Scenography of the Unimaginable: Exploring Trauma of Others in 872 days. Voices of the besieged city

IF 0.5 4区 艺术学 0 THEATER
OLGA NIKOLAEVA
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引用次数: 0

Abstract

The article explores the scenographic rendering of trauma in the theatre performance 872 days. Voices of the besieged city staged by a small theatre, Subbota, in Saint Petersburg, Russia. The performance delves into the complex issues of private narratives of traumatic experiences, which, for decades, were deemed unimportant and even disruptive within the context of victory and glory of The Great Patriotic War. The production is based on memoirs and diaries of witnesses of the Leningrad siege. This study explores the connection between the scenographic ecology and empathic unsettlement, which is understood as a tool of approaching trauma through the experience of the audience. The article analyses how the scenographic rendering of trauma allows for potential representation and understanding of traumatic experience. It further looks at a theatre space as a place for mourning and reflexivity that allows the possibility of working through past trauma to better understand the present.

无法想象的场景:在 872 天里探索他人的创伤。被围困城市的声音
文章探讨了戏剧表演《872 天》中对创伤的场景渲染。俄罗斯圣彼得堡一家名为 Subbota 的小剧场上演的《被围困城市的声音》。几十年来,在伟大卫国战争胜利和荣耀的背景下,人们认为这些创伤经历并不重要,甚至具有破坏性。该剧以列宁格勒围城目击者的回忆录和日记为基础。本研究探讨了场景生态与移情失控之间的联系,移情失控被理解为通过观众的体验来接近创伤的一种工具。文章分析了场景对创伤的渲染如何使创伤体验得到潜在的表现和理解。文章进一步探讨了剧场空间作为哀悼和反思的场所,如何使人们有可能从过去的创伤中更好地理解现在的创伤。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
44
期刊介绍: Theatre Research International publishes articles on theatre practices in their social, cultural, and historical contexts, their relationship to other media of representation, and to other fields of inquiry. The journal seeks to reflect the evolving diversity of critical idioms prevalent in the scholarship of differing world contexts. Published for the International Federation for Theatre Research
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