采掘主义的记忆:缓慢的暴力、恐怖和物质

IF 0.3 4区 社会学 Q4 CULTURAL STUDIES
J. Andermann
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引用次数: 2

摘要

在这篇文章中,我希望将达维·科佩纳瓦和布鲁斯·艾伯特的《坠落的天空》(2010年首次以法语出版)与拉丁美洲两种经典的政治记忆进行对话:一方面,在幸存者的叙述中,也在口头、视觉和建筑形式的纪念中,见证独裁国家的秘密绑架制度,折磨和杀害那些涉嫌“颠覆”的人,另一方面,折磨和杀害土著或农民对社区苦难和抵抗国家和准国家反叛乱战争发动的“结构性暴力”的愤怒。我想问,科佩纳瓦对采掘主义的记忆——采矿和农业引发的土地掠夺、屠杀,以及流行病对整个村庄的毁灭,以及在森林脆弱的物质和精神时间平衡中引发的动荡——如何在一个文化、政治和司法领域中被听到,因为显而易见的原因,围绕着“人权”的概念及其暴力侵犯?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Memories of Extractivism: Slow Violence, Terror, and Matter
In this article, I wish to bring Davi Kopenawa's and Bruce Albert's The Falling Sky (first published in French in 2010) into dialogue with the two canonic genres of political memory in Latin America: on the one hand, the witnessing – in survivors’ accounts but also in verbal, visual, and architectural forms of monumentalisation – of the dictatorial state’s clandestine system of abducting, torturing, and killing those suspected of “subversion” and, on the other, the indigenous or peasant testimonios of community suffering and resistance against “structural violence” unleashed by state and para-statal counterinsurgency warfare. How, I ask, can Kopenawa’s memories of extractivism – of mining and agro-induced land grab, massacres, and the wipe-out of entire villages by epidemics but also of the turmoil unleashed within the forest’s fragile equilibrium of embodied as well as spiritual temporalities – be heard in a cultural, political, and juridical field that has been configured, for obvious reasons, around the notion of “human rights” and their violent transgression?
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CiteScore
0.50
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发文量
25
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