十九世纪至二十世纪的贝萨钢琴艺术

Q4 Arts and Humanities
Arta Pub Date : 2023-01-01 DOI:10.52603/arta.2022.31-2.05
Vasile Grecu
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引用次数: 0

摘要

自十九世纪末二十世纪初以来,由于一些在俄罗斯和西欧音乐学院学习的专业音乐家的艺术活动,比萨拉比亚的音乐生活得到了加强,从而创造了音乐教育和解释能力的标准,对钢琴家的专业培训产生了重大影响。第一批音乐机构出现了:曾在维也纳学习的M.Voloshinovskaya于1891年在基希讷乌开办了一所私立学校。此前,在1890年,在出生于Chișinău、毕业于圣彼得堡音乐学院K.Davydov教授大提琴班的Vasile Gutor的倡议下,开设了一所面向所有社会阶层的音乐学校。同时,国家作文学校的办学前提也得到了体现;最早的钢琴作品是以适应本土口语阶层的西方流派的风格和形式创作的。由于音乐民间传说的改编和价值化,贝萨拉比亚地区正在发展专业音乐。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bessarabian piano art at the confl uence of the XIX-XX centuries
Since the end of the XIX century — beginning of the XX century, the musical life in Bessarabia is being intensified due to the artistic activity of some professional musicians with studies at Russian and Western European conservatories, thus creating standards of musical education and interpretive mastery with a significant impact on the professional training of pianists. The first musical institutions appear: M. Voloshinovskaya, who had studied in Vienna, opened a private school in 1891 in Chisinau. Previously, in 1890, a music school, accessible to all social classes, was opened at the initiative of Vasile Gutor, born in Chișinău and having graduated from the Saint Petersburg Conservatory in Professor K. Davydov’s cello class. At the same time, premises of the national school of composition are manifested; the first works for piano being made in the style and forms of Western schools adapted to the native oral sound stratum. As a result of the adaptation and the valorization of musical folklore, professional music is being developed in the Bessarabian area.
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来源期刊
Arta
Arta Arts and Humanities-Visual Arts and Performing Arts
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审稿时长
32 weeks
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