Art and culture — the screen of the people’s spiritual being

Q4 Arts and Humanities
Arta Pub Date : 2023-01-01 DOI:10.52603/arta.2022.31-2.15
Dumitru Olărescu
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Abstract

For centuries, art and culture have established themselves as fundamental forms of activity, through which man manifests his visions of the world. Having the man and his creation at their center, they also defi ne the human way of existence, becoming the symbol of man’s creative force. Th at is why they are always in the center of attention of scientists, people of art and culture, including filmmakers, who have released an indefinite number of films on this theme on the world’s screens. One of them is the filmmaker Vlad Druc, for whom art and culture are his favorite themes. His films can serve as argument: Arta, Maria Codreanu, Ion Creangă, Ploi de dor, Firul viu, Goblen, Tata, Meșterul anonym, …și neobosite mâinile tale, Vai, sărmana turturică, Obsesie, Aria, etc. On the basis of the feature film Timp de a trăi (Time to Live), we will try to highlight the spectrum of interests of the director Vlad Druc in the fi eld of art and culture, the visions and the ways of expression through the cinematographic language of the invaluable matter subjected to cinematic investigations in order to elucidate his identity paradigm.
艺术与文化——人民精神存在的屏幕
几个世纪以来,艺术和文化已经确立了自己作为基本活动形式的地位,人类通过艺术和文化来表现自己对世界的看法。它们以人和人的创造物为中心,定义了人的生存方式,成为人的创造力的象征。这就是为什么它们一直是科学家、艺术和文化界人士,包括电影制作人关注的中心,他们在世界各地的银幕上发行了无数关于这一主题的电影。其中之一是电影制作人弗拉德·德鲁克,对他来说,艺术和文化是他最喜欢的主题。他的电影可以作为论据:阿尔塔,玛丽亚Codreanu, Ion creangei, Ploi de dor, Firul viu, Goblen, Tata, Meșterul匿名,…și neobosite m inile tale, Vai, surrmana turturicei, Obsesie, Aria等。在故事片《生命的时刻》的基础上,我们将试图突出弗拉德·德鲁克导演在艺术和文化领域的兴趣范围,通过电影研究的无价之宝的电影语言的愿景和表达方式,以阐明他的身份范式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Arta
Arta Arts and Humanities-Visual Arts and Performing Arts
自引率
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发文量
19
审稿时长
32 weeks
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