Journal of Latin American Cultural Studies最新文献_第5页

Getting from Buenos Aires to Mexico City Without Passing Through Madrid: Latin American Publishing Topographies 从布宜诺斯艾利斯到墨西哥城，不经过马德里:拉丁美洲出版地形

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2022-08-25 DOI: 10.1080/13569325.2022.2103102

P. Levitt, Ezequiel Saferstein

引用次数: 4

Siesta Nightmares And Cannibalistic Daydreams: Desexilio and Raúl Ruiz’s A TV Dante Siesta噩梦与食人族白日梦：Desexilio和Raúl Ruiz的电视但丁

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2022-08-02 DOI: 10.1080/13569325.2022.2089977

J. Nichols

{"title":"Siesta Nightmares And Cannibalistic Daydreams: Desexilio and Raúl Ruiz’s A TV Dante","authors":"J. Nichols","doi":"10.1080/13569325.2022.2089977","DOIUrl":"https://doi.org/10.1080/13569325.2022.2089977","url":null,"abstract":"This article adds to the critical discourses surrounding Raúl Ruiz (1941–2011) and his films of return after exile, or desexilio, by analysing his portion of A TV Dante (1992). In this Ruizian transmedia experimentation of Dante’s Inferno, there is a radical de- and re-territorialisation of the text: on the one hand, from text to film, and, on the other, spatially and temporally by transposing the text onto images of contemporary Chile. This paper reads the film, then, as a Ruizian re-encounter with Chile after exile during the early years of the period transition to democracy and looks to the implications of these disjunctions and displacements – both in the broader thematic vicissitudes and in more specific contradictions between sound and image – when re-worked in terms of spatial (Santiago de Chile) and temporal (post-dictatorship) conditions. In doing so, it turns to the Brazilian concept of anthropophagy as an analytical framework and tool. As such, this paper argues that approaching the film through the lens of anthropophagy not only helps us to read the discursive strategies deployed in the film, but also highlights how cannibalism works as both a formal structuring feature and as part of the film’s content.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"31 1","pages":"223 - 239"},"PeriodicalIF":0.3,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42803323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Photographic Assembly in Post-Dictatorial Argentina and Uruguay 后独裁时期的阿根廷和乌拉圭的摄影大会

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2022-07-29 DOI: 10.1080/13569325.2022.2092084

Anna Corrigan

{"title":"Photographic Assembly in Post-Dictatorial Argentina and Uruguay","authors":"Anna Corrigan","doi":"10.1080/13569325.2022.2092084","DOIUrl":"https://doi.org/10.1080/13569325.2022.2092084","url":null,"abstract":"In two works of photographic assemblage, portraits of those disappeared under the last Argentine and Uruguayan dictatorships appeared on the walls of Montevideo and Buenos Aires. In 1984 Buenos Aires, the collective C.A.Pa.Ta.Co. produced afiches participativos in the months following the country’s return to democracy. For this project, the public was invited to colour in black-and-white photocopied portraits installed around the Plaza de Mayo. In 2008, Juan Angel Urruzola installed enormous portraits of the disappeared throughout the streets of Montevideo in a visual campaign that coincided with a referendum on the Law of Expiry in Uruguay. Both projects represent acts of political and artistic assembling shaped by precariousness, a condition of simultaneous endurance and fragility. This article contributes to contemporary debates surrounding the constitution of public space, community, and communication in post-dictatorial Southern Cone with a focus on the encounter between the image and an emergent public. Bringing together Deleuze and Guattari’s philosophy of assemblage, Judith Butler’s reflections on political assembly, and Claire Bishop’s discussion of antagonism in participatory art, I argue that a precarious quality of assembly enables collective creation, dissent, and exchange within the space of the photographic assemblage.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"31 1","pages":"201 - 221"},"PeriodicalIF":0.3,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49449542","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Digital Archives and Intergenerational Reckoning with Chile’s Traumatic Past In Mis documentos (2014) and Poeta chileno (2020) by Alejandro Zambra 亚历杭德罗·赞布拉(Alejandro Zambra)的《数字档案》和《智利创伤过去的代际清算》(2014年)和《智利之梦》(2020年)

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2022-07-26 DOI: 10.1080/13569325.2022.2093173

W. R. Benner

引用次数: 0

From Idleness to the Abolition of Work in Ricardo Talesnik’s La fiaca 从懒惰到废除工作——论里卡多·塔莱斯尼克的小说

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2022-07-03 DOI: 10.1080/13569325.2022.2132817

Matías Beverinotti

{"title":"From Idleness to the Abolition of Work in Ricardo Talesnik’s La fiaca","authors":"Matías Beverinotti","doi":"10.1080/13569325.2022.2132817","DOIUrl":"https://doi.org/10.1080/13569325.2022.2132817","url":null,"abstract":"This article analyses Ricardo Talesnik’s play and film (directed by Fernando Ayala) La fiaca [ Idleness ] and its critique of the notion of work. Talesnik denounces how modern disciplinary institutions form the workforce and a way-of-life-to-work. He questions the work-system by critiquing the commodity-form, standardised time represented in the money-form, worker subjectivity as a national citizen, and Schuld (debt/guilt). Talesnik’s critique is developed when the play’s main character performs a “Duchamp-like” strike by refusing to go to work. When analysed with Marx’s and Foucault’s theories of production and power, La fiaca could be read as a play that supports the abolition of work to question modern life under late capitalism. Therefore, what this play effectively critiques is the commodification of everyday life, which leaves no option but to create another way of life by interrupting the process of capitalist production of value and questioning the primacy of labour. Talesnik’s play shows the coercive forces of the capitalist mode of production, but also the institutional framework built to correct anyone who dares to challenge it. This makes La fiaca a crucial intervention that helps us understand current post-work criticism and the present tension between work and social reproduction in the aftermath of the COVID-19 pandemic.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"31 1","pages":"475 - 492"},"PeriodicalIF":0.3,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46430415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Introduction: Affective Arrangements and Violence in Latin America 引言:拉丁美洲的情感安排和暴力

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2022-07-03 DOI: 10.1080/13569325.2022.2136938

Silvana Mandolessi, R. Dhondt, Martín Zícari

引用次数: 0

Past With Present (and Future). Affective Agency in Latin American Abortion Rights Activism 过去与现在(和未来)。拉丁美洲堕胎权利运动中的情感代理

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2022-07-03 DOI: 10.1080/13569325.2022.2134973

C. Macón

{"title":"Past With Present (and Future). Affective Agency in Latin American Abortion Rights Activism","authors":"C. Macón","doi":"10.1080/13569325.2022.2134973","DOIUrl":"https://doi.org/10.1080/13569325.2022.2134973","url":null,"abstract":"After a decades-long effort and a feminist movement that grew in size and scope after #NiUnaMenos, Argentina legalised abortion on 30 December 2020. Under the hashtags #QueSeaLey [#MakeItLaw] and, later, #SeráLey [#ItWillBeLaw], the massive and multi-generational campaign launched in 2018 coalesced into a milestone in Latin American politics. This article examines how online and off-line activism constituted a massive and intersectional collective in which contact with the past proved essential to mobilisation. This occurred in three ways: through the intergenerational connections that this activism established, in the challenge it posed to a progressive narrative of the movement, and in its way of linking current feminist activism with the struggles and resistance movements against the State Terrorism of the last Argentine civic-military dictatorship (1976–1983). The second part of the article is devoted to scrutinizing the case of Chilean abortion rights activism also in terms of the link it established with the past. This analysis undertakes an exploration of a key concept, affective agency, as well as its role in the construction of historical inevitability.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"31 1","pages":"349 - 369"},"PeriodicalIF":0.3,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48647576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Political Violence of the 1970s in Recent Argentine Cinema: Strategies for the Reaffectivisation of the Past in Rojo (Benjamín Naishtat, 2018) 20世纪70年代阿根廷电影中的政治暴力：罗霍对过去的重新影响策略（Benjamín Naishtat，2018）

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2022-07-03 DOI: 10.1080/13569325.2022.2144169

Pablo Piedras

引用次数: 0

The Melodramatic Mode in Poetic Activism: An Analysis of María Rivera’s “Los muertos” and its Afterlives 诗歌激进主义的旋律模式——玛丽亚·里维拉的《洛斯穆埃托斯》及其后世分析

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2022-07-03 DOI: 10.1080/13569325.2022.2132816

Marloes Mekenkamp

引用次数: 0

Contesting the Neoliberal City: Place-Based Activism in the Documentary Films of Barrio Anti-Gentrification Movements in Bogotá and Mexico City 争夺新自由主义城市：波哥大和墨西哥城巴里奥反绅士化运动纪录片中的地方激进主义

IF 0.3 4区社会学

Journal of Latin American Cultural Studies Pub Date : 2022-07-03 DOI: 10.1080/13569325.2022.2138700

K. Anson

引用次数: 0