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The End of an Impassioned Feud: The 2022 Oberammergau Passion Play and the Public Embrace of Progressive Politics 激情之争的终结：2022 年上阿默高激情戏与公众对进步政治的拥护
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-09-26 DOI: 10.1017/s0307883324000075
ELLIOT LEFFLER
{"title":"The End of an Impassioned Feud: The 2022 Oberammergau Passion Play and the Public Embrace of Progressive Politics","authors":"ELLIOT LEFFLER","doi":"10.1017/s0307883324000075","DOIUrl":"https://doi.org/10.1017/s0307883324000075","url":null,"abstract":"<p>The Oberammergau Passion Play – arguably the largest and longest-running Passion Play tradition in the world – depicts Jesus’ arrest, conviction and crucifixion at a spellbinding scale. It has also been at the centre of a controversy regarding its historic antisemitism and its efforts to reform, having engaged a director with a zeal for radically changing it. However, this article, informed by a large ethnographic study, argues that the feud that engulfed the town for decades – with reformers and traditionalists at loggerheads – has now abated. The 2022 Passion Play was made almost entirely by pro-reform locals, with traditionalists now outnumbered and sidelined, due to both their own choices and intentional exclusion by those at the helm. What remains of the feud has now changed shape, focusing not on the changes to the play but on the leadership style of the director.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"23 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142321488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Severe’ Sensory Theatre: Building Relational Disability Politics during UK COVID Lockdowns 严重 "感官剧场：在英国 COVID 封锁期间建立残疾人关系政治
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-09-26 DOI: 10.1017/s0307883324000051
ALISON MAHONEY
{"title":"‘Severe’ Sensory Theatre: Building Relational Disability Politics during UK COVID Lockdowns","authors":"ALISON MAHONEY","doi":"10.1017/s0307883324000051","DOIUrl":"https://doi.org/10.1017/s0307883324000051","url":null,"abstract":"<p>This article examines the COVID-era shift in the disability politics of sensory-theatre artists in the United Kingdom who create work for neurodiverse young audiences, arguing that the pandemic pushed them toward a more expansive and overtly political understanding of disability. I examine the work of three companies – Oily Cart (London), Frozen Light (Norwich) and Spectra (Birmingham) – who adjusted their practices to embrace their audiences’ shifting access needs, including those in caregiving roles. These changes move sensory theatre into a more politicized realm, echoing calls from crip studies scholars and disability justice activists to reimagine disability as a relational category from which solidarity can arise that does not hinge entirely on medical diagnosis. These artists’ renewed commitments to relational access provide lessons for performing artists and audiences navigating how to care for one another through the massive death and disablement of the ongoing pandemic.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"32 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142321487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Puppetry Networks of the Island of Naoshima 直岛木偶戏网络
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-09-26 DOI: 10.1017/s0307883324000063
JYANA S. BROWNE
{"title":"Puppetry Networks of the Island of Naoshima","authors":"JYANA S. BROWNE","doi":"10.1017/s0307883324000063","DOIUrl":"https://doi.org/10.1017/s0307883324000063","url":null,"abstract":"<p>The Naoshima Onna Bunraku, an all-female bunraku troupe on the island of Naoshima in Japan's Seto Inland Sea, has revitalized a puppetry tradition dating back to the Edo period (1603–1868). This article examines how the Naoshima Onna Bunraku negotiates the pull of its local, community-oriented past and its global present as a folk performing art on an island now known for art tourism as the site of the Setouchi Triennale. I trace Naoshima's puppetry networks from the Seto Inland Sea that nurtured their ancestors to new networks that extend globally to reveal the dynamic flows that animate and sustain puppetry on Naoshima.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"30 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142321545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Subway Crush 挤地铁
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-02-26 DOI: 10.1017/s030788332300041x
KELLEY HOLLEY
{"title":"Subway Crush","authors":"KELLEY HOLLEY","doi":"10.1017/s030788332300041x","DOIUrl":"https://doi.org/10.1017/s030788332300041x","url":null,"abstract":"<p>An attendant exerts all his strength to squeeze in as many passengers as possible into a car at the 28th Street Station in New York. The most prominent passenger feature is the contorting face of a Black man. He is surrounded by white riders, one of whom is trying his best to read the newspaper, a little girl, who stands with her legs akimbo, and a white woman, obscured by the window. The hectic scene muddles the identity of body parts, more akin to a game of Twister than a fantasy of public mobility across an urban landscape. Reduced to limbs and faces, the diverse passengers portrayed in Bernard Brussel-Smith's 1940 lithograph demonstrate its title: <span>Subway Crush</span>.<span>1</span></p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139967271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘We Will Teach Them How to Use This Building’: Acts of Accountability from South African Artists 我们会教他们如何使用这座建筑"：南非艺术家的责任行动
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-02-26 DOI: 10.1017/s0307883323000433
CARLA LEVER
{"title":"‘We Will Teach Them How to Use This Building’: Acts of Accountability from South African Artists","authors":"CARLA LEVER","doi":"10.1017/s0307883323000433","DOIUrl":"https://doi.org/10.1017/s0307883323000433","url":null,"abstract":"<p>On 3 March 2021, almost a full year after South Africa's theatres were closed due to Covid-19 restrictions, renowned opera soprano Sibongile Mngoma walked into the Johannesburg offices of the South African National Arts Council (NAC) to meet with senior department officials. She was there to demand accountability over their non-payment of promised Covid-19 artist relief funds to the tune of R300 million (roughly USD 16.6 million). When it became apparent that no official would honour the meeting, Mngoma announced her intention to wait. She did not leave the building for another sixty days.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139967269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Looking at the Wider World’: Global Engagement, Political Activism and Polemical Storytelling in Watchlist, Prima Facie and Myth, Propaganda and Disaster in Nazi Germany and Contemporary America 放眼更广阔的世界"：观察名单》中的全球参与、政治行动主义和论战故事，《表面现象与神话》，《纳粹德国和当代美国的宣传与灾难
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-02-26 DOI: 10.1017/s0307883323000354
ALEX VICKERY-HOWE, LISA HARPER CAMPBELL
{"title":"‘Looking at the Wider World’: Global Engagement, Political Activism and Polemical Storytelling in Watchlist, Prima Facie and Myth, Propaganda and Disaster in Nazi Germany and Contemporary America","authors":"ALEX VICKERY-HOWE, LISA HARPER CAMPBELL","doi":"10.1017/s0307883323000354","DOIUrl":"https://doi.org/10.1017/s0307883323000354","url":null,"abstract":"<p>This article focuses on <span>Watchlist</span>, a new play written by Alex Vickery-Howe, placing it in a context of contemporary Australian political writing for the stage which sees playwrights, such as Stephen Sewell and Suzie Miller, adopt an international outlook in order to tell stories of activism. By creating nuanced characters and engaging with the popular, these playwrights are inspiring activism in their audiences in engaging and challenging ways, arguing that what is deemed off-limits should not be left off-stage.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"138 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139967279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dossier—Negotiating Urban Spaces: Access, Care and Confinement in Contemporary Gendered Performance 档案--协商城市空间：当代性别表演中的通道、关怀与禁锢
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-02-26 DOI: 10.1017/s030788332300038x
INDU JAIN, TRINA NILEENA BANERJEE
{"title":"Dossier—Negotiating Urban Spaces: Access, Care and Confinement in Contemporary Gendered Performance","authors":"INDU JAIN, TRINA NILEENA BANERJEE","doi":"10.1017/s030788332300038x","DOIUrl":"https://doi.org/10.1017/s030788332300038x","url":null,"abstract":"<p>This dossier explores the ways in which theatre and performance practitioners across the globe have addressed the deeply gendered modes of differential access to public spaces, institutional support, and resources through their creative as well as activist work, during the pandemic and its aftermath. In the last three years, the pandemic has transformed experiences of urban space globally. Access to public space has always been gendered as well as shaped by geographical location, race, caste, class and sexual identity. These traditional modes of differential access have been radically reorganized by the isolation and uncertainty engendered by the global pandemic. While ‘working from home’ was certainly not an option for everyone (most notably, care-workers in an overwhelmingly feminized profession), confinement to domestic space also meant escalating incidents of gendered violence for others. Additionally, the lack of sustainable income opportunities meant, as contributions to this dossier will demonstrate, the stripping away of roofs from over the heads of vulnerable citizens, whether impoverished artistes in want of state support or migrant workers on an uncertain daily wage. Staying at home was no longer an option, because ‘home’ often ceased to exist as a viable shelter, whether literally or by implication. For performers and theatre-workers all over the world, it was a time of intensified precarity: not only a loss of employment and income, but also a growing sense of artistic and professional purposelessness. While some were able to reorient this bewilderment through virtual and digital performances, for many grassroots performers, especially in the global South, access to these modes of public engagement were limited. In countries like India, street theatre activists felt unable and unwilling to switch to the digital space, while the prohibition on public assembly struck an irrevocable blow to women's protest movements.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"26 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139967314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Why Were Our Yemenite Brothers Insulted?’: Love as Strong as Death as a Prequel to Mizrahi Presence in Israeli Theatre 我们的也门派兄弟为何受到侮辱？死一样强烈的爱是以色列戏剧中米兹拉希人存在的前传
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-02-26 DOI: 10.1017/s0307883323000366
YAIR LIPSHITZ, NAPHTALY SHEM-TOV
{"title":"‘Why Were Our Yemenite Brothers Insulted?’: Love as Strong as Death as a Prequel to Mizrahi Presence in Israeli Theatre","authors":"YAIR LIPSHITZ, NAPHTALY SHEM-TOV","doi":"10.1017/s0307883323000366","DOIUrl":"https://doi.org/10.1017/s0307883323000366","url":null,"abstract":"<p>The article traces the production and reception of <span>Love as Strong as Death,</span> a dramatization of the Song of Songs that was performed in Mandatory Palestine in the years 1940–42 by a group of Yemenite Jewish actors. We argue that the tensions between the actors’ amateur status and their image as embodying a long-lost Biblical heritage were emblematic of the inherent contradictions within the hegemonic Ashkenazi Zionist discourse and the Orientalist perception of the role of Yemenite Jews in it. By exploring both Yemenite and Ashkenazi voices in and around the production, we analyse how the stage, the theatre hall and the written press all served as contested sites regarding the participation of non-European Jews in Hebrew theatre and culture. In the paper's conclusion, we demonstrate how <span>Love as Strong as Death</span> anticipated later debates in Israeli theatre about the place of Mizrahi Jews on stage and in the auditorium.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"203 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139967275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reclaiming Public Spaces in Post-pandemic India (Kolkata): Activist Theatre, Gender and a Resurgence of the Marginal 在大流行后的印度（加尔各答）重获公共空间：激进主义戏剧、性别与边缘的复苏
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-02-26 DOI: 10.1017/s0307883323000421
AHVANA PAUL, TAMALIKA ROY, SUMIT MONDAL, SHRINJITA BISWAS
{"title":"Reclaiming Public Spaces in Post-pandemic India (Kolkata): Activist Theatre, Gender and a Resurgence of the Marginal","authors":"AHVANA PAUL, TAMALIKA ROY, SUMIT MONDAL, SHRINJITA BISWAS","doi":"10.1017/s0307883323000421","DOIUrl":"https://doi.org/10.1017/s0307883323000421","url":null,"abstract":"<p>The politics of our post-Covid times are expressed through various registers. In Kolkata, one especially powerful artistic medium for such expressions was the revival of street theatre as young and senior theatre practitioners plunged into exploring critical issues that have been all-pervasive since the beginning of the pandemic. As people finally started to venture out, content to be amidst human congregations, street plays, being located in open-air spaces, proved both economical and safe. The issues these street performances highlighted and their modes of presentations could be described as what Tony Fisher calls ‘activist theatre’ – which mobilizes the people by interpellating its audience around a specific grievance or issue that possesses an emotional appeal.<span>1</span> These performances are a form of artistic activism, or ‘artivism’ as termed by Chantal Mouffe: the use of aesthetic means for political activism, ‘as a counter-hegemonic move against the capitalist appropriation of aesthetics’.<span>2</span></p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"151 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139967292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Scenography of the Unimaginable: Exploring Trauma of Others in 872 days. Voices of the besieged city 无法想象的场景：在 872 天里探索他人的创伤。被围困城市的声音
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-02-26 DOI: 10.1017/s0307883323000317
OLGA NIKOLAEVA
{"title":"Scenography of the Unimaginable: Exploring Trauma of Others in 872 days. Voices of the besieged city","authors":"OLGA NIKOLAEVA","doi":"10.1017/s0307883323000317","DOIUrl":"https://doi.org/10.1017/s0307883323000317","url":null,"abstract":"<p>The article explores the scenographic rendering of trauma in the theatre performance <span>872 days. Voices of the besieged city</span> staged by a small theatre, Subbota, in Saint Petersburg, Russia. The performance delves into the complex issues of private narratives of traumatic experiences, which, for decades, were deemed unimportant and even disruptive within the context of victory and glory of The Great Patriotic War. The production is based on memoirs and diaries of witnesses of the Leningrad siege. This study explores the connection between the scenographic ecology and empathic unsettlement, which is understood as a tool of approaching trauma through the experience of the audience. The article analyses how the scenographic rendering of trauma allows for potential representation and understanding of traumatic experience. It further looks at a theatre space as a place for mourning and reflexivity that allows the possibility of working through past trauma to better understand the present.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"27 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139967260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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