{"title":"亚历杭德罗·赞布拉(Alejandro Zambra)的《数字档案》和《智利创伤过去的代际清算》(2014年)和《智利之梦》(2020年)","authors":"W. R. Benner","doi":"10.1080/13569325.2022.2093173","DOIUrl":null,"url":null,"abstract":"The children who grew up during the Pinochet regime have turned to literature, film, and digital media to reckon with the material and immaterial consequences of state-sponsored terror. To date, there is a dearth of critical attention on how digital archiving influences testimonial literature in the Southern Cone. Alejandro Zambra has received international acclaim for his insightful narratives that explore intergenerational memory struggles and allegories of post-dictatorship isolation. This article examines his more recent works as they turn to the computer, the Internet, digital archives, and use them as a generational means to communicate trauma. Together, Zambra and the reader can contemplate the possibilities and limitations that digital archives have and will have for Chile’s memory struggles.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"31 1","pages":"241 - 256"},"PeriodicalIF":0.3000,"publicationDate":"2022-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Digital Archives and Intergenerational Reckoning with Chile’s Traumatic Past In Mis documentos (2014) and Poeta chileno (2020) by Alejandro Zambra\",\"authors\":\"W. R. Benner\",\"doi\":\"10.1080/13569325.2022.2093173\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The children who grew up during the Pinochet regime have turned to literature, film, and digital media to reckon with the material and immaterial consequences of state-sponsored terror. To date, there is a dearth of critical attention on how digital archiving influences testimonial literature in the Southern Cone. Alejandro Zambra has received international acclaim for his insightful narratives that explore intergenerational memory struggles and allegories of post-dictatorship isolation. This article examines his more recent works as they turn to the computer, the Internet, digital archives, and use them as a generational means to communicate trauma. Together, Zambra and the reader can contemplate the possibilities and limitations that digital archives have and will have for Chile’s memory struggles.\",\"PeriodicalId\":56341,\"journal\":{\"name\":\"Journal of Latin American Cultural Studies\",\"volume\":\"31 1\",\"pages\":\"241 - 256\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-07-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Latin American Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/13569325.2022.2093173\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Latin American Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13569325.2022.2093173","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Digital Archives and Intergenerational Reckoning with Chile’s Traumatic Past In Mis documentos (2014) and Poeta chileno (2020) by Alejandro Zambra
The children who grew up during the Pinochet regime have turned to literature, film, and digital media to reckon with the material and immaterial consequences of state-sponsored terror. To date, there is a dearth of critical attention on how digital archiving influences testimonial literature in the Southern Cone. Alejandro Zambra has received international acclaim for his insightful narratives that explore intergenerational memory struggles and allegories of post-dictatorship isolation. This article examines his more recent works as they turn to the computer, the Internet, digital archives, and use them as a generational means to communicate trauma. Together, Zambra and the reader can contemplate the possibilities and limitations that digital archives have and will have for Chile’s memory struggles.