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‘Ornament’ Reconsidered
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12670
Millie Horton-Insch
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引用次数: 0
Art History's Turn to Health 艺术史转向健康
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12671
Fiona Johnstone
{"title":"Art History's Turn to Health","authors":"Fiona Johnstone","doi":"10.1111/1467-8365.12671","DOIUrl":"10.1111/1467-8365.12671","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"905-912"},"PeriodicalIF":0.5,"publicationDate":"2022-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75475688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beautiful Trouble 美丽的困境
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12672
Kate Keohane
{"title":"Beautiful Trouble","authors":"Kate Keohane","doi":"10.1111/1467-8365.12672","DOIUrl":"https://doi.org/10.1111/1467-8365.12672","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"900-904"},"PeriodicalIF":0.5,"publicationDate":"2022-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"137804296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Abstracts & Authors' Biographies 摘要与作者传记
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12683
{"title":"Abstracts & Authors' Biographies","authors":"","doi":"10.1111/1467-8365.12683","DOIUrl":"https://doi.org/10.1111/1467-8365.12683","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"708-711"},"PeriodicalIF":0.5,"publicationDate":"2022-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"137804295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Striking sparks against our ruin: Re-enchanting Art History 在我们的废墟上闪耀的火花:重新迷人的艺术史
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12673
Elizabeth Legge
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引用次数: 0
Collecting, Sketching, Printing and Painting: Mark Catesby's Observations of the Natural World 收藏、素描、印刷和绘画:马克·凯特斯比对自然世界的观察
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12674
Arlene Leis
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引用次数: 0
‘Aesthetics of Revolution’ and Generative Spaces “革命美学”和生成空间
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12669
Anne Marie E. Butler
{"title":"‘Aesthetics of Revolution’ and Generative Spaces","authors":"Anne Marie E. Butler","doi":"10.1111/1467-8365.12669","DOIUrl":"10.1111/1467-8365.12669","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"918-922"},"PeriodicalIF":0.5,"publicationDate":"2022-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81075149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Masculine and Feminine 男性和女性
IF 0.5 2区 艺术学
Art History Pub Date : 2022-11-07 DOI: 10.1111/1467-8365.12675
Niccola Shearman
{"title":"Masculine and Feminine","authors":"Niccola Shearman","doi":"10.1111/1467-8365.12675","DOIUrl":"10.1111/1467-8365.12675","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"884-890"},"PeriodicalIF":0.5,"publicationDate":"2022-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76002817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Animating Internationalism: David Alfaro Siqueiros and Antifascist Art in the 1930s 活跃的国际主义:大卫·阿尔法罗·西奎罗斯和20世纪30年代的反法西斯艺术
IF 0.5 2区 艺术学
Art History Pub Date : 2022-10-27 DOI: 10.1111/1467-8365.12677
Jennifer Jolly
{"title":"Animating Internationalism: David Alfaro Siqueiros and Antifascist Art in the 1930s","authors":"Jennifer Jolly","doi":"10.1111/1467-8365.12677","DOIUrl":"10.1111/1467-8365.12677","url":null,"abstract":"<p>This essay uses the art and travels of Mexican artist David Alfaro Siqueiros to analyse the transnational antifascist artistic culture of the 1930s. Siqueiros was one of many artists who joined antifascist (and later Popular Front) organizations, and circulated their art beyond the traditional spaces of localized art worlds – into the streets and across national boundaries – to animate a global artistic network. The process of making the period transnational – artists and journal editors' work of clipping, replicating, and reusing images, texts, and ideas in new contexts, with new meanings – created chains of transnational iconography, and rendered montage as the period's central aesthetic. Period debates and polemics, waged at conferences and in journals, weaponized this culture. Siqueiros and Josep Renau's 1939–40 mural for the Mexican Electricians' Syndicate began as a final homage to the fallen Spanish Republic; the transformation of the mural, however, ultimately marked the end of Popular Front art.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"798-831"},"PeriodicalIF":0.5,"publicationDate":"2022-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86259007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On Islam and Portraiture: Lithography, Glass Painting, and Photography in Senegal 伊斯兰教与肖像:塞内加尔的平版印刷、玻璃绘画和摄影
IF 0.5 2区 艺术学
Art History Pub Date : 2022-10-25 DOI: 10.1111/1467-8365.12681
Giulia Paoletti
{"title":"On Islam and Portraiture: Lithography, Glass Painting, and Photography in Senegal","authors":"Giulia Paoletti","doi":"10.1111/1467-8365.12681","DOIUrl":"10.1111/1467-8365.12681","url":null,"abstract":"<p>Scholars have for decades challenged the popular belief that Islam is intrinsically and implacably hostile to anthropomorphic art. Rooted in this literature, this essay argues that Islam was responsible for popularizing portraiture in Senegal, which previously featured none. With the founding of local Sufi brotherhoods such as the Mouridiyya in the 1880s, the eminence of religious leaders led to an unprecedented demand for their portraits. Glass painting became the privileged medium for reproducing images that appeared in other media, such as lithographs or photographs. Inspired by the respect for Muslim saints inherent in Sufi practices, the widespread desire to display portraits in one's home and for one's personal devotional practices made this genre indispensable. Rather than concentrating on any one medium, this essay focuses on the theoretical and formal interaction among chromolithographs, photographs, and glass paintings, and the migration of images across the three between the 1910s and the 1950s.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":"45 4","pages":"774-797"},"PeriodicalIF":0.5,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/1467-8365.12681","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90942624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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