{"title":"舞台设计师Constantin Lodzeiski是戏剧艺术价值的真正推动者","authors":"Vitalie Malcoci","doi":"10.52603/arta.2022.31-1.11","DOIUrl":null,"url":null,"abstract":"Constantin Lodzeiski was one of the foremost theatre, opera, and ballet designers in the Republic of Moldova. He started his activity in 1947, when he was employed as chief painter at the State Dramatic Theater from Bălţi. Initially, C. Lodzeiski worked on the decoration of drama performances, which can be explained not so much by his interest in this type of dramaturgy, but by the lack of a musical theatre in the country, the latter being closer to his artistic nature. It was only at the end of the 1950s, when the State Opera and Ballet Theatre was established in Chişinău, that C. Lodzeiski began to work mainly on the stage decoration of musical performances. The adoption of the latest trends in the decoration of opera and ballet performances allowed C. Lodzeiski to move to a new stage in the development of the Moldovan scenographic art. Finding himself at the dawn of Moldovan Soviet scenography, the artist contributed to the development of new directions and principles for the organization of the scenic space and theatrical scenery, advancing the development of professional theatrical-decorative art of the republic. During his creation, the artist makes decoration sketches for over 100 shows from national and universal classical and contemporary drama.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Scenographer Constantin Lodzeiski as true promotor of theatrical arts’ values\",\"authors\":\"Vitalie Malcoci\",\"doi\":\"10.52603/arta.2022.31-1.11\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Constantin Lodzeiski was one of the foremost theatre, opera, and ballet designers in the Republic of Moldova. He started his activity in 1947, when he was employed as chief painter at the State Dramatic Theater from Bălţi. Initially, C. Lodzeiski worked on the decoration of drama performances, which can be explained not so much by his interest in this type of dramaturgy, but by the lack of a musical theatre in the country, the latter being closer to his artistic nature. It was only at the end of the 1950s, when the State Opera and Ballet Theatre was established in Chişinău, that C. Lodzeiski began to work mainly on the stage decoration of musical performances. The adoption of the latest trends in the decoration of opera and ballet performances allowed C. Lodzeiski to move to a new stage in the development of the Moldovan scenographic art. Finding himself at the dawn of Moldovan Soviet scenography, the artist contributed to the development of new directions and principles for the organization of the scenic space and theatrical scenery, advancing the development of professional theatrical-decorative art of the republic. During his creation, the artist makes decoration sketches for over 100 shows from national and universal classical and contemporary drama.\",\"PeriodicalId\":55785,\"journal\":{\"name\":\"Arta\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arta\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52603/arta.2022.31-1.11\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52603/arta.2022.31-1.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
Constantin Lodzeiski是摩尔多瓦共和国最重要的戏剧、歌剧和芭蕾舞设计师之一。1947年,他被国家戏剧剧院(Bălţi)聘为首席画家,开始了他的活动。最初,C. Lodzeiski致力于戏剧表演的装饰,这并不是因为他对这种戏剧类型的兴趣,而是因为该国缺乏音乐剧,后者更接近他的艺术本性。直到20世纪50年代末,当国家歌剧院和芭蕾舞剧院在chi伊努成立时,C. Lodzeiski才开始主要从事音乐表演的舞台装饰工作。歌剧和芭蕾舞表演装饰的最新趋势使C. Lodzeiski在摩尔多瓦舞台艺术的发展中进入了一个新的阶段。这位艺术家发现自己处于摩尔多瓦苏维埃舞台艺术的黎明,他为风景空间和戏剧场景的组织制定了新的方向和原则,推动了共和国专业戏剧装饰艺术的发展。在创作过程中,他为全国和世界各地的古典和当代戏剧创作了100多场表演的装饰草图。
Scenographer Constantin Lodzeiski as true promotor of theatrical arts’ values
Constantin Lodzeiski was one of the foremost theatre, opera, and ballet designers in the Republic of Moldova. He started his activity in 1947, when he was employed as chief painter at the State Dramatic Theater from Bălţi. Initially, C. Lodzeiski worked on the decoration of drama performances, which can be explained not so much by his interest in this type of dramaturgy, but by the lack of a musical theatre in the country, the latter being closer to his artistic nature. It was only at the end of the 1950s, when the State Opera and Ballet Theatre was established in Chişinău, that C. Lodzeiski began to work mainly on the stage decoration of musical performances. The adoption of the latest trends in the decoration of opera and ballet performances allowed C. Lodzeiski to move to a new stage in the development of the Moldovan scenographic art. Finding himself at the dawn of Moldovan Soviet scenography, the artist contributed to the development of new directions and principles for the organization of the scenic space and theatrical scenery, advancing the development of professional theatrical-decorative art of the republic. During his creation, the artist makes decoration sketches for over 100 shows from national and universal classical and contemporary drama.