发布求助
文献互助 智能选刊 最新文献

Art History最新文献

筛选
英文 中文
From Hell to Hell: Central Africans and Catholic Visual Catechesis in the Early Modern Atlantic Slave Trade 从地狱到地狱中非人与近代早期大西洋奴隶贸易中的天主教视觉教义
IF 0.5 2区 艺术学
Art History Pub Date : 2024-02-07 DOI: 10.1111/1467-8365.12753
Larissa Brewer-García, Cécile Fromont
{"title":"From Hell to Hell: Central Africans and Catholic Visual Catechesis in the Early Modern Atlantic Slave Trade","authors":"Larissa Brewer-García, Cécile Fromont","doi":"10.1111/1467-8365.12753","DOIUrl":"https://doi.org/10.1111/1467-8365.12753","url":null,"abstract":"In seventeenth-century Cartagena de Indias, a portcity in today's Colombia, enslaved Africans recently disembarked from the Middle Passage faced a Jesuit-designed multisensory catechesis. The process involved listening to translations of the Christian doctrine delivered by African interpreter-catechists enslaved by the Jesuits, often in conjunction with images. Hell featured prominently in this oral and visual catechesis. This essay analyses the violent confrontation between infernal imagery and survivors of the Middle Passage from regions in and around Kongo and Angola by unfolding a strategically oblique approach to the lacunar, biased records about this critical moment. It examines the vast Atlantic linguistic, spiritual, and visual ramifications of the catechesis to highlight the affective response of enslaved men and women to their captivity and displacement as subjects in history, viewers of works of art, and actors in the dramatic events of enslavement. It brings new, documented, historically situated, and culturally elucidated insights to the study of the transatlantic slave trade.","PeriodicalId":8456,"journal":{"name":"Art History","volume":"6 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139910089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Aesthetics of Postrevolutionary Haiti: Currency, Kingship, and Circum-Atlantic Numismatics 革命后海地的美学：货币、王权和环大西洋钱币学
IF 0.5 2区 艺术学
Art History Pub Date : 2024-02-07 DOI: 10.1111/1467-8365.12758
Esther Chadwick
{"title":"The Aesthetics of Postrevolutionary Haiti: Currency, Kingship, and Circum-Atlantic Numismatics","authors":"Esther Chadwick","doi":"10.1111/1467-8365.12758","DOIUrl":"https://doi.org/10.1111/1467-8365.12758","url":null,"abstract":"This essay focuses on a British-made coin commissioned in 1811 by the first king of the northern part of the newly independent Haiti, Henry Christophe (1767–1820). The coin potently encapsulates the Kingdom of Hayti's central claims of racial equality, sovereignty and international recognition articulated in the wake of the Haitian Revolution. Here it is considered as the product of early nineteenth-century Anglo-Haitian relations, as an expression of Christophe's kingly ambitions, and as a striking entrant into the wider field of circum-Atlantic numismatics that can help illuminate the paradoxes of the postrevolutionary kingdom's aesthetic regime. Christophe's numismatic image both depends upon and overwrites conventional forms and meanings of European coins, medals, and cameos. At the same time, it demands interpretation in relation to distinctively Caribbean interpretations of Black kingship.","PeriodicalId":8456,"journal":{"name":"Art History","volume":"13 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139910544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Self-Fashioning of the Signares: A Case for Decentring Artistic Modernity Signares的自我塑造：去中心化艺术现代性案例
IF 0.5 2区 艺术学
Art History Pub Date : 2024-02-07 DOI: 10.1111/1467-8365.12759
Anne Lafont
{"title":"The Self-Fashioning of the Signares: A Case for Decentring Artistic Modernity","authors":"Anne Lafont","doi":"10.1111/1467-8365.12759","DOIUrl":"https://doi.org/10.1111/1467-8365.12759","url":null,"abstract":"The essay focuses on the material culture of the <i>signare</i>s, that is, the objects and representations of an exceptional Eurafrican female community in the eighteenth and nineteenth centuries, composed of mixed-race women from Saint-Louis du Sénégal and the island of Gorée. Through their matrimonial alliances with European merchants, <i>signare</i>s formed a commercial and political elite. The essay identifies the transcultural technique of self-fashioning which they pursued so that they would be identified as powerful women. It addresses their practices as a way of discussing contemporary European theories of ornament, juxtaposing Caty Louet's and Anna Colas's invention in the domains of fabrics, headdresses and architecture with Gottfried Semper's and Charles Blanc's grammars of adornment. In a renewed and broadened conception of Paul Gilroy's Black Atlantic, the essay confronts theories of art in this vast geographical space as they were embedded – and can be unveiled – in texts as much as in practices.","PeriodicalId":8456,"journal":{"name":"Art History","volume":"9 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139910588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Foul Biting, or Diego Valadés and the Medium of Print 迭戈-巴拉德斯与印刷媒介》（Foul Biting, or Diego Valadés and the Medium of Print
IF 0.5 2区 艺术学
Art History Pub Date : 2024-02-07 DOI: 10.1111/1467-8365.12757
Stephanie Porras
{"title":"Foul Biting, or Diego Valadés and the Medium of Print","authors":"Stephanie Porras","doi":"10.1111/1467-8365.12757","DOIUrl":"https://doi.org/10.1111/1467-8365.12757","url":null,"abstract":"Published in 1579 in Perugia, Diego Valadés's <i>Rhetorica christiana</i> is best known today as the first illustrated publication to show evangelisation efforts in the Americas to audiences across the Atlantic. Yet too often the <i>Rhetorica</i>'s status in the history of art is that of <i>exotica</i>, a book seen as rare and valuable due to its American subject matter and its presumed <i>mestizo</i> authorship. This essay argues that these persistent miscategorisations exemplify a systemic failure to look beyond the images' representational content and account for the book's specific production history. The etched illustration programme of the <i>Rhetorica</i> not only details European proselytising efforts and Indigenous customs, but the book's facture also repositions colonial experience as central to artistic ambition and innovation in Europe, prompting a reassessment of print cultures of the early modern transatlantic world.","PeriodicalId":8456,"journal":{"name":"Art History","volume":"15 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139910387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Metamorphosis of Tobacco: The Tobacco Pipe Makers' Arms 烟草的蜕变：烟斗制造商的武器
IF 0.5 2区 艺术学
Art History Pub Date : 2024-02-07 DOI: 10.1111/1467-8365.12754
Carla Cevasco
{"title":"The Metamorphosis of Tobacco: The Tobacco Pipe Makers' Arms","authors":"Carla Cevasco","doi":"10.1111/1467-8365.12754","DOIUrl":"https://doi.org/10.1111/1467-8365.12754","url":null,"abstract":"A delftware dish, made in London between approximately 1670 and 1690, depicts the arms of the Worshipful Company of Tobacco Pipe Makers. The three Black women who gaze out from the dish can be viewed as representations of the enslaved women whose agricultural and reproductive labour enabled the transatlantic tobacco trade. The white, male Pipe Makers would have viewed the dish through the symbolic languages of heraldry and racialised and gendered Black and Indigenous figures who populated tobacco advertising and the English racial imagination. This essay examines the dish's entangled material and representational contexts in the late seventeenth century and asks: what do the women on the dish demand from their viewers? And how should twenty-first-century viewers meet their gaze? The coat of arms of the Tobacco Pipe Makers endures amidst present-day struggles with the visual legacies of slavery. Yet this symbol – and the seventeenth-century dish that bears its image – also offers possibilities of liberation.","PeriodicalId":8456,"journal":{"name":"Art History","volume":"12 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139910097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reflecting (on) Objects 反映（在）物体上
IF 0.5 2区 艺术学
Art History Pub Date : 2023-12-12 DOI: 10.1111/1467-8365.12747
Elsje van Kessel
{"title":"Reflecting (on) Objects","authors":"Elsje van Kessel","doi":"10.1111/1467-8365.12747","DOIUrl":"https://doi.org/10.1111/1467-8365.12747","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"46 4","pages":"817-821"},"PeriodicalIF":0.5,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138578107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Queer Abstractions and Formal Revisions 同性恋抽象与形式修正
IF 0.5 2区 艺术学
Art History Pub Date : 2023-12-12 DOI: 10.1111/1467-8365.12746
Bryony White
{"title":"Queer Abstractions and Formal Revisions","authors":"Bryony White","doi":"10.1111/1467-8365.12746","DOIUrl":"https://doi.org/10.1111/1467-8365.12746","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"46 4","pages":"812-816"},"PeriodicalIF":0.5,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138578106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Moods, Monsoons, and the Art of Place-Making 情绪、季风和场所营造艺术
IF 0.5 2区 艺术学
Art History Pub Date : 2023-12-12 DOI: 10.1111/1467-8365.12749
Holly Shaffer
{"title":"Moods, Monsoons, and the Art of Place-Making","authors":"Holly Shaffer","doi":"10.1111/1467-8365.12749","DOIUrl":"https://doi.org/10.1111/1467-8365.12749","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"46 4","pages":"827-832"},"PeriodicalIF":0.5,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138578084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Violence of Hair 头发的暴力
IF 0.5 2区 艺术学
Art History Pub Date : 2023-12-12 DOI: 10.1111/1467-8365.12751
Rebekah Compton
{"title":"The Violence of Hair","authors":"Rebekah Compton","doi":"10.1111/1467-8365.12751","DOIUrl":"https://doi.org/10.1111/1467-8365.12751","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"46 4","pages":"839-841"},"PeriodicalIF":0.5,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138578082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Both/And: Howardena Pindell and Lorraine O'Grady in Focus 兼而有之：聚焦 Howardena Pindell 和 Lorraine O'Grady
IF 0.5 2区 艺术学
Art History Pub Date : 2023-12-12 DOI: 10.1111/1467-8365.12750
Jamie Danis
{"title":"Both/And: Howardena Pindell and Lorraine O'Grady in Focus","authors":"Jamie Danis","doi":"10.1111/1467-8365.12750","DOIUrl":"https://doi.org/10.1111/1467-8365.12750","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"46 4","pages":"833-838"},"PeriodicalIF":0.5,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138578085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信