{"title":"Monsters of Inequality and Waste: The New Realism of Antonio Berni","authors":"G. Gerardi","doi":"10.1080/13569325.2021.1898353","DOIUrl":"https://doi.org/10.1080/13569325.2021.1898353","url":null,"abstract":"This article examines the ways in which the work of the Argentine artist Antonio Berni (1905–1981) proposes renewed forms of realism engaged both with aesthetics and the socio-political order. Through the examination of Berni’s trajectory and with a special focus on Berni’s monsters made from reclaimed waste, this study draws on Jacques Rancière’s notion of dissensus to argue that art and politics come together in Berni’s monstrous constructions in the way in which they overturn customary modes within the realist representational order and simultaneously engender a transgressive and controversial art. In this, Berni’s work constitutes an original and daring proposal speaking to then-urgent political problems, such as unequal capitalist relationships and poverty, as well as delivering new insights on current ecological calamities.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"29 1","pages":"605 - 626"},"PeriodicalIF":0.3,"publicationDate":"2021-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2021.1898353","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46385740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Memories of Extractivism: Slow Violence, Terror, and Matter","authors":"J. Andermann","doi":"10.1080/13569325.2020.1805589","DOIUrl":"https://doi.org/10.1080/13569325.2020.1805589","url":null,"abstract":"In this article, I wish to bring Davi Kopenawa's and Bruce Albert's The Falling Sky (first published in French in 2010) into dialogue with the two canonic genres of political memory in Latin America: on the one hand, the witnessing – in survivors’ accounts but also in verbal, visual, and architectural forms of monumentalisation – of the dictatorial state’s clandestine system of abducting, torturing, and killing those suspected of “subversion” and, on the other, the indigenous or peasant testimonios of community suffering and resistance against “structural violence” unleashed by state and para-statal counterinsurgency warfare. How, I ask, can Kopenawa’s memories of extractivism – of mining and agro-induced land grab, massacres, and the wipe-out of entire villages by epidemics but also of the turmoil unleashed within the forest’s fragile equilibrium of embodied as well as spiritual temporalities – be heard in a cultural, political, and juridical field that has been configured, for obvious reasons, around the notion of “human rights” and their violent transgression?","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"29 1","pages":"537 - 554"},"PeriodicalIF":0.3,"publicationDate":"2021-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2020.1805589","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41312984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ecology, Rubble, and Disappearance. Reflections on the Costanera Sur Ecological Reserve in Buenos Aires","authors":"Pamela Colombo, Carlos Masotta, C. Salamanca","doi":"10.1080/13569325.2021.1884056","DOIUrl":"https://doi.org/10.1080/13569325.2021.1884056","url":null,"abstract":"The Costanera Sur Ecological Reserve is located on the central shore of Buenos Aires city, along the Río de la Plata. The foundations of this site are the product of the accumulated rubble that was deposited there by the city council during Argentina's last dictatorship (1976–1983), mainly with the purpose of settling a terrain for the construction of a new municipal Administrative Centre. However, the Administrative Centre was never built and the rubble was colonised by all sorts of flora and fauna coming down the river. After the dictatorship ended, the zone was designated as the “Parque Nacional y Reserva ecológica.” In this article we explore the Reserva as a visible and public space that evidences the ongoing dialectic of construction and destruction that underlies the projects for refurbishment carried out by the last civilian-military government. Taking this as our point of departure, we examine the ways in which the rubble – as the left-over material of the demolitions carried out by the dictatorship – is (re)connected to the space of the city and its history. We analyse the place that the rubble's illicit origin occupies in the history of the Reserva and how this space is conceived, used, and imagined today. Our argument is structured in three parts. In the first, we focus our investigation on the Reserva's genesis. In the second, we look at how the space of the Reserva is being rewritten by the neoliberal city council, which uses “ecological” discourse while deliberately overlooking the site's unlawful origin. In the third part, we explore uses of the concept of ecology that might foster a more profound understanding of the complexities of this terrain. We conclude with a reflection on the various uses and discourses that criss-cross the space of the Reserva today.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"29 1","pages":"507 - 535"},"PeriodicalIF":0.3,"publicationDate":"2021-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2021.1884056","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41465286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Catholic Material Culture, Socialist Society, and State Power in Cuba, 1959–1978","authors":"Petra Kuivala","doi":"10.1080/13569325.2021.1955665","DOIUrl":"https://doi.org/10.1080/13569325.2021.1955665","url":null,"abstract":"The article analyses the histories of Catholic material culture in revolutionary Cuba. It illustrates and discusses how the Cuban Church and individual Catholics have navigated the revolutionary everyday with practices of material religion. Moving from the first years of the Cuban Revolution (1959 onwards) to the late 1970s, the article presents and analyses examples of the ways in which material religion has intersected with the state ideology, politics, and the performance of the Revolution in Cuba. Additionally, the article discusses the meanings given to material representations of religion in the revolutionary reality by Cuban Catholics themselves: how religious material culture has constituted a means for Catholics to navigate the juxtaposition of religious worldviews and the socialist state power.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"30 1","pages":"197 - 214"},"PeriodicalIF":0.3,"publicationDate":"2021-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46616680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Literature and Interculturality. A Proposal for Possible Readings Otherwise","authors":"Michael H. Handelsman","doi":"10.1080/13569325.2021.1911791","DOIUrl":"https://doi.org/10.1080/13569325.2021.1911791","url":null,"abstract":"This article examines interculturality as a call to unlearn traditional Western colonial modes of thinking so as to relearn and embrace a kind of thinking otherwise which will enable readers of literature to confront their own colonial biases that inevitably lead to an arbitrary hierarchical canon of exclusion. To that end, the article focuses on reading Ecuadorian literature decolonially.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"30 1","pages":"75 - 89"},"PeriodicalIF":0.3,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2021.1911791","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46383654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Colonial Ruins as Intervened Sites: La Zona, the US Occupation, and Dominican Racialised Sovereignty (1870–1924)","authors":"Wendy Muñiz","doi":"10.1080/13569325.2020.1832450","DOIUrl":"https://doi.org/10.1080/13569325.2020.1832450","url":null,"abstract":"This article traces the transformation of Dominican colonial ruins into racialised and mediated symbols of “the nation” in consumer culture from the emergence of local nation-building in the 1870s through the country’s first US occupation (1916–1924). It re-examines the work of renowned criollo painter Alejandro Bonilla to show that while the nationalisation of ruins through consumer culture in La Zona (the present-day name for colonial Santo Domingo) fuelled a fin-de-siècle cultural effervescence, this visuality made no effort to conceal the racial difference in the Dominican elite’s fragmented nationalism. Contrasting the elite vision of colonial ruins in La Zona with that of US imperial commodity racism in print culture, the article reveals how after 1916 local intellectuals reframed La Zona’s colonial ruins into an anti-colonial, anti-Black, and Hispanicised state optic for mass consumption. Yet La Zona also allows us to see the histories of Black freedom and resistance inscribed in its colonial ruins, which still stand as records attesting to settler colonialism’s racialised and gendered liminal experiences.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"30 1","pages":"1 - 23"},"PeriodicalIF":0.3,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2020.1832450","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42245650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Behind the Neoclassical Façade: A Haunted National Monument in Chilean Film","authors":"S. Gray","doi":"10.1080/13569325.2020.1859358","DOIUrl":"https://doi.org/10.1080/13569325.2020.1859358","url":null,"abstract":"This article analyses filmic representations of the Chilean presidential palace (La Moneda), an emblematic site at which narratives of past violence, national exceptionalism and emancipatory anticipation intersect. I build on a growing corpus of work that uses film analysis to explore the spatiality of dictatorship memories and legacies in the Southern Cone. Unlike more conventional “sites of memory”, La Moneda is simultaneously a functioning government building, a site of violence, and an object of heritage. This complex temporal fabric makes it a powerful space for political interventions, a setting that can sharpen the continuities and symmetries between different historical events and periods. Drawing on theories of inheritance and haunting, I first examine the hegemonic temporalities of progress and heritage that frame the building, moving on to reflect on the alternative temporal imaginaries offered by film. In these texts the palace is haunted by images of its own destruction in 1973, as well as by the figure of Salvador Allende, whose prophesy of future emancipation sits uncomfortably with triumphalist accounts of the Chilean democratic transition. Through my analysis, I explore how site-specific struggles for historical justice are imbricated in resistance to ongoing state repression, and the formulation of alternatives to neoliberal capitalism.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"30 1","pages":"123 - 142"},"PeriodicalIF":0.3,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2020.1859358","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49371182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Passing Life, Playing Dead: Zombification as Juridical Shapeshifting in Pedro Cabiya’s Malas hierbas","authors":"Natalie L. Belisle","doi":"10.1080/13569325.2021.1876646","DOIUrl":"https://doi.org/10.1080/13569325.2021.1876646","url":null,"abstract":"This essay explores how the classic narrative of Haitian zombification is refashioned within a postcolonial Haitian-Dominican context as a passing narrative in Pedro Cabiya’s 2011 science fantasy novel Malas hierbas. In its depiction of a nameless zombie scientist who pretends to be a living being and successfully assimilates into the community of the living without detection, Cabiya’s text not only departs from the traditional zombie archetype. It also unfolds as a philosophical exploration of what it means to be alive when one is born into a political ontology that has always already defined and marked some as dead. Interrogating the disjuncture between the vital signs of life codified in Western scientific discourse and the zombie’s simulation of life, the essay argues that Malas hierbas adapts the trope of racial passing to show how the meaning of life moves from ontology of existence to a category of identity, like race, legal personhood, and citizenship. Situating the novel in its Haitian and Dominican contexts, where race constitutes markers of national identity and juridical status, the essay connects the zombie’s passing life to contemporary representations of Haitians as impostors who must play dead, on both sides of Hispaniola, as a means of survival.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"30 1","pages":"25 - 45"},"PeriodicalIF":0.3,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2021.1876646","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49581665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Memory and Re-foundation. Political Identity in Néstor Kirchner’s Malvinas Speeches","authors":"Paula Salerno","doi":"10.1080/13569325.2021.1878117","DOIUrl":"https://doi.org/10.1080/13569325.2021.1878117","url":null,"abstract":"In this article we will analyse a series of speeches commemorating the Malvinas War, delivered by Néstor Kirchner during his presidency. Using the theoretical framework of Speech Analysis, we will observe how a re-foundational spirit and the construction of a collective memory intersect in these speeches in a special way. In contrast with other pronouncements by the Argentine leader, his attempts to commemorate Malvinas do not lean on generational traits identified with the 1970s and militancy; the intention here is to extol a respect for the institutions of the state while mobilising traditional ideas regarding the correspondence between nation and territory. We will show that from these axes Kirchner delineates a collective identity understood in terms of political belonging to the nation, re-signifying the Malvinas question as a matter of social inclusion. We will also see how the notion of “internal exile” links the figure of the Malvinas veteran to a Kirchnerist spirit of national re-foundation. For this analysis we will work with a corpus formed by speeches paying homage to Malvinas war veterans, delivered by Néstor Kirchner every 2 April, during his time in office (2003–2007).","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"30 1","pages":"143 - 160"},"PeriodicalIF":0.3,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2021.1878117","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60083215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reflections on the Testimony of Trauma: Roberto Bolaño’s 2666 and Sergio González Rodríguez’s Huesos en el desierto","authors":"K. Whitehead","doi":"10.1080/13569325.2020.1844165","DOIUrl":"https://doi.org/10.1080/13569325.2020.1844165","url":null,"abstract":"Roberto Bolaño’s working friendship with Sergio González Rodríguez has been often addressed in recent scholarship, and it is well-known that the former was in correspondence with the latter about the feminicides in Ciudad Juárez in order to write “The Part About the Crimes” in 2666. This study provides a comparative analysis between “The Part About the Crimes” and González Rodríguez’s Huesos en el desierto to show the departure in form between the two authors, suggesting that the formal elements of Bolaño’s fictionalisation of the crimes are indicative of an understanding of collective trauma in Ciudad Juárez.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"30 1","pages":"107 - 121"},"PeriodicalIF":0.3,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2020.1844165","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44707254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}