Dossier—Negotiating Urban Spaces: Access, Care and Confinement in Contemporary Gendered Performance

IF 0.5 4区 艺术学 0 THEATER
INDU JAIN, TRINA NILEENA BANERJEE
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引用次数: 0

Abstract

This dossier explores the ways in which theatre and performance practitioners across the globe have addressed the deeply gendered modes of differential access to public spaces, institutional support, and resources through their creative as well as activist work, during the pandemic and its aftermath. In the last three years, the pandemic has transformed experiences of urban space globally. Access to public space has always been gendered as well as shaped by geographical location, race, caste, class and sexual identity. These traditional modes of differential access have been radically reorganized by the isolation and uncertainty engendered by the global pandemic. While ‘working from home’ was certainly not an option for everyone (most notably, care-workers in an overwhelmingly feminized profession), confinement to domestic space also meant escalating incidents of gendered violence for others. Additionally, the lack of sustainable income opportunities meant, as contributions to this dossier will demonstrate, the stripping away of roofs from over the heads of vulnerable citizens, whether impoverished artistes in want of state support or migrant workers on an uncertain daily wage. Staying at home was no longer an option, because ‘home’ often ceased to exist as a viable shelter, whether literally or by implication. For performers and theatre-workers all over the world, it was a time of intensified precarity: not only a loss of employment and income, but also a growing sense of artistic and professional purposelessness. While some were able to reorient this bewilderment through virtual and digital performances, for many grassroots performers, especially in the global South, access to these modes of public engagement were limited. In countries like India, street theatre activists felt unable and unwilling to switch to the digital space, while the prohibition on public assembly struck an irrevocable blow to women's protest movements.

档案--协商城市空间:当代性别表演中的通道、关怀与禁锢
本档案探讨了全球各地的戏剧和表演从业者如何在大流行病期间及其后,通过他们的创造性和活动性工作,解决在获得公共空间、机构支持和资源方面存在的深刻的性别差异。在过去的三年里,大流行病改变了全球城市空间的体验。公共空间的使用一直都是性别化的,并受地理位置、种族、种姓、阶级和性别认同的影响。全球疫情造成的隔离和不确定性从根本上重组了这些传统的差异化使用模式。虽然 "在家工作 "肯定不是每个人的选择(最明显的是从事女性占绝大多数职业的护理工作者),但对其他人来说,局限于家庭空间也意味着性别暴力事件的升级。此外,缺乏可持续的创收机会意味着,正如本档案中的资料所显示的那样,弱势公民头上的屋顶被夷为平地,无论是需要国家支持的贫困艺人,还是拿着不确定日薪的移民工人。待在家里不再是一种选择,因为 "家 "作为一种可行的庇护所往往已不复存在,无论是字面意义还是暗含的意思。对于世界各地的表演者和戏剧工作者来说,这是一个不稳定因素加剧的时代:不仅失去了工作和收入,而且艺术和职业的无目的感也越来越强。虽然有些人能够通过虚拟和数字表演来重新定位这种困惑,但对于许多基层表演者来说,尤其是在全球南部地区,接触这些公众参与模式的机会非常有限。在印度等国,街头戏剧活动家感到无法也不愿意转向数字空间,而禁止公共集会则对妇女抗议运动造成了不可挽回的打击。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
44
期刊介绍: Theatre Research International publishes articles on theatre practices in their social, cultural, and historical contexts, their relationship to other media of representation, and to other fields of inquiry. The journal seeks to reflect the evolving diversity of critical idioms prevalent in the scholarship of differing world contexts. Published for the International Federation for Theatre Research
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