Journal of Latin American Cultural Studies最新文献

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Afterword: Things and The Imponderabilia of Actual Life in Cuba 后记:事情与古巴现实生活的不可预测性
IF 0.3 4区 社会学
Journal of Latin American Cultural Studies Pub Date : 2021-09-10 DOI: 10.1080/13569325.2021.1937966
S. Palmié
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引用次数: 0
Cold War paquetería: Snail Mail Services Across and Around Cuba’s “Sugar Curtain”, 1963–1969 冷战时期的paquetería:1963–1969年古巴“糖幕”内外的蜗牛邮件服务
IF 0.3 4区 社会学
Journal of Latin American Cultural Studies Pub Date : 2021-09-10 DOI: 10.1080/13569325.2021.1932443
M. Bustamante
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引用次数: 1
Correction 校正
IF 0.3 4区 社会学
Journal of Latin American Cultural Studies Pub Date : 2021-09-10 DOI: 10.1080/13569325.2021.1966165
{"title":"Correction","authors":"","doi":"10.1080/13569325.2021.1966165","DOIUrl":"https://doi.org/10.1080/13569325.2021.1966165","url":null,"abstract":"Fidel’s voice pervades the jewellery box, reminding us of a more general political intrusion in the supposedly intimate sphere, that “domestic” “interior” socialism. The video’s climax reveals the face that is attached to the sound; spectators glimpse a framed Fidel as if within a soapbox, adorned with the artifice that, the video suggests, sustained the Revolution (Figure 1). The hand packs them back into the box, but the jewels still do not fit, a fact that suggests the rhetoric is not an adequate exchange. The Revolution can keep its “recuperated” goods, as long as it covers up Fidel’s face. Is there wealth, perhaps, beyond the limits delineated by Pluto? Another possible interpretation of the video might echo this article’s epigraph “mucha tienda, poca alma”, that is, a hypocrisy beneath the strength in ideology. Finally, taking into account Pav on’s multiple artistic interventions critiquing the revolutionary government, the video might be implying that no amount of gold can change the present; that is to say, Fidel Castro’s imprint on Cuban reality.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"30 1","pages":"I - I"},"PeriodicalIF":0.3,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42673863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Matter of Things: A Material Turn in Cuban Scholarship 事物的问题:古巴奖学金的实质性转变
IF 0.3 4区 社会学
Journal of Latin American Cultural Studies Pub Date : 2021-09-10 DOI: 10.1080/13569325.2021.1948822
María A. Cabrera Arús
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引用次数: 1
A Little Bit of Magic: Nitza Villapol, the Cuban Diet, and the Socialist State, 1959–1983 《一点魔力:尼扎·维拉波尔,古巴议会和社会主义国家,1959-1983
IF 0.3 4区 社会学
Journal of Latin American Cultural Studies Pub Date : 2021-09-10 DOI: 10.1080/13569325.2021.1919607
A. Baldacci
{"title":"A Little Bit of Magic: Nitza Villapol, the Cuban Diet, and the Socialist State, 1959–1983","authors":"A. Baldacci","doi":"10.1080/13569325.2021.1919607","DOIUrl":"https://doi.org/10.1080/13569325.2021.1919607","url":null,"abstract":"This paper examines Nitza Villapol’s cookbooks, cooking show, and magazine columns as windows into how the political and economic policies of the revolutionary government affected the daily lives of average Cubans. By providing recipes and educational content about cooking and nutrition, Villapol played a crucial role as a mediator between state and citizenry. In the process, she taught generations of Cuban audiences how to reconcile their lived realities with the ideological imperatives of revolutionary citizenship, which included upholding nationalist ideals by combatting imperialism through an ethos of creativity and thriftiness in the kitchen. Comparative analysis of the 1960 and 1980 editions of Cocina al minuto illustrates the consequences that austerity and dependence on the Soviet bloc had on the options available to Cuban consumers, in terms of both goods and foodstuffs into the late 1970s, a period remembered for its relative abundance. Nitza Villapol helped Cuban women to navigate these consequences, offering solutions to the shortcomings of state economic policies and transmitting state values with regard to how home cooks should understand and experience those shortcomings.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"105 6","pages":"233 - 249"},"PeriodicalIF":0.3,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2021.1919607","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41269494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dancing the Butterfly: Trans-Caribbean Cultural Consumption in Special Period Cuba 翩翩起舞的蝴蝶:特殊时期古巴跨加勒比文化消费
IF 0.3 4区 社会学
Journal of Latin American Cultural Studies Pub Date : 2021-09-10 DOI: 10.1080/13569325.2021.1937084
A. Pertierra
{"title":"Dancing the Butterfly: Trans-Caribbean Cultural Consumption in Special Period Cuba","authors":"A. Pertierra","doi":"10.1080/13569325.2021.1937084","DOIUrl":"https://doi.org/10.1080/13569325.2021.1937084","url":null,"abstract":"This paper takes as its starting point memories of an encounter which saw a Jamaican dancehall queen perform on a locally produced television show in Santiago de Cuba at the height of the Special Period economic crisis. I propose that this encounter was a harbinger of subsequent experiences of popular culture consumption in contemporary Cuba, while also drawing from histories of regional connection that placed Santiago de Cuba in a constellation of trans-Caribbean exchanges. The moment shows how, during the Special Period crisis, media producers sought new paths through which to navigate the technological challenges of making television amidst material shortages, and in doing so created new imaginaries of a transnational consumer culture which featured (specific and appropriate) newly built spaces of leisure and distinctive brands of consumption. The television broadcast was a consciously crafted mediation of emerging consumer cultures that at once repudiated and represented the everyday experience of Cuban society as rooted in crisis, scarcity, and socialist taste hierarchies.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"30 1","pages":"259 - 275"},"PeriodicalIF":0.3,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2021.1937084","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45800316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Socialism with Bling: Aspiration, Decency, and Exclusivity in Contemporary Cuba 华而不实的社会主义:当代古巴的抱负、体面和排他性
IF 0.3 4区 社会学
Journal of Latin American Cultural Studies Pub Date : 2021-09-10 DOI: 10.1080/13569325.2021.1937965
J. Loss
{"title":"Socialism with Bling: Aspiration, Decency, and Exclusivity in Contemporary Cuba","authors":"J. Loss","doi":"10.1080/13569325.2021.1937965","DOIUrl":"https://doi.org/10.1080/13569325.2021.1937965","url":null,"abstract":"This article engages a pervasive discourse on decency in twenty-first-century social mores and state prohibitions by examining artists’ work (2016–2019) that speaks to how material culture and aesthetic judgment feed into the aesthetic hegemony of the Cuban state. Attention is paid to three cases that unravel a national and international staging of a universal “decent” Cuban culture in the post-Obama era: (1) the 2017 intervention Where is Mella? by “amateur” artist Luis Manuel Otero Alcántara, who called attention to the Cuban military’s commercial alliance with Kempinksi, the Swiss/German hotel group, critiquing Cuba’s new landscape of luxury; (2) Pluto (2016), video art by Geandy Pavón that alludes to a chain of embezzlements and substitutions; and (3) the performances of two “amateur” musicians: Chocolate MC, who, though popular, is also deemed repulsive on both sides of the Florida Straits, and Cimafunk, celebrated as a cultural ambassador. A contemplation on “excess” – a 5-star hotel, junk jewellery, or bling bling – allows for questions of who the Cuban state recognises as an artist, how artists appropriate and expropriate ideas of luxury and refinement, and whether these substitutions can sufficiently erode colonial legacies that continue to contain those subjectivities perceived as excessive.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"30 1","pages":"291 - 310"},"PeriodicalIF":0.3,"publicationDate":"2021-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2021.1937965","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42196726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ecologies of Disappearance Today. Introduction 今天的消失生态。介绍
IF 0.3 4区 社会学
Journal of Latin American Cultural Studies Pub Date : 2021-04-12 DOI: 10.1080/13569325.2021.1883571
Gabriel Gatti, David Casado-Neira
{"title":"Ecologies of Disappearance Today. Introduction","authors":"Gabriel Gatti, David Casado-Neira","doi":"10.1080/13569325.2021.1883571","DOIUrl":"https://doi.org/10.1080/13569325.2021.1883571","url":null,"abstract":"This introduction contrasts contemporary disappearances with the original disappearances typically framed by the state. With a particular focus on spatialities, the authors suggest that the contemporary disappearances can best be understood as part of an ecology. These reflections are a prologue to the dossier “Ecologies of Disappearance Today”.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"29 1","pages":"501 - 505"},"PeriodicalIF":0.3,"publicationDate":"2021-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2021.1883571","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42027377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Inverted Exception. Ideas for Thinking about the New Disappearances through Two Case Studies 倒例外。通过两个案例来思考新的失踪案例
IF 0.3 4区 社会学
Journal of Latin American Cultural Studies Pub Date : 2021-04-12 DOI: 10.1080/13569325.2020.1839869
Gabriel Gatti, Ignacio Irazuzta, M. Martínez
{"title":"Inverted Exception. Ideas for Thinking about the New Disappearances through Two Case Studies","authors":"Gabriel Gatti, Ignacio Irazuzta, M. Martínez","doi":"10.1080/13569325.2020.1839869","DOIUrl":"https://doi.org/10.1080/13569325.2020.1839869","url":null,"abstract":"The concept of state of exception has been key for explaining the spaces of enforced disappearances in the 1970s and 1980s in the Southern Cone, to the point that it has become a trope. This article takes up that concept, but revisits and alters it. It turns it around, proposing for what we call the “new disappearances” the concept of “inverted exception”. It does so through the examination of two concrete empirical situations – migrant houses in Mexico and the sanctuary movement in the United States – applying the same ethnographical observation approach to both and using the analysis of those situations to inform the theoretical reflection proposed here. The conclusion is that, while these “new disappearances” have, like enforced disappearances, a direct and close relationship with “spaces of exception”, that relationship now operates inversely: the space of exception is today sometimes the space of appearance, while the norm is widespread disappearance.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"29 1","pages":"581 - 604"},"PeriodicalIF":0.3,"publicationDate":"2021-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2020.1839869","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41499821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Necroscapes: The Political Life of Mutilated and Errant Bodies in the Rivers of Colombia 死亡景观:哥伦比亚河流中残缺不全的尸体的政治生活
IF 0.3 4区 社会学
Journal of Latin American Cultural Studies Pub Date : 2021-04-12 DOI: 10.1080/13569325.2021.1885356
Ana Guglielmucci
{"title":"Necroscapes: The Political Life of Mutilated and Errant Bodies in the Rivers of Colombia","authors":"Ana Guglielmucci","doi":"10.1080/13569325.2021.1885356","DOIUrl":"https://doi.org/10.1080/13569325.2021.1885356","url":null,"abstract":"Different narratives in Colombia show how the apparition of mutilated and unidentified corpses in rivers – as an outcome of decades of war and violence – has reorganised national geography, as well as the affective relationships with space and death. Based on literary sources and testimonies, this article analyses how the presence of human remains has affected the ways of life in territories marked by necropolitics, transforming the perception of the threshold between life and death, and the conditions of existence of those involved. First, the article explores how the inhabitants of places located on the banks of the Magdalena and Cauca rivers have elaborated their interactions with the remains that appear on the rivers, and how these interactions produce frictions with expert knowledge and practices such as forensic practices. Secondly, the article describes how through different material and aesthetic mediations these banished corpses have been inscribed in the texture of everyday life. These material and aesthetic mediations include the choosing of ánimas of “NN” corpses (unidentified) in Puerto Berrío or the construction of a Park-Monument in Trujillo to keep the remains of corpses that have been identified there.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"29 1","pages":"555 - 580"},"PeriodicalIF":0.3,"publicationDate":"2021-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13569325.2021.1885356","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49221962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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