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Bessarabian piano art at the confl uence of the XIX-XX centuries 十九世纪至二十世纪的贝萨钢琴艺术

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.05

Vasile Grecu

引用次数: 0

Televisual mediating communication 电视调解通信

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.19

Georgeta Stepanov

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Moldovan-Ukrainian musical relations in the context of the cultural polylogue of the “Ukrainian Musical Encyclopedia” “乌克兰音乐百科全书”文化杂文背景下的摩尔多瓦-乌克兰音乐关系

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.07

Ирина Сикорская

{"title":"Moldovan-Ukrainian musical relations in the context of the cultural polylogue of the “Ukrainian Musical Encyclopedia”","authors":"Ирина Сикорская","doi":"10.52603/arta.2022.31-2.07","DOIUrl":"https://doi.org/10.52603/arta.2022.31-2.07","url":null,"abstract":"Th e article presents the concept of the study of Ukrainian-foreign musical relations in the “Ukrainian Music Encyclopedia”, which is published by the Musicology and Ethnomusicology Department of the M. Rylsky Instiitute, on the example of Moldovan-Ukrainian musical connections. The directions, on which facts were systematized, are investigated. One of the components of the rich and long-lasting Moldovan-Ukrainian musical relationship is composer creativity, aimed at enriching both our cultures. It should be emphasized that the creative relations of figures of both cultures at all times were exclusively friendly and based on partnership. Of course, the creative dialogue of artists — both direct and indirect — began long before its formalizing in 1937 by launching the branch of the Union of Moldovan Composers within the Odessa organization of the Union of Composers of Ukraine. In the last century, the relations were concentrated mainly on the educational and pedagogical sphere and connected with the names of S. Vorobkevych, G. Muzychenko (Muzychescu), and M. Kazanli. One of the aspects of mediated creative dialogue is the appeal to Ukrainian composers concerning the Moldovan theme. In the XIX century, it was manifested in Th e Memoirs of the land of Moldova, op. 85, J. Rukgaber, 48 folk Romanian songs by K. Mikuli. The same aspect is deepened by an appeal to national poetry, for instance, in the romances by S. Vorobkevych, E. Mandychevsky, based on the poems of V. Alecsandri, A. Vlahutse, M. Eminescu, G. Cosbuc, etc","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43843634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The culturally distinct musical discourses in the new compositional schools of the late XIX century — beginning of the XX century 十九世纪晚期至二十世纪初的新作曲流派中文化上独特的音乐话语

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.06

Valeria Barbas

{"title":"The culturally distinct musical discourses in the new compositional schools of the late XIX century — beginning of the XX century","authors":"Valeria Barbas","doi":"10.52603/arta.2022.31-2.06","DOIUrl":"https://doi.org/10.52603/arta.2022.31-2.06","url":null,"abstract":"In this article is analyzed the correlation of the concepts of music and identity is analyzed, in which music lends itself as one of the key elements of identity, because it offers a perception of the self, but also of the collective. The concept of musical identity was the main focus in the creation of new national musical schools (Eastern Europe). Musical compositional creation that tended to embody tradition has served as a powerful cultural resource for nationalism since the 19th century. Th e compositional vector was directed, on the one hand, to get out of the crisis of the romantic music trend, and on the other hand, to strengthen the new national schools in the states of Eastern Europe, where the academic musical culture was at a relatively young stage. In the post-romantic crisis, the appeal to formulas of folklore origin brought a new breath, diversifying the musical language and the means of expression, in order to affirm musical cultures (Poland, Hungary, Czech Republic, Bulgaria, Romania), etc. The new states, previously under the influence of the great empires, distanced themselves somewhat from Western musical culture, a fact that allowed, on the one hand, the creation of national schools and the preservation of traditions in the conditions of essential changes in European, pan-European and world composition.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47473508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Th e performances of the Moldovan Academic Musical Dramatic State Th eater “A.S. Pushkin” in the 1970s 摩尔多瓦学院派音乐戏剧国家剧团“the eater”A.S.普希金的作品

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.11

Elfrida Coroliova

引用次数: 0

Art and culture — the screen of the people’s spiritual being 艺术与文化——人民精神存在的屏幕

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.15

Dumitru Olărescu

引用次数: 0

„(Mono)dramas of unknown women” at „Mihai Eminescu” National Th eater in Chisinau 基希讷乌“Mihai Eminescu”国家剧院上演的“未知女性（Mono）戏剧”

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.10

Dorina Khalil-Butucioc

{"title":"„(Mono)dramas of unknown women” at „Mihai Eminescu” National Th eater in Chisinau","authors":"Dorina Khalil-Butucioc","doi":"10.52603/arta.2022.31-2.10","DOIUrl":"https://doi.org/10.52603/arta.2022.31-2.10","url":null,"abstract":"Th e female characters of the mono-shows in the „Valeriu Cupcea” Studio Hall of the „Mihai Eminescu” National Th eater in Chisinau soar, mutely or tumultuously, „In search of the lost self ”. With a test of high quality talent, Diana Decuseară demonstrated this in the monodrama directed by Vitalie Drucec I’m afraid of the Black Sea (2010), aft er the play Nudistii by Irina Nechit, dedicated to the problems and condition of women in society. The inner turmoil of the Beloved from the show Letter from an unknown woman (2014), by Stefan Zweig, directed by Nugzar Lordkipanidze (Georgia), are rendered in depth by Ana Tkacenko, who externalizes in filigree the dramatic and scenic transformation of her heroine. In the Maria Tănase one-man show I would die, death does not come to me (2017), directed by Nelly Cozaru, the knot of life „Th e Master Birds of the Romanian Song” is skillfully handled by Ecaterina Mardari, who masterfully carries her character on the road of the ages of human life. The tonalities of the actresses’ monologues are subtle and appropriate, balancing humor and irony with omnipresent sadness, without slipping into the pathetic. Th e three performances sensitize the spectators and invite them from a collective therapy to a cathartic participation.","PeriodicalId":55785,"journal":{"name":"Arta","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41481994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Methodical aspects of the (H)ostropat dance as an indispensible part in the repertoire of dance groups from the Republic of Moldova (H)ostropat舞蹈作为摩尔多瓦共和国舞蹈团曲目中不可或缺的一部分的系统方面

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.13

S. Talpa

{"title":"Methodical aspects of the (H)ostropat dance as an indispensible part in the repertoire of dance groups from the Republic of Moldova","authors":"S. Talpa","doi":"10.52603/arta.2022.31-2.13","DOIUrl":"https://doi.org/10.52603/arta.2022.31-2.13","url":null,"abstract":"Th e study addresses a wide range of interpretations of (H)ostropat dance from the repertoire of dance groups in the Republic of Moldova in the XXI century. (H)ostropat — represents a ceremonial dance that accompanies various ritual acts in the traditional wedding, being an expression of a specific language of communication that determined the very aesthetics of the dance, its forms of expression, stylistic norms of the repertoire, etc. The (H)ostropat dance, being part of the value system of popular culture, with some aspects of ritual and entertainment, highlights the importance of professional choreographic practice and the role of dance groups in cultural institutions of traditional amateur artistic activity. Th e author focuses her attention on the configuration of the methodological apparatus of researching the repertoire of dance groups as a paradigm of a new stylistic direction and cultural identity in the realm of contemporary choreographic art. It is found that the tendencies of simplifying the ritual structure of the wedding and of compressing the temporal and spatial framework, the modernization of the ceremonial conception and the flow of new dances, created by professional artists or adapted from the repertoire of folk, neo-traditional and national dances in the region, have essentially marked the structure of the repertoire of the traditional dance groups.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44944484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The image of the forest in the national artistic creation 民族艺术创作中的森林形象

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.16

Violeta Tipa

{"title":"The image of the forest in the national artistic creation","authors":"Violeta Tipa","doi":"10.52603/arta.2022.31-2.16","DOIUrl":"https://doi.org/10.52603/arta.2022.31-2.16","url":null,"abstract":"Th e image of the forest or of the woods is deeply implanted in the spiritual life, becoming for centuries a maternal symbol of our people. We fi nd it in popular creation (doinas, ballads, tales). In most folk tales, the main characters, on their way to becoming, wander through a thick and dark forest, as the forest itself is the destination point, where the dramatic denouement, an unpredictable meeting or a love idyll will take place. We also fi nd this space of transformations in the creation of our poets and writers (Mihai Eminescu, Vasile Alecsandri, Grigore Vieru, Ion Druță, etc.), in some tales, cult fairy tales, including those of the classic Ion Creangă. We will elucidate this space, represented in various interpretations of the Crengian tales: „Capra cu trei iezi”(Goat with three kids) in the fi lm Mama (1976, directed by Elisabeta Bostan); „Povestea lui Harap Alb”(Th e Story of Harap Alb) in De-ași fi Harap Alb (If I were Harap Alb) (1965), „Povestea porcului” (Th e story of the pig) in “Povestea dragostei”(Love story) (1977), “Fata babei și fata moșneagului” (Th e grandmother’s girl and the old man’s girl) in Maria-Mirabela (1981) — all directed by the Romanian Ion Popescu- Gopo, Dănilă Prepeleac (1996, directed by Tudor Tătaru) etc., fi lms where the forest is the main space for the unfolding of actions/events in the evolution of the dramaturgy, but also the spiritual modifi cation of the character.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49002600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Serghei Cretu and neo-traditional music: the path of creation in the Soviet period 谢尔盖·克雷图与新传统音乐:苏联时期的创作之路

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.03

Vasile Chiseliţă

引用次数: 0