{"title":"基希讷乌“Mihai Eminescu”国家剧院上演的“未知女性(Mono)戏剧”","authors":"Dorina Khalil-Butucioc","doi":"10.52603/arta.2022.31-2.10","DOIUrl":null,"url":null,"abstract":"Th e female characters of the mono-shows in the „Valeriu Cupcea” Studio Hall of the „Mihai Eminescu” National Th eater in Chisinau soar, mutely or tumultuously, „In search of the lost self ”. With a test of high quality talent, Diana Decuseară demonstrated this in the monodrama directed by Vitalie Drucec I’m afraid of the Black Sea (2010), aft er the play Nudistii by Irina Nechit, dedicated to the problems and condition of women in society. The inner turmoil of the Beloved from the show Letter from an unknown woman (2014), by Stefan Zweig, directed by Nugzar Lordkipanidze (Georgia), are rendered in depth by Ana Tkacenko, who externalizes in filigree the dramatic and scenic transformation of her heroine. In the Maria Tănase one-man show I would die, death does not come to me (2017), directed by Nelly Cozaru, the knot of life „Th e Master Birds of the Romanian Song” is skillfully handled by Ecaterina Mardari, who masterfully carries her character on the road of the ages of human life. The tonalities of the actresses’ monologues are subtle and appropriate, balancing humor and irony with omnipresent sadness, without slipping into the pathetic. Th e three performances sensitize the spectators and invite them from a collective therapy to a cathartic participation.","PeriodicalId":55785,"journal":{"name":"Arta","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"„(Mono)dramas of unknown women” at „Mihai Eminescu” National Th eater in Chisinau\",\"authors\":\"Dorina Khalil-Butucioc\",\"doi\":\"10.52603/arta.2022.31-2.10\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Th e female characters of the mono-shows in the „Valeriu Cupcea” Studio Hall of the „Mihai Eminescu” National Th eater in Chisinau soar, mutely or tumultuously, „In search of the lost self ”. With a test of high quality talent, Diana Decuseară demonstrated this in the monodrama directed by Vitalie Drucec I’m afraid of the Black Sea (2010), aft er the play Nudistii by Irina Nechit, dedicated to the problems and condition of women in society. The inner turmoil of the Beloved from the show Letter from an unknown woman (2014), by Stefan Zweig, directed by Nugzar Lordkipanidze (Georgia), are rendered in depth by Ana Tkacenko, who externalizes in filigree the dramatic and scenic transformation of her heroine. In the Maria Tănase one-man show I would die, death does not come to me (2017), directed by Nelly Cozaru, the knot of life „Th e Master Birds of the Romanian Song” is skillfully handled by Ecaterina Mardari, who masterfully carries her character on the road of the ages of human life. The tonalities of the actresses’ monologues are subtle and appropriate, balancing humor and irony with omnipresent sadness, without slipping into the pathetic. Th e three performances sensitize the spectators and invite them from a collective therapy to a cathartic participation.\",\"PeriodicalId\":55785,\"journal\":{\"name\":\"Arta\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arta\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52603/arta.2022.31-2.10\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52603/arta.2022.31-2.10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
基希讷乌“米哈伊·埃米内斯库”国家剧院“Valeriu Cupcea”工作室大厅里的独幕剧中的女性角色,或无声或喧闹地翱翔,“寻找失落的自我”。作为对高素质人才的考验,在伊琳娜·内希特(Irina Nechit)的《裸体》(Nudistii)之后,黛安娜·德库塞罗(Diana decusearei)在维塔利·德鲁切克(Vitalie Drucec)导演的独唱剧《我害怕黑海》(I 'm afraid of the Black Sea, 2010)中证明了这一点,该剧致力于探讨女性在社会中的问题和状况。《一个陌生女人的来信》(2014)由斯蒂芬·茨威格执导,努格扎尔·洛德基帕尼泽(格鲁吉亚)执导,安娜·特卡琴科(Ana Tkacenko)将女主角戏剧性的、风景优美的转变用精雕细琢的手法表现出来,剧中心爱的人的内心动荡。在由内莉·科扎鲁导演的玛丽亚·特洛涅斯的独角戏《我会死,死亡不会来找我》(2017)中,埃卡特琳娜·马尔达里巧妙地处理了生命的结“罗马尼亚之歌的主鸟”,她巧妙地将她的角色带到了人类生命的时代之路上。女演员独白的语调微妙而恰当,在幽默和讽刺与无处不在的悲伤之间取得平衡,而不会陷入可悲的境地。这三场表演让观众变得敏感,并邀请他们从集体治疗到宣泄参与。
„(Mono)dramas of unknown women” at „Mihai Eminescu” National Th eater in Chisinau
Th e female characters of the mono-shows in the „Valeriu Cupcea” Studio Hall of the „Mihai Eminescu” National Th eater in Chisinau soar, mutely or tumultuously, „In search of the lost self ”. With a test of high quality talent, Diana Decuseară demonstrated this in the monodrama directed by Vitalie Drucec I’m afraid of the Black Sea (2010), aft er the play Nudistii by Irina Nechit, dedicated to the problems and condition of women in society. The inner turmoil of the Beloved from the show Letter from an unknown woman (2014), by Stefan Zweig, directed by Nugzar Lordkipanidze (Georgia), are rendered in depth by Ana Tkacenko, who externalizes in filigree the dramatic and scenic transformation of her heroine. In the Maria Tănase one-man show I would die, death does not come to me (2017), directed by Nelly Cozaru, the knot of life „Th e Master Birds of the Romanian Song” is skillfully handled by Ecaterina Mardari, who masterfully carries her character on the road of the ages of human life. The tonalities of the actresses’ monologues are subtle and appropriate, balancing humor and irony with omnipresent sadness, without slipping into the pathetic. Th e three performances sensitize the spectators and invite them from a collective therapy to a cathartic participation.