Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.08

Tatiana Berezovicova

引用次数: 0

Th e healing the „wounded identity” through the spiritualization of the tragic 通过悲剧的精神化来治愈“受伤的身份”

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.14

Ana Plamadeala

{"title":"Th e healing the „wounded identity” through the spiritualization of the tragic","authors":"Ana Plamadeala","doi":"10.52603/arta.2022.31-2.14","DOIUrl":"https://doi.org/10.52603/arta.2022.31-2.14","url":null,"abstract":"Th e author of the paper signals, fi rst of all, the urgent need to introduce the phrase “wounded identity” (Michael Pollak) into the scientifi c circuit manifested with unparalleled eloquence in Transylvania and Bessarabia. The excursion into the area of autochthonous arts of the post-war period resulted in the discovery in the subtext of the works by I. Druță, V. Vasilache, G. Vieru, etc. of the “obsession with self-identifi cation”, which later becomes the guide of the subject and of genuistically-stylistic structures. The cardinal problem of the nation’s consciousness, that of losing oneself in the rush of the “terror of history”, is extrapolated in the 60s in the seventh art, culminating in the two archetypal samples: Pădurea spânzuraților/ The Forest of the Hanged and Gustul pâinii/The Taste of Bread, inscribed in the solemn gravity of the tragic genre. In these cinematographic works of universal resonance, the unprecedented psychoanalytic survey impresses the turbulent state of mind of the protagonists, who face, even at the cost of their lives, the nation’s Golgotha “of carrying the life of a stranger in oneself ” (L. Rebreanu). Th e fi lms, subjected to a comparative analysis, reveal the shocking phenomenon — the interpenetration of the great echoes of the ancient tragedy; the prophecies of nature and music corresponding to the famous chorus. In conclusion, the author launches a novel hypothesis: the “ethnic renaissance” is due to the recuperative mission — the healing of the “wounded identity” through the cathartic impact of the work of art.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42201502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Problems of Th eatrical art in the XXI century 21世纪的戏剧艺术问题

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.12

Tamar Tsagareli

{"title":"Problems of Th eatrical art in the XXI century","authors":"Tamar Tsagareli","doi":"10.52603/arta.2022.31-2.12","DOIUrl":"https://doi.org/10.52603/arta.2022.31-2.12","url":null,"abstract":"From the last decades of the XX century to the present, the overall processes of integration have a total character in all spheres of human activity. In general, the cosmic quickness of development of technologies and especially information technologies have long removed the borders between different countries and civilizations. This triumphal move of globalization on our planet is a quite difficult process full of resistances. Its ongoing process is far ahead of comprehensive deliberation and assessing of possible positive and negative consequences raised by this occurrence. Despite the fact that historically globalization is a fully natural process, which certainly has not started only in the last decades of the XX century; some people consider the renaissance epoch as its beginning. There are people who think that this process originates from ancient times alongside with the development of mankind’s traditional cultures. However, subsequently in later history, it goes beyond the traditional boundaries of culture and often plays a destructive role towards it. During the discussions around globalization, there often appear catastrophic and apocalyptic visions. On the one side are those who consider globalization as historically inevitable and a progressive comprehensive occasion, while others emphasize the dangerous nature of this occasion for distinctiveness and development of different cultures and civilizations.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42707502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Byzantine monodic singing from the Romanian space versus polyphonic religious singing: divergences and convergences 罗马尼亚空间的拜占庭单声歌唱与复调宗教歌唱:分歧与融合

Arta Pub Date : 2023-01-01 DOI: 10.52603/arta.2022.31-2.01

Violina Galaicu

{"title":"Byzantine monodic singing from the Romanian space versus polyphonic religious singing: divergences and convergences","authors":"Violina Galaicu","doi":"10.52603/arta.2022.31-2.01","DOIUrl":"https://doi.org/10.52603/arta.2022.31-2.01","url":null,"abstract":"Among the agents of the infiltration of polyphony in native religious singing are the reforming current, coming from the West through Transylvania, as well as the act of uniting with Rome a part of Transylvanian Romanians (1701). Catholic choral pieces are insinuated in Psalter manuscripts, including the curious phenomenon of the transposition of polyphonic religious singing into the Byzantine semiographic system. The two components — monodic and polyphonic — are also meet in Moldova. In 1782 during the abbotship of Paisie Velicikovski, a choir of Russian monks was established, who practiced harmonic singing (along with native monks who, traditionally, sang monodically) at Neamts Monastery. In the first half of the 19th century, the contacts of psalter music with polyphonic religious music intensified. The presence of choral singing was signaled in several cultural centers in the researched area (Arad, Bucharest, Iasi). As time goes on, psalter singing is competing more and more dangerously with harmonic singing, things being pushed to a fierce confrontation between the two currents. The saving solution for keeping the balance between continuity and renewal is seen by the bishop Melchizedek of Roman.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47205514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Neurocinematics and Beyond: Imagery of Contemporary Screen Culture 神经电影及其超越：当代银幕文化的意象

Arta Pub Date : 2022-11-29 DOI: 10.52603/arta.2022.31-2.18

Iryna Zubavina

引用次数: 0

Lipovan wooden church in Chisinau (17th-20th centuries) 基希讷乌的利波万木制教堂（17-20世纪）

Arta Pub Date : 2022-09-01 DOI: 10.52603/arta.2022.31-1.17

Sergius Ciocanu

引用次数: 0

Stylistic way of Chisinau archtecture from the end of the XIX to the beginning of XX centuries 基希讷乌从十九世纪末到二十世纪初的建筑风格

Arta Pub Date : 2022-09-01 DOI: 10.52603/arta.2022.31-1.06

Rodica Ursachi

{"title":"Stylistic way of Chisinau archtecture from the end of the XIX to the beginning of XX centuries","authors":"Rodica Ursachi","doi":"10.52603/arta.2022.31-1.06","DOIUrl":"https://doi.org/10.52603/arta.2022.31-1.06","url":null,"abstract":"The evolution of the architecture of Chisinau from the end of the 19th century to the beginning of the 20th century was conditioned by different historical, political, economic factors, etc., which imposed a certain stylistic typology of eclectic nature. The conceptual-stylistic and typological character of the architectural monuments in Chisinau was determined by the regulations imposed by the new authorities based on the observance of urban projects specific to the Russian Empire, the preferences and aesthetic taste of architects and, to some extent, the wishes of sponsors. The conceptual-decorative aesthetics of the buildings generally reflect the synthesis of two basic styles, interpreted in a rich variation of plastic forms – neoclassicism and the modern style. During that period, several architects with training in the field and extensive knowledge in “historical” architecture were active. The architects who have left their mark on the image of Chisinau are: Alexandru Bernardazzi, Henrich von Lonsky, Mitrofan Elladi, Vladimir Țiganco, Alexei Sciusev and others. Among the buildings made in a “classical” language can be named: the the Girls’ Gymnasium of Bessarabian Zemstvo, Rascanu-Derojinschi House, etc. The modern stylistic peculiarities are visible in the City Duma Building, the Girls’ Gymnasium “Princess Natalia Dadiani”, Vladimir Herța’s House, etc., which are characterized by a pronounced eclectic aspect.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47823452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Scenographer Constantin Lodzeiski as true promotor of theatrical arts’ values 舞台设计师Constantin Lodzeiski是戏剧艺术价值的真正推动者

Arta Pub Date : 2022-09-01 DOI: 10.52603/arta.2022.31-1.11

Vitalie Malcoci

{"title":"Scenographer Constantin Lodzeiski as true promotor of theatrical arts’ values","authors":"Vitalie Malcoci","doi":"10.52603/arta.2022.31-1.11","DOIUrl":"https://doi.org/10.52603/arta.2022.31-1.11","url":null,"abstract":"Constantin Lodzeiski was one of the foremost theatre, opera, and ballet designers in the Republic of Moldova. He started his activity in 1947, when he was employed as chief painter at the State Dramatic Theater from Bălţi. Initially, C. Lodzeiski worked on the decoration of drama performances, which can be explained not so much by his interest in this type of dramaturgy, but by the lack of a musical theatre in the country, the latter being closer to his artistic nature. It was only at the end of the 1950s, when the State Opera and Ballet Theatre was established in Chişinău, that C. Lodzeiski began to work mainly on the stage decoration of musical performances. The adoption of the latest trends in the decoration of opera and ballet performances allowed C. Lodzeiski to move to a new stage in the development of the Moldovan scenographic art. Finding himself at the dawn of Moldovan Soviet scenography, the artist contributed to the development of new directions and principles for the organization of the scenic space and theatrical scenery, advancing the development of professional theatrical-decorative art of the republic. During his creation, the artist makes decoration sketches for over 100 shows from national and universal classical and contemporary drama.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44539985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Referring to one exhibition 参考一个展览

Arta Pub Date : 2022-09-01 DOI: 10.52603/arta.2022.31-1.09

Tudor Stăvilă

引用次数: 0

Wine-making complexes of the Republic of Moldova: reconfigured vision and essential changes to their architecture 摩尔多瓦共和国的酿酒综合体:重新配置的愿景和他们的建筑的基本变化

Arta Pub Date : 2022-09-01 DOI: 10.52603/arta.2022.31-1.14

A. Trifan

{"title":"Wine-making complexes of the Republic of Moldova: reconfigured vision and essential changes to their architecture","authors":"A. Trifan","doi":"10.52603/arta.2022.31-1.14","DOIUrl":"https://doi.org/10.52603/arta.2022.31-1.14","url":null,"abstract":"In the second half of the XX century, thanks to a plethora of famous architects, new meanings related to the perception of the wine-making complex are imposed and the concept of wine-making architecture evolves. The major interest given to the image of contemporary wineries makes it opportune to take a new approach to their architecture, classifying them as spaces and volumetric forms that are rational and at the same time expressive, suitable for functional and technical requirements, as well as for aesthetic and semantic ones. As a consequence of the changes taking place in the global wine-making industry, there is a structural revision of the overall image of domestic wine-making complexes. Having moved beyond the period of predominance of purely utilitarian, industrial forms, architecture is now entering a phase in which the expressive aspect of buildings comes to the fore. In the first decade of the XXI century, several projects based on the attractiveness of wine-making complexes have attracted attention, demonstrating a particular ability to convey ideas and concepts that are much more complex than their mere representation as a result of the subordination of a utilitarian architecture. By researching these projects, we can notice various solutions of contemporary wine cellar architecture, important contributions to the conceptualization of their development at the present stage.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43140341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

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