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TRI volume 47 issue 2 Cover and Back matter TRI第47卷第2期封面和封底
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2022-06-22 DOI: 10.1017/s0307883322000189
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引用次数: 0
Remembering Thomas Postlewait 1941–2021 纪念托马斯·波斯特莱维特1941-2021
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2022-06-22 DOI: 10.1017/s0307883322000086
Willmar Sauter, Janelle G. Reinelt
{"title":"Remembering Thomas Postlewait 1941–2021","authors":"Willmar Sauter, Janelle G. Reinelt","doi":"10.1017/s0307883322000086","DOIUrl":"https://doi.org/10.1017/s0307883322000086","url":null,"abstract":"The picture of the group of scholars on the steps of the University of Helsinki in 1993 is typical of Thomas Postlewait and depicts at the same time an important moment in the history of the International Federation for Theatre Research (Fig. 1). Tom keeps in the background, furthest back in the top row, next to Selma Jeanne Cohen and Martine de Rougemont, then the vice president of IFTR. This position was in a way typical of Tom. He remained in the background and at the same time he supported and pushed those around him. This characterized his role as the editor of the University of Iowa Press series called Studies in Theatre History and Culture. During twenty years he published forty books by authors from many countries. Some of them can be seen assembled around him on the photograph. Anyone who was lucky to be coached by Editor Tom will easily confirm the strong directions that were given with a soft hand, preserving the particularities of the author within the overall framework of the series.","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"47 1","pages":"195 - 199"},"PeriodicalIF":0.1,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45078018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On Being Had: Publishing an Article on a Literary Fake 论被拥有:发表一篇关于文学赝品的文章
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2022-06-22 DOI: 10.1017/S0307883322000098
David Barnett
{"title":"On Being Had: Publishing an Article on a Literary Fake","authors":"David Barnett","doi":"10.1017/S0307883322000098","DOIUrl":"https://doi.org/10.1017/S0307883322000098","url":null,"abstract":"In 2002, I published an article in Theatre Research International called ‘Heiner Müller as the End of Brechtian Dramaturgy: Müller on Brecht in Two Lesser-Known Fragments’. I had written my doctoral dissertation on Müller, and, in the course of my studies, had come across two shorter pieces that, to my knowledge, had not been discussed by scholars. The first was Philoktet 1979 (Philoctetes 1979), a short, parodic and grotesque treatment of the Philoctetes myth, something very different from Müller's more sombre adaptation of the same material, published in 1965. I had heard Müller read the comic piece at the Berliner Ensemble in March 1995 and located the source in a copy of the German weekly newspaper Die Zeit, printed in December 1978. The second piece was also parodic and also appeared in a newspaper. Nachleben Brechts Beischlaf Auferstehung in Berlin (Brecht's Afterlife Intercourse Resurrection in Berlin) featured in the Volkszeitung in July 1990.1 The title suggested that Müller was ironically quoting his own back catalogue, echoing his play Leben Gundlings Friedrich von Preußen Lessings Schlaf Traum Schrei (Gundling's Life Frederick of Prussia Lessings Sleep Dream Cry) (1977) and Germania Tod in Berlin (Germania Death in Berlin) (1978). Stylistically, it looked like a heightened version of the technique employed in Philoktet 1979, in that it drew on and collided more Brechtian intertexts, and referenced Müller's own work more extensively. My doctoral supervisor had found the short playlet in the Volkszeitung. It was one of five responses to Brecht from prominent German literary figures, including Peter Handke and Martin Walser, collected under the title ‘Brecht: Stimmen der Dichter’ (Brecht: The Writers Speak). In my article's fifth footnote, I observed that while Philoktet 1979 appeared in the only extant bibliography of the playwright at the time, Nachleben Brechts did not. It would be hard to conceal an amount of smugness in my observation. But such self-satisfaction is not a quality worth airing too publicly, as will become evident soon.","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"47 1","pages":"200 - 202"},"PeriodicalIF":0.1,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45285102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Unto the Next Generations: The Blurring of Binaries and the Re-creation of the Social in Lola Arias's El año en que nací 下一代:二元对立的模糊与洛拉·阿里亚斯《El año en que nací》中社会的再创造
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2022-06-22 DOI: 10.1017/S0307883322000049
Mariana Spitz
{"title":"Unto the Next Generations: The Blurring of Binaries and the Re-creation of the Social in Lola Arias's El año en que nací","authors":"Mariana Spitz","doi":"10.1017/S0307883322000049","DOIUrl":"https://doi.org/10.1017/S0307883322000049","url":null,"abstract":"This study explores the relationships of El año en que nací (The Year I Was Born) (2012) by the Argentine Lola Arias, within the social context of post-dictatorship Chile. Chile was characterized by a repressed and traumatized population whose governments aimed to depoliticize society in an effort to avoid the presumed cause of Augusto Pinochet's seventeen-year authoritarian government – the extreme polarization of politics and the population reflected in media, documents and political rhetoric. By showing the play's strategy of collapsing the binaries that define Chile's polarization, the author posits that El año en que nací not only provides a model that questions what Diana Taylor and others have called the ‘archive’ or stable retainer of memory, but also models an alternative of the social, creating an opening for personal agency on the part of the actors and audience that offers an alternative to the official narrative of polarization.","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"47 1","pages":"126 - 141"},"PeriodicalIF":0.1,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43674302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Plays from Romania: Dramaturgies of Subversion. By Jozefina Komporaly. London: Methuen, 2021. Pp. x + 341 + 9 illus. £22.49/$41.94 Pb. 罗马尼亚戏剧:颠覆的戏剧手法。Jozefina Komporaly著。伦敦:Methuen, 2021。Pp. x + 341 + 9。£22.49 Pb / 41.94美元。
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2022-06-22 DOI: 10.1017/S0307883322000116
Kasia Lech
{"title":"Plays from Romania: Dramaturgies of Subversion. By Jozefina Komporaly. London: Methuen, 2021. Pp. x + 341 + 9 illus. £22.49/$41.94 Pb.","authors":"Kasia Lech","doi":"10.1017/S0307883322000116","DOIUrl":"https://doi.org/10.1017/S0307883322000116","url":null,"abstract":"","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"47 1","pages":"207 - 208"},"PeriodicalIF":0.1,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41817918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rethinking Chinese Socialist Theatres of Reform: Performance Practice and Debate in the Mao Era. Edited by Xiaomei Chen, Tarryn Li-Min Chun and Siyuan Liu. Ann Arbor: University of Michigan Press, 2021. Pp. x + 310 + 15 illus. $80 Hb. 反思中国社会主义改革剧场:毛时代的表演实践与辩论。编辑:陈晓梅,春利敏,刘思远。安娜堡:密歇根大学出版社,2021年。Pp. x + 310 + 15。Hb 80美元。
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2022-06-22 DOI: 10.1017/s0307883322000104
Donghui He
{"title":"Rethinking Chinese Socialist Theatres of Reform: Performance Practice and Debate in the Mao Era. Edited by Xiaomei Chen, Tarryn Li-Min Chun and Siyuan Liu. Ann Arbor: University of Michigan Press, 2021. Pp. x + 310 + 15 illus. $80 Hb.","authors":"Donghui He","doi":"10.1017/s0307883322000104","DOIUrl":"https://doi.org/10.1017/s0307883322000104","url":null,"abstract":"","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48700529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘¡No quiero!’ Staging Alfonso Reyes's Ifigenia cruel in Francoist Spain (1958) “¡不想!他的父亲是一名律师,母亲是一名律师。
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2022-06-22 DOI: 10.1017/S0307883322000037
Laura Monrós-Gaspar
{"title":"‘¡No quiero!’ Staging Alfonso Reyes's Ifigenia cruel in Francoist Spain (1958)","authors":"Laura Monrós-Gaspar","doi":"10.1017/S0307883322000037","DOIUrl":"https://doi.org/10.1017/S0307883322000037","url":null,"abstract":"Alfonso Reyes's Ifigenia cruel has long been recognized as a personal hymn of liberation, which adapts Euripides’ Iphigenia in Tauris to the convulsed Mexican shore of the early twentieth century. The dramatic poem Ifigenia cruel by Alfonso Reyes was first performed in Mexico in 1934. The next documented performance, by the company Teatro de Ensayo Escena and directed by Aitor Goiricelaya, took place at the Instituto de Cultura Hispánica in April 1958 − during Franco's regime. The purpose of this article is to put the 1958 production on the map of performances of Reyes's dramatic poem, and thus to fulfil a research niche regarding the scholarly work on this poem, which has traditionally focused on its historical context and literary legacy. Drawing on the Spanish political history of the period, the article reveals a performance history of Ifigenia cruel, which is essential for its reception.","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"47 1","pages":"111 - 125"},"PeriodicalIF":0.1,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46305345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Critically Considering Embodied Cognition and Research in Theatre and Performance 批判性地思考具身认知与戏剧表演研究
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2022-06-22 DOI: 10.1017/S0307883322000074
Micia de Wet
{"title":"Critically Considering Embodied Cognition and Research in Theatre and Performance","authors":"Micia de Wet","doi":"10.1017/S0307883322000074","DOIUrl":"https://doi.org/10.1017/S0307883322000074","url":null,"abstract":"This article offers a critically reflective discussion of and suggestions towards the role of embodied cognitive science within theatre and performance discourse. Through a critical analysis of literature that takes its lead from within the framework of embodied cognition, this article argues that theatre and performance discourse may need to re-examine how embodiment is conceptualized within practical and interdisciplinary accounts of cognition. By exploring specific foundations and driving premises of embodied and classic cognition respectively, this article suggests that if researchers are going to use scientific accounts of embodiment to better understand embodied cognition in theatre and performance, then they must, by their own estimations, accept that all research, and not just practice, is an embodied act.","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"47 1","pages":"182 - 194"},"PeriodicalIF":0.1,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45747361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
TRI volume 47 issue 2 Cover and Front matter TRI第47卷第2期封面和封面问题
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2022-06-22 DOI: 10.1017/s0307883322000013
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引用次数: 0
Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century. Edited by Penny Farfan and Leslie Ferris. Ann Arbor: University of Michigan Press, 2021. Pp. 327. $90.00 Hb; $34.95 Pb. 当代女性戏剧的批判视角:21世纪早期。潘妮·法凡和莱斯利·费里斯编辑。安娜堡:密歇根大学出版社,2021年。327页。Hb 90.00美元;Pb 34.95美元。
IF 0.1 4区 艺术学
THEATRE RESEARCH INTERNATIONAL Pub Date : 2022-06-22 DOI: 10.1017/S0307883322000128
Yennadim Reales Medina
{"title":"Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century. Edited by Penny Farfan and Leslie Ferris. Ann Arbor: University of Michigan Press, 2021. Pp. 327. $90.00 Hb; $34.95 Pb.","authors":"Yennadim Reales Medina","doi":"10.1017/S0307883322000128","DOIUrl":"https://doi.org/10.1017/S0307883322000128","url":null,"abstract":"The publication of this book attests to at least three important truths: there is a wealth of recent playwriting by women that warrants systematic explication and high-profile scholarship; within a single volume, it is impossible to do justice to the diversity of such work, or to do more than nod to its artistic and topical breadth; and in recognition of the first (and despite the last) of these observations, 28 chapters on as many plays can provide rewarding insights that engender a desire for even more. Whereas the editors’ 2013 volume Contemporary Women Playwrights: Into the Twenty-First Century (Palgrave) includes numerous essays that survey national, regional, or thematic outputs, contributors to Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century each limit their scope to a single work. A preponderance of examples hail from the USA, Canada, and UK, but there are also single cases of writers from Argentina, Australia, Austria, Brazil, France, Italy (Sicily), New Zealand/Aeoteroa, South Africa, and Syria. The eclecticism of this set of plays could be questioned, yet as the editors stipulate, their success in developing papers originally discussed in a long-standing ASTR working group explains the heterogeneity of the selection. Coverage includes several generations of writers (from Caryl Churchill, Hélène Cixous, Elfriede Jelinek, and Adrienne Kennedy to younger generations including debbie tucker green, Suzan-Lori Parks, Julia Cho, Lynn Nottage, and Lola Arias, with Lucy Kirkwood, Leah Maree Purcell, and Yaël Farber).","PeriodicalId":55955,"journal":{"name":"THEATRE RESEARCH INTERNATIONAL","volume":"47 1","pages":"208 - 209"},"PeriodicalIF":0.1,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42876194","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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