直岛木偶戏网络

IF 0.5 4区艺术学 0 THEATER

THEATRE RESEARCH INTERNATIONAL Pub Date : 2024-09-26 DOI:10.1017/s0307883324000063

JYANA S. BROWNE

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引用次数: 0

摘要

位于日本濑户内海直岛的全女性文乐剧团 "直岛音奈文乐 "振兴了可追溯到江户时代（1603-1868 年）的木偶戏传统。这篇文章探讨了直岛御那文乐如何在濑户内海三年展这个以艺术旅游著称的岛屿上，将其地方性、社区性的过去与作为民间表演艺术的世界性现在进行协商。我追溯了直岛的木偶戏网络，从孕育其祖先的濑户内海到延伸至全球的新网络，揭示了使直岛木偶戏充满活力并得以延续的动态流动。

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Puppetry Networks of the Island of Naoshima

The Naoshima Onna Bunraku, an all-female bunraku troupe on the island of Naoshima in Japan's Seto Inland Sea, has revitalized a puppetry tradition dating back to the Edo period (1603–1868). This article examines how the Naoshima Onna Bunraku negotiates the pull of its local, community-oriented past and its global present as a folk performing art on an island now known for art tourism as the site of the Setouchi Triennale. I trace Naoshima's puppetry networks from the Seto Inland Sea that nurtured their ancestors to new networks that extend globally to reveal the dynamic flows that animate and sustain puppetry on Naoshima.

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来源期刊

THEATRE RESEARCH INTERNATIONAL THEATER-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Theatre Research International publishes articles on theatre practices in their social, cultural, and historical contexts, their relationship to other media of representation, and to other fields of inquiry. The journal seeks to reflect the evolving diversity of critical idioms prevalent in the scholarship of differing world contexts. Published for the International Federation for Theatre Research