnam relations is a still largely understudied field. While archival sources are difficult to access, the essay relies on interviews with two of the living artists. It looks into the significance of studying in the Soviet Union for these art workers, and assesses the impact that it had on the development of Vietnamese culture overall.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127315873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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