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Art History and Racial Capitalism 艺术史和种族资本主义
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12676
Sarah Thomas
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引用次数: 0
Art History's Turn to Health 艺术史转向健康
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12671
Fiona Johnstone
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引用次数: 0
‘Ornament’ Reconsidered
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12670
Millie Horton-Insch
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引用次数: 0
Beautiful Trouble 美丽的困境
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12672
Kate Keohane
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引用次数: 0
Abstracts & Authors' Biographies 摘要与作者传记
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12683
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引用次数: 0
Striking sparks against our ruin: Re-enchanting Art History 在我们的废墟上闪耀的火花:重新迷人的艺术史
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12673
Elizabeth Legge
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引用次数: 0
Collecting, Sketching, Printing and Painting: Mark Catesby's Observations of the Natural World 收藏、素描、印刷和绘画:马克·凯特斯比对自然世界的观察
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12674
Arlene Leis
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引用次数: 0
‘Aesthetics of Revolution’ and Generative Spaces “革命美学”和生成空间
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12669
Anne Marie E. Butler
{"title":"‘Aesthetics of Revolution’ and Generative Spaces","authors":"Anne Marie E. Butler","doi":"10.1111/1467-8365.12669","DOIUrl":"10.1111/1467-8365.12669","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81075149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Masculine and Feminine 男性和女性
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12675
Niccola Shearman
{"title":"Masculine and Feminine","authors":"Niccola Shearman","doi":"10.1111/1467-8365.12675","DOIUrl":"10.1111/1467-8365.12675","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76002817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Animating Internationalism: David Alfaro Siqueiros and Antifascist Art in the 1930s 活跃的国际主义:大卫·阿尔法罗·西奎罗斯和20世纪30年代的反法西斯艺术
IF 0.5 2区 艺术学
Art History Pub Date : 2022-10-27 DOI: 10.1111/1467-8365.12677
Jennifer Jolly
{"title":"Animating Internationalism: David Alfaro Siqueiros and Antifascist Art in the 1930s","authors":"Jennifer Jolly","doi":"10.1111/1467-8365.12677","DOIUrl":"10.1111/1467-8365.12677","url":null,"abstract":"<p>This essay uses the art and travels of Mexican artist David Alfaro Siqueiros to analyse the transnational antifascist artistic culture of the 1930s. Siqueiros was one of many artists who joined antifascist (and later Popular Front) organizations, and circulated their art beyond the traditional spaces of localized art worlds – into the streets and across national boundaries – to animate a global artistic network. The process of making the period transnational – artists and journal editors' work of clipping, replicating, and reusing images, texts, and ideas in new contexts, with new meanings – created chains of transnational iconography, and rendered montage as the period's central aesthetic. Period debates and polemics, waged at conferences and in journals, weaponized this culture. Siqueiros and Josep Renau's 1939–40 mural for the Mexican Electricians' Syndicate began as a final homage to the fallen Spanish Republic; the transformation of the mural, however, ultimately marked the end of Popular Front art.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86259007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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