Between Two Easts: Picturing a Global Socialism in Albanian Post-War Art, 1959–69

IF 0.3 2区 艺术学 0 ART
Raino Isto
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引用次数: 0

Abstract

This essay examines the efforts to construct an image of global socialist society in post-war Albania, looking closely at the images published in a 1959 travelogue by artist and art critic Andon Kuqali, chronicling his visit to the People's Republic of China. This piece of writing and the accompanying sketches and prints created by the artist reflect the cultural aspects of Albania's efforts to position itself within the socialist world in the period after Stalin's death. In this decade, Albania broke with the Soviet Union and moved towards stronger political and economic alliances with socialist nations in East Asia, including China. Kuqali's travel essay represents a key document in the formation of a global socialist identity in Albania, an effort to find common ground and shared purpose – in both life and modes of artistic production – between peoples who had relatively little knowledge of each other.

在两个东方之间:描绘阿尔巴尼亚战后艺术中的全球社会主义,1959-69
本文考察了战后阿尔巴尼亚构建全球社会主义社会形象的努力,仔细研究了艺术家和艺术评论家安东·库加里1959年出版的游记中的图像,记录了他对中华人民共和国的访问。这篇文章以及艺术家创作的随附草图和版画反映了斯大林去世后阿尔巴尼亚努力将自己定位于社会主义世界的文化方面。在这十年里,阿尔巴尼亚与苏联决裂,与包括中国在内的东亚社会主义国家建立了更强大的政治和经济联盟。Kuqali的旅行文章是阿尔巴尼亚形成全球社会主义认同的关键文件,是在彼此相对缺乏了解的民族之间,在生活和艺术生产方式上寻找共同点和共同目标的努力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.70
自引率
20.00%
发文量
51
期刊介绍: Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship, whether on earlier or more recent periods. At the forefront of scholarly enquiry, Art History is opening up the discipline to new developments and to interdisciplinary and cross-cultural approaches.
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