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Striking sparks against our ruin: Re-enchanting Art History 在我们的废墟上闪耀的火花:重新迷人的艺术史
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12673
Elizabeth Legge
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引用次数: 0
Collecting, Sketching, Printing and Painting: Mark Catesby's Observations of the Natural World 收藏、素描、印刷和绘画:马克·凯特斯比对自然世界的观察
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12674
Arlene Leis
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引用次数: 0
‘Aesthetics of Revolution’ and Generative Spaces “革命美学”和生成空间
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12669
Anne Marie E. Butler
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引用次数: 0
Masculine and Feminine 男性和女性
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12675
Niccola Shearman
{"title":"Masculine and Feminine","authors":"Niccola Shearman","doi":"10.1111/1467-8365.12675","DOIUrl":"10.1111/1467-8365.12675","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"884-890"},"PeriodicalIF":0.5,"publicationDate":"2022-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76002817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Animating Internationalism: David Alfaro Siqueiros and Antifascist Art in the 1930s 活跃的国际主义:大卫·阿尔法罗·西奎罗斯和20世纪30年代的反法西斯艺术
IF 0.5 2区 艺术学
Art History Pub Date : 2022-10-27 DOI: 10.1111/1467-8365.12677
Jennifer Jolly
{"title":"Animating Internationalism: David Alfaro Siqueiros and Antifascist Art in the 1930s","authors":"Jennifer Jolly","doi":"10.1111/1467-8365.12677","DOIUrl":"10.1111/1467-8365.12677","url":null,"abstract":"<p>This essay uses the art and travels of Mexican artist David Alfaro Siqueiros to analyse the transnational antifascist artistic culture of the 1930s. Siqueiros was one of many artists who joined antifascist (and later Popular Front) organizations, and circulated their art beyond the traditional spaces of localized art worlds – into the streets and across national boundaries – to animate a global artistic network. The process of making the period transnational – artists and journal editors' work of clipping, replicating, and reusing images, texts, and ideas in new contexts, with new meanings – created chains of transnational iconography, and rendered montage as the period's central aesthetic. Period debates and polemics, waged at conferences and in journals, weaponized this culture. Siqueiros and Josep Renau's 1939–40 mural for the Mexican Electricians' Syndicate began as a final homage to the fallen Spanish Republic; the transformation of the mural, however, ultimately marked the end of Popular Front art.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"798-831"},"PeriodicalIF":0.5,"publicationDate":"2022-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86259007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On Islam and Portraiture: Lithography, Glass Painting, and Photography in Senegal 伊斯兰教与肖像:塞内加尔的平版印刷、玻璃绘画和摄影
IF 0.5 2区 艺术学
Art History Pub Date : 2022-10-25 DOI: 10.1111/1467-8365.12681
Giulia Paoletti
{"title":"On Islam and Portraiture: Lithography, Glass Painting, and Photography in Senegal","authors":"Giulia Paoletti","doi":"10.1111/1467-8365.12681","DOIUrl":"10.1111/1467-8365.12681","url":null,"abstract":"<p>Scholars have for decades challenged the popular belief that Islam is intrinsically and implacably hostile to anthropomorphic art. Rooted in this literature, this essay argues that Islam was responsible for popularizing portraiture in Senegal, which previously featured none. With the founding of local Sufi brotherhoods such as the Mouridiyya in the 1880s, the eminence of religious leaders led to an unprecedented demand for their portraits. Glass painting became the privileged medium for reproducing images that appeared in other media, such as lithographs or photographs. Inspired by the respect for Muslim saints inherent in Sufi practices, the widespread desire to display portraits in one's home and for one's personal devotional practices made this genre indispensable. Rather than concentrating on any one medium, this essay focuses on the theoretical and formal interaction among chromolithographs, photographs, and glass paintings, and the migration of images across the three between the 1910s and the 1950s.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"774-797"},"PeriodicalIF":0.5,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/1467-8365.12681","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90942624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Colesworthy Grant's Portraits of Colonial Society in India: Lithography, Liberalism, and the Global Making of Middle-Class Culture, c. 1833–57 科尔斯沃西·格兰特的《印度殖民社会肖像:平版印刷、自由主义和中产阶级文化的全球形成》，约1833 - 1857年
IF 0.5 2区 艺术学
Art History Pub Date : 2022-10-25 DOI: 10.1111/1467-8365.12682
Tom Young
{"title":"Colesworthy Grant's Portraits of Colonial Society in India: Lithography, Liberalism, and the Global Making of Middle-Class Culture, c. 1833–57","authors":"Tom Young","doi":"10.1111/1467-8365.12682","DOIUrl":"10.1111/1467-8365.12682","url":null,"abstract":"<p>This essay explores how lithographic printing connected colonial society in India to global developments in the making of middle-class culture. It focuses on two print portrait series that the artist Colesworthy Grant (1813–80) released in illustrated periodicals: <i>Lithographic Sketches of the Public Characters of Calcutta</i>; and <i>A Series of Miscellaneous Rough Sketches of Oriental Heads</i>. The former defined white society in Bengal according to a masculine, agentic image of the public individual, whereas the latter engaged ambiguously with ideas about the colonial literary sphere and the nature of civic participation in order to distinguish so-called Anglicized individuals from a taxonomic ordering of South Asian society. The article contextualizes these portraits in relation to the liberal social reforms that reshaped the East India Company's rule in the period 1833–57, arguing that lithographic periodical illustration worked to reconfigure the character and racial boundaries of the Company's increasingly middle-class regime.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"712-743"},"PeriodicalIF":0.5,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/1467-8365.12682","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81535638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Iqbal Geoffrey v. The Museum of Modern Art 伊克巴尔·杰弗里诉现代艺术博物馆案
IF 0.5 2区 艺术学
Art History Pub Date : 2022-10-24 DOI: 10.1111/1467-8365.12680
Gemma Sharpe
{"title":"Iqbal Geoffrey v. The Museum of Modern Art","authors":"Gemma Sharpe","doi":"10.1111/1467-8365.12680","DOIUrl":"10.1111/1467-8365.12680","url":null,"abstract":"<p>In 1971, Pakistan-born lawyer and artist Iqbal Geoffrey (1939–2021) lodged a discrimination case against the Museum of Modern Art in New York. This essay connects Geoffrey's complaint, which he filed with the New York State Division of Human Rights, to MoMA's situation at the centre of activist debates over race and equality during the late 1960s and early 1970s, and the museum's prominent role in exporting US art around the world during the Cold War. At a time when Asian modernists received a mostly transactional, diplomatic welcome from US cultural institutions including MoMA, Geoffrey mobilized his legal, artistic, and epistolary practices to stake his claim to permanent belonging within the US art world. Today, his case raises questions over where expanding histories of ‘global modernism’ meet incomplete histories of ‘American’ modernism, against a backdrop and the legacies of the Cold War era.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"744-773"},"PeriodicalIF":0.5,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80189175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Art of Assemblage at La Venta 拉文塔的装配艺术
IF 0.5 2区 艺术学
Art History Pub Date : 2022-10-11 DOI: 10.1111/1467-8365.12678
Claudia Brittenham
{"title":"The Art of Assemblage at La Venta","authors":"Claudia Brittenham","doi":"10.1111/1467-8365.12678","DOIUrl":"10.1111/1467-8365.12678","url":null,"abstract":"<p>How might the meaning of monumental sculpture be ephemeral? At La Venta, objects from greenstone figurines to massive basalt sculptures were recycled, reworked, and moved around the landscape, their new configurations and associations creating new kinds of meaning and enabling new kinds of ritual interaction. This essay considers the assemblage, and not just the individual work, as an important category of art-historical analysis. By considering the divergent materialities of stelae, celts, figurines, and colossal heads, as well as the role that ephemeral materials played in the construction of ritually significant assemblages, I explore the connections between monumentality, memory, and forgetting at La Venta.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"832-857"},"PeriodicalIF":0.5,"publicationDate":"2022-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/1467-8365.12678","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89306039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Back of Her Head: The Fashionable Wartime Ruins of Cecil Beaton 她的后脑勺:塞西尔·比顿的时尚战时遗迹
IF 0.5 2区 艺术学
Art History Pub Date : 2022-10-02 DOI: 10.1111/1467-8365.12667
Altair Brandon-Salmon
{"title":"The Back of Her Head: The Fashionable Wartime Ruins of Cecil Beaton","authors":"Altair Brandon-Salmon","doi":"10.1111/1467-8365.12667","DOIUrl":"10.1111/1467-8365.12667","url":null,"abstract":"<p>Cecil Beaton's 1941 photograph <i>Fashion is indestructible</i>, published by <i>British Vogue</i>, depicts a model in a couture suit looking at Blitz ruins. The image claims fashion as timeless, contrasting it with ruins, which in their destruction hold out a promise for future rebuilding, time manifesting itself in the rubble of bombsites and the fabric of clothing. By reading the photograph as a historical document, we confront photography's complex relationship with time and the ambiguous boundaries between past, present, and future which defined the experience of the Home Front.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"858-879"},"PeriodicalIF":0.5,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76964043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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