{"title":"神经电影及其超越:当代银幕文化的意象","authors":"Iryna Zubavina","doi":"10.52603/arta.2022.31-2.18","DOIUrl":null,"url":null,"abstract":"Th e paper focuses on the features of emotional perception of screen-displayed videos and images, when the neural response of the viewer is included into the subject fi eld of neuroaesthetics—an interdisciplinary sphere of knowledge at the intersection of art studies, philosophy, psychology of perception, and neuroscience. Th e study describes innovative methods of neuroscientifi c research for studying the reception of a “screen product.” One of such methods is determining the algorithm of evoking certain impressions in the mind of the viewer— “consumer” of the screen culture. Further ways of development of dialectical ties between neuroscience and screen studies are formulated as a research hypothesis. Practical signifi cance of the study is determining the parameters of regulatory/manipulative infl uence of the audiovisual stimuli on the viewer’s behavior in the contemporary situation when objective and subjective realities are gradually substituted by the virtual reality.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Neurocinematics and Beyond: Imagery of Contemporary Screen Culture\",\"authors\":\"Iryna Zubavina\",\"doi\":\"10.52603/arta.2022.31-2.18\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Th e paper focuses on the features of emotional perception of screen-displayed videos and images, when the neural response of the viewer is included into the subject fi eld of neuroaesthetics—an interdisciplinary sphere of knowledge at the intersection of art studies, philosophy, psychology of perception, and neuroscience. Th e study describes innovative methods of neuroscientifi c research for studying the reception of a “screen product.” One of such methods is determining the algorithm of evoking certain impressions in the mind of the viewer— “consumer” of the screen culture. Further ways of development of dialectical ties between neuroscience and screen studies are formulated as a research hypothesis. Practical signifi cance of the study is determining the parameters of regulatory/manipulative infl uence of the audiovisual stimuli on the viewer’s behavior in the contemporary situation when objective and subjective realities are gradually substituted by the virtual reality.\",\"PeriodicalId\":55785,\"journal\":{\"name\":\"Arta\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arta\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52603/arta.2022.31-2.18\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52603/arta.2022.31-2.18","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Neurocinematics and Beyond: Imagery of Contemporary Screen Culture
Th e paper focuses on the features of emotional perception of screen-displayed videos and images, when the neural response of the viewer is included into the subject fi eld of neuroaesthetics—an interdisciplinary sphere of knowledge at the intersection of art studies, philosophy, psychology of perception, and neuroscience. Th e study describes innovative methods of neuroscientifi c research for studying the reception of a “screen product.” One of such methods is determining the algorithm of evoking certain impressions in the mind of the viewer— “consumer” of the screen culture. Further ways of development of dialectical ties between neuroscience and screen studies are formulated as a research hypothesis. Practical signifi cance of the study is determining the parameters of regulatory/manipulative infl uence of the audiovisual stimuli on the viewer’s behavior in the contemporary situation when objective and subjective realities are gradually substituted by the virtual reality.