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Performing Womanhood and Carefare in Hungary 匈牙利的 "妇女身份 "和 "关爱 "表演
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-02-26 DOI: 10.1017/s0307883323000391
KORNÉLIA DERES
{"title":"Performing Womanhood and Carefare in Hungary","authors":"KORNÉLIA DERES","doi":"10.1017/s0307883323000391","DOIUrl":"https://doi.org/10.1017/s0307883323000391","url":null,"abstract":"<p>In the present article,<span>1</span> I will examine how topics of domestic work, care and family values were critically addressed by female performers in 2022 on various Hungarian stages. Two short analyses will show that the notion of womanhood is deconstructed through questioning superficial and populist images of traditional female roles. While <span>Baby Bumm – Propinquity Effect</span>, a community theatre production highlights the actual toll of becoming a mother, a one-woman-show titled <span>God, Home, Kitchen</span> detects the numerous and often contradicting roles assigned to an average Hungarian female citizen by politicians. Both productions build on the physical limits of the performers’ bodies, the actual burden of taking care of children, as well as fulfilling duties in and outside the household, to show the unreal nature of politicized ideas on women. This is a public topic that further emerged in post-pandemic times, especially in the light of the government's determination of acceptable social participation for women.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"2015 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139967267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Queer Street Scenes: Interruption, Exception, Orientation 同性恋街景：中断、例外、取向
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-02-26 DOI: 10.1017/s0307883323000342
DAVID CALDER
{"title":"Queer Street Scenes: Interruption, Exception, Orientation","authors":"DAVID CALDER","doi":"10.1017/s0307883323000342","DOIUrl":"https://doi.org/10.1017/s0307883323000342","url":null,"abstract":"<p>How might we think queerly about the politics of performance in public space? Inspired by ‘queer’ as a straying from the straight-and-narrow and by the street as a site of chance meetings and awkward run-ins, I stage in this essay an encounter between two different approaches to thinking the politics of performance in public space. The first approach follows a familiar path: Bertolt Brecht's ‘street scene’ and Walter Benjamin's account of epic theatre. The second approach follows the walking performances of two queer migrant artists – South Korean-born Jisoo Yoo, now based in France, and Mozambican-born Jupiter Child, now based in Denmark – who interrogate the disorientation of the queer migrant body in Western European public space. Exploring the surprisingly busy intersection between the Brechtian street scene and the work of these two artists reveals a politics of performance in public space that favours orientation over rupture.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"18 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139967255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Viral Interstitiality and Unlikely Resources: Gender and Labour in Turkish Public Theatre During the Covid-19 Pandemic 病毒的间隙性和不可能的资源：Covid-19 大流行期间土耳其公共剧院中的性别与劳动
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-02-26 DOI: 10.1017/s0307883323000408
CHRISTINA BANALOPOULOU
{"title":"Viral Interstitiality and Unlikely Resources: Gender and Labour in Turkish Public Theatre During the Covid-19 Pandemic","authors":"CHRISTINA BANALOPOULOU","doi":"10.1017/s0307883323000408","DOIUrl":"https://doi.org/10.1017/s0307883323000408","url":null,"abstract":"<p>The growing literature on Covid-19 and theatre has demonstrated how the pandemic has intensified gendered precarities in theatrical labour.<span>1</span> However, the pandemic has also provided feminist theatre makers with unexpected or unlikely resources, albeit with limitations. The Istanbul Municipal Theatre's (İstanbul Büyükşehir Belediyesi Şehir Tiyatroları or İBBŞT) production of <span>Melek</span> that premiered in 2020 is an indicative example of such rare and largely invisible cases of pandemic theatre. Critically engaging with the archives and repertoires of tuberculosis (TB) melodrama and the Turkish lives of the genre, <span>Melek</span> conducts an experiential mapping of the performativity of death and the porous borders between everyday performance and artistic performance. The production offered independent feminist theatre practitioners, who otherwise maintain a precarious existence in Turkey's theatre world, access to new spaces, resources and audiences. Combining archival with ethnographic research, I will demonstrate how, in the case of <span>Melek</span>, the intersections between actual and fictive viral contagion – what I define as <span>viral interstitiality</span> – constitute inclusive economies amidst the Covid-19 pandemic. In somatics, the interstitial is theorized and enacted as <span>suspensions</span> of static schisms that shape relational empowerment.<span>2</span> Drawing upon this grasp of the interstitial as connective thresholds, viral interstitiality sheds light on the practices and the economies of care that emerge from the porous dynamism between the viral and the theatrical.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"11 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139967258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Circles of Women’: Feminist Movements in the Choreography of Oona Doherty “女性圈”：乌娜·多尔蒂编舞中的女性主义运动
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2023-11-09 DOI: 10.1017/s0307883323000159
SHONAGH HILL
{"title":"‘Circles of Women’: Feminist Movements in the Choreography of Oona Doherty","authors":"SHONAGH HILL","doi":"10.1017/s0307883323000159","DOIUrl":"https://doi.org/10.1017/s0307883323000159","url":null,"abstract":"<p>The focus of this article is the range of feminisms which circulate through Belfast-based Oona Doherty's choreographies for groups of women, namely the second episode of <span>Hard to Be Soft: A Belfast Prayer</span> (2017), which is titled ‘Sugar Army', and <span>Lady Magma: The Birth of a Cult</span> (2019). This analysis is motivated by the need to expand discussion of feminisms in tandem with examination of more complex identities in Northern Ireland: to look beyond a Nationalist–Unionist binary within post-conflict society and examine the intersections of gender, class and race. Tracking the movement of feminisms through Doherty's choreographies will explore how they mobilize, and fail, these women, as well as revealing the potential for, and pitfalls of, community and solidarity. Doherty's work has the potential to mobilize a dynamic intergenerational and intersectional feminism which recognizes the experiences of ‘differently positioned women’.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"63 5","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71525034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Forgotten History of Our Times: Revisiting Utpal Dutt's Titu Mir in Contemporary India 我们时代被遗忘的历史——在当代印度重温尤帕尔·杜特的《蒂图·米尔》
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2023-11-09 DOI: 10.1017/s0307883323000172
MALLARIKA SINHA ROY
{"title":"The Forgotten History of Our Times: Revisiting Utpal Dutt's Titu Mir in Contemporary India","authors":"MALLARIKA SINHA ROY","doi":"10.1017/s0307883323000172","DOIUrl":"https://doi.org/10.1017/s0307883323000172","url":null,"abstract":"<p>This paper is an exploration of the most recent revival of Utpal Dutt's play <span>Titu Mir</span> in 2019 by the ensemble group Theatre Formation Paribartak in India. Islamic religious reformer Titu Mir led a peasant rebellion from 1827 to 1831 in the Barasat region of Bengal and the play focuses on a narrative of revolutionary resistance to colonialism. <span>Titu Mir</span> becomes an articulation of political theatre against the Hindu right-wing agenda of expunging Muslim national heroes from Indian history. This essay seeks <span>Titu Mir</span>'s relevance as a site and theory of materializing historical contradictions, and as part of a ‘gestic’ feminist criticism of theatre. The essay attempts to understand how critique of patriarchal ideology is enmeshed in critique of colonialism in <span>Titu Mir</span>, especially in those moments where the play addresses complexities of political violence, interracial romance, martyrdom, alienation in the colony and deep-rooted misogyny in the project of colonialism.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"62 52","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71525039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Abhilash Pillai's Midnight's Children: Performing Politics through Optics Abhilash Pillai的《午夜的孩子》：通过光学表演政治
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2023-11-09 DOI: 10.1017/s0307883323000184
ASHIS SENGUPTA
{"title":"Abhilash Pillai's Midnight's Children: Performing Politics through Optics","authors":"ASHIS SENGUPTA","doi":"10.1017/s0307883323000184","DOIUrl":"https://doi.org/10.1017/s0307883323000184","url":null,"abstract":"<p>Abhilash Pillai's stage adaptation of Salman Rushdie's <span>Midnight's Children</span> (2005–6) introduced a new visual language to Indian theatre, conceiving performance between theatre and cinema. Pillai's work presents history as memory, amnesia and re-remembering within the framework of a multisensorial scenography that largely uses the vocabularies of the Bollywood film industry. The politics of the performance lies less in the thematic than in its optical dynamics, different as they are from both scene painting and the aestheticization of the public sphere. The production shows how theatre experience in a media society may primarily build on the perceptual, but without dismissing text or suspending the cognitive altogether. The visual media are used more as an intervention in politico-aesthetic discourse than as mere technology. As I explain the reasons for the long absence of any scholarly study of the production, I also consider its relevance to the current political scene in India.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"63 2","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71525037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Staging Theatre Historiography: The Afterlives of Ottoman Armenian Drama in Contemporary Turkish Public Theatre 舞台戏剧史学：奥斯曼亚美尼亚戏剧在当代土耳其公共剧院的来龙去脉
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2023-11-09 DOI: 10.1017/s0307883323000160
ŞEYDA NUR YILDIRIM
{"title":"Staging Theatre Historiography: The Afterlives of Ottoman Armenian Drama in Contemporary Turkish Public Theatre","authors":"ŞEYDA NUR YILDIRIM","doi":"10.1017/s0307883323000160","DOIUrl":"https://doi.org/10.1017/s0307883323000160","url":null,"abstract":"<p>In the last twenty years, memory has gained broader attention in Turkey's social, cultural and political arena. In line with this movement, independent and subsidized theatres produced plays engaging with Armenian history through diverse political and aesthetic agendas. Among these works, public and state theatre productions remained mostly invisible in theatre scholarship due to their ambiguous position that does not directly align with the framework of political theatre. This article examines the adaptation of the Ottoman Armenian playwright Hagop Baronian's <span>Adamnapuyj aravelyan</span> (1868) as <span>Şark Dişçisi</span> (The Oriental Dentist) (2011) by the Istanbul Metropolitan Municipality City Theatres (İBBŞT). While promoting confrontation with the past, <span>Şark Dişçisi</span> eliminates the crucial political insights of its source text and their ramifications for contemporary demands for historical justice regarding the 1915 Armenian Genocide. The intersection of revisionist theatre historiography and broader political dynamics in the adaptation process reveals the ambivalences of post-Genocide memory work in Turkey.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"63 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71525038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In the ‘Display Case’: (Capitalist) Realism and Simon Stone's ‘Zoological’ Ibsen 在“展示案例”中：（资本主义）现实主义与西蒙·斯通的“动物学”易卜生
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2023-11-09 DOI: 10.1017/s0307883323000196
MARGARET HAMILTON
{"title":"In the ‘Display Case’: (Capitalist) Realism and Simon Stone's ‘Zoological’ Ibsen","authors":"MARGARET HAMILTON","doi":"10.1017/s0307883323000196","DOIUrl":"https://doi.org/10.1017/s0307883323000196","url":null,"abstract":"<p>How are theatre practitioners (re)defining the realist project, a form of theatre intrinsic to the ideological domestication of capitalism? This paper takes up this question through an examination of Simon Stone's production of <span>The Wild Duck</span> ‘after Ibsen’, staged at Belvoir Theatre in Sydney in 2011, and the late Mark Fisher's (2009) theorization of a market-dominated present as capitalist realism. In doing so, it refers to three different cultural contexts by making parallels to the German theatre director Thomas Ostermeier's work and pointing to developments in Britain. It argues that performances dependent upon the subject's capacity to know and represent the world are predicated on a subjective response and therefore risk locating systemic issues in the closed fictional cosmos of situational dramatic art as part of its exploration of the paralysis intrinsic to the capitalist realist politics of (theatre) spectatorship.</p>","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"63 3","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71525036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Cambridge Companion to the Circus. By Gillian Arrighi and Jim Davis. Cambridge: Cambridge University Press, 2021. Pp. xxxv + 292. £75/$80.57/₹7165 Hb; £22.99/$29.99/₹2312 Pb. 剑桥马戏团指南》。作者：Gillian Arrighi 和 Jim Davis。剑桥：剑桥大学出版社，2021 年。第 xxxv + 292 页。75英镑/80.57美元/₹7165合订本；22.99英镑/29.99美元/₹2312合订本。
4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2023-10-01 DOI: 10.1017/s030788332300024x
Aastha Gandhi
{"title":"The Cambridge Companion to the Circus. By Gillian Arrighi and Jim Davis. Cambridge: Cambridge University Press, 2021. Pp. xxxv + 292. £75/$80.57/₹7165 Hb; £22.99/$29.99/₹2312 Pb.","authors":"Aastha Gandhi","doi":"10.1017/s030788332300024x","DOIUrl":"https://doi.org/10.1017/s030788332300024x","url":null,"abstract":"An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136205972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Edited by Fintan Walsh. London: Bloomsbury Publishing, 2020. Pp. xii + 216 + 7 illus. £26.99 Pb. 传染剧场:将早期现代表演传播到当代表演。Fintan Walsh编辑。伦敦:布鲁姆斯伯里出版社，2020。Pp. xii + 216 + 7。£26.99 Pb。
4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2023-10-01 DOI: 10.1017/s0307883323000263
anna six
{"title":"Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Edited by Fintan Walsh. London: Bloomsbury Publishing, 2020. Pp. xii + 216 + 7 illus. £26.99 Pb.","authors":"anna six","doi":"10.1017/s0307883323000263","DOIUrl":"https://doi.org/10.1017/s0307883323000263","url":null,"abstract":"An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136205975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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