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CORPUS DE NOVELAS DE LA EDAD DE PLATA, EN XML-TEI
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.29299
José Calvo Tello
{"title":"CORPUS DE NOVELAS DE LA EDAD DE PLATA, EN XML-TEI","authors":"José Calvo Tello","doi":"10.5944/SIGNA.VOL30.2021.29299","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29299","url":null,"abstract":"Resumen: En este articulo se presenta el Corpus de novelas de la Edad de Plata, una coleccion de 358 novelas publicadas por autores espanoles entre 1880 y 1939. La seleccion de textos sigue criterios fijados por manuales de literatura. Los textos han sido codificados en XML-TEI, formato que tambien recoge los metadatos revisados de manera manual y las anotaciones linguisticas realizadas por herramientas automaticas. El conjunto de datos permite realizar descripciones estadisticas, evaluar hipotesis propuestas por otros investigadores o explorar nuevas correlaciones. Finalmente, se daran descripciones semanticas de diferentes subgeneros de la novela. Abstract: In this paper the Corpus of Novels of the Spanish Silver Age is presented, a collection of 358 novels published by Spanish authors between 1880 and 1939. The selection of the texts follows criteria from the studies of literature. The texts have been encoded in XML-TEI. In this format are also saved the manually curated metadata and the linguistic annotations by automatic tools. The data set allows calculating statistical descriptions of the novel, evaluate hypotheses by other researchers or explore new correlations. Finally, it will be presented semantic descriptions about several subgenres of the novel.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"20 1","pages":"83-107"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73752247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
LA NARRATIVA DE JAVIER MARÍAS EN DIÁLOGO CON EL CINE. CONFLUENCIAS ESTÉTICAS Y HORIZONTES POSIBLES 哈维尔·马里亚斯与电影对话中的叙事。审美融合和可能的视野
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.26396
Carmen María López López
{"title":"LA NARRATIVA DE JAVIER MARÍAS EN DIÁLOGO CON EL CINE. CONFLUENCIAS ESTÉTICAS Y HORIZONTES POSIBLES","authors":"Carmen María López López","doi":"10.5944/SIGNA.VOL30.2021.26396","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.26396","url":null,"abstract":"Resumen: El articulo estudia la presencia del cine en distintas novelas de Javier Marias. Esta presencia puede apreciarse no solo en temas y personajes, sino tambien en referencias explicitas que estan involucradas en el centro de la trama. Ademas de ofrecer un marco teorico acerca de los limites y desafios de los estudios filmicos y literarios, el articulo proporciona un analisis los elementos cinematograficos en sus novelas. En sintesis, el estudio pretende llenar un hueco en este enfoque interdisciplinar al que la critica especializada aun no ha dedicado una reflexion minuciosa. Abstract: The article studies the presence of cinema in several novels by Javier Marias. This presence is detected not only in topics and characters, but also in explicit references which are central to the plot. As well as providing a theoretical framework about the limits and challenges of filmic and literary studies, the article provides an analysis of the cinematic elements in his novels. In synthesis, the study aims to fill a gap in this interdisciplinary approach to which critics haves not yet paid enough attention.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"100 1","pages":"575-600"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86245393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MUNDOS POSIBLES DE LO FANTÁSTICO. UNA APROXIMACIÓN A LA ESTRUCTURA DE MUNDO 可能的幻想世界。世界结构的一种方法
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.26399
Eva Ariza Trinidad
{"title":"MUNDOS POSIBLES DE LO FANTÁSTICO. UNA APROXIMACIÓN A LA ESTRUCTURA DE MUNDO","authors":"Eva Ariza Trinidad","doi":"10.5944/SIGNA.VOL30.2021.26399","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.26399","url":null,"abstract":"Resumen: La teoria de los mundos posibles que plantean Lubomir Doležel, Umberto Eco y Thomas Pavel se aplica en esta propuesta a lo fantastico para concretar los rasgos ontologicos, cualitativos, cuantitativos y de homogeneidad / heterogeneidad que configuran la macroestructura de este tipo de mundos; un analisis que posibilita diferenciar este territorio ficcional de otros con que suele confundirse, como lo maravilloso y la ciencia ficcion. Asi, se proporciona una definicion de lo fantastico, alternativa a las actuales, que contempla las relaciones inter-mundos en que se fundamenta su especificidad ficcional. Abstract: In this paper, possible-world theory, as advanced by Lubomir Doležel, Umberto Eco and Thomas Pavel, has been applied to the fantastic in order to characterise its macrostructure through the identification of its defining features, namely, its ontological, qualitative, quantitative and homogeneity / heterogeneity traits. This analysis makes it possible to differentiate the fantastic from other fictional territories with which it is usually mistaken, such as the marvellous and science-fiction. Thus, an alternative definition of the fantastic is given by considering the interworld relations in which its fictional specificity lies.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"21 1","pages":"363-390"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82701245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
AVA GARDNER EN LA ESPAÑA DEL DESARROLLISMO: LA RECONSTRUCCIÓN CINÉFILA DE LA MEMORIA SOCIAL EN LA FICCIÓN TELEVISIVA ESPAÑOLA 艾娃·加德纳在发展主义的西班牙:西班牙电视小说中社会记忆的电影重建
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.26763
Charo Lacalle
{"title":"AVA GARDNER EN LA ESPAÑA DEL DESARROLLISMO: LA RECONSTRUCCIÓN CINÉFILA DE LA MEMORIA SOCIAL EN LA FICCIÓN TELEVISIVA ESPAÑOLA","authors":"Charo Lacalle","doi":"10.5944/SIGNA.VOL30.2021.26763","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.26763","url":null,"abstract":"Abstract: This article explores the reconstruction of the historical memory of Arde Madrid, a comedy set in Madrid in the early sixties where Ava Gardner lived. References to the Spanish cinema of the fifties and the Hollywood runaway productions intermix with Ava Gardner’s biography, in order to celebrate an actress whose films set in Spain played a key role in the shaping of the myth. The revision of the Spanishness symbology associated with Franco dictatorship and the social portrait of that period make the series into a symbolic place of collective memory.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"52 3 1","pages":"555-573"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77671555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
GÉNERO Y CONCIENCIA AUTORAL EN EL CÓMIC ESPAÑOL (1970-2018) José Manuel TRABADO CABADO (ed.) (León: Universidad de León / EOLAS Ediciones, 2019, 439 págs.) 西班牙漫画中的性别和作者意识(1970-2018)jose Manuel TRABADO CABADO (ed.) (leon: Universidad de leon / EOLAS Ediciones, 2019, 439页)
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.29328
Julio Andrés Gracia Lana
{"title":"GÉNERO Y CONCIENCIA AUTORAL EN EL CÓMIC ESPAÑOL (1970-2018) José Manuel TRABADO CABADO (ed.) (León: Universidad de León / EOLAS Ediciones, 2019, 439 págs.)","authors":"Julio Andrés Gracia Lana","doi":"10.5944/SIGNA.VOL30.2021.29328","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29328","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"1 1","pages":"825-828"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75264358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MALA CARA: NORMALIDAD Y ALTERIDAD EN LA PERCEPCIÓN Y EN LA REPRESENTACIÓN DEL ROSTRO HUMANO 坏脸:对人脸的感知和表征中的正常和差异性
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.29305
Massimo Leone
{"title":"MALA CARA: NORMALIDAD Y ALTERIDAD EN LA PERCEPCIÓN Y EN LA REPRESENTACIÓN DEL ROSTRO HUMANO","authors":"Massimo Leone","doi":"10.5944/SIGNA.VOL30.2021.29305","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29305","url":null,"abstract":"espanolResumen: Para discutir de manera razonable de alteridad, primero hay que definir la normalidad. La normalidad de los patrones que determinan la percepcion y la representacion de rostros humanos tiene que definirse a la vez en relacion a la neurofisiologia humana de la percepcion de rostros, resultado de la evolucion biologica de la especie, y a la influencia de una cultura visual sobre ella. La semiotica estructural y, en particular en analisis plastico de las configuraciones visivas, puede ser adoptada como metodologia para averiguar lo que una semiosfera cultural considera como nucleo de normalidad en la percepcion y especialmente en la representacion de rostros. Solamente en relacion con este nucleo se puede medir la distancia, a partir de ella, de rostros que una cultura visual considera como otros, anormales, o incluso ilegales. EnglishAbstract: So as to reasonably discuss about otherness, one should first define normality. The normality of patterns determining the perception and representation of human visages must be defined in relation to both the human neurophysiology of face perception, resulting from the biological evolution of the species, and the influence of a visual species on it. Structural semiotics, particularly the plastic analysis of visual configurations, can be adopted as methodology so as to ascertain that which a cultural semiosphere considers as its kernel of normality in the perception and especially in the representation of visages. Only in relation to such kernel can the distance from it of visages that a visual culture considers as other, abnormal, or even illegal, be measured.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"143 1","pages":"191-211"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80397600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
BILOGÍA FÍLMICA MACHADIANA: LA SOMBRA DE CAÍN SOBRE LA ¡HERMOSA TIERRA DE ESPAÑA! 马查多电影生物学:该隐的影子在美丽的西班牙土地上!
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.26474
Fernando Gómez Beceiro, N. A. Ramos, J. L. C. D. Paz
{"title":"BILOGÍA FÍLMICA MACHADIANA: LA SOMBRA DE CAÍN SOBRE LA ¡HERMOSA TIERRA DE ESPAÑA!","authors":"Fernando Gómez Beceiro, N. A. Ramos, J. L. C. D. Paz","doi":"10.5944/SIGNA.VOL30.2021.26474","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.26474","url":null,"abstract":"Abstract: Just after the eightieth anniversary of death of Antonio Machado, we turn our attention to two films whose speeches gravitate a deep immersion in his work and his personality. Directed by Arturo Ruiz- Castillo between the summer of 1952 and the spring of 1953, La laguna negra emerges as transposition of a romance of the Sevillian poet, while the post-war account Dos caminos seem to be nourished by a dense allegorical invocation of Machadian thought. Scarcely known and barely considered by historiography film, both films make up an unmistakable biology with an unusual semantic density that needs to be vindicated urgently.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"144 1","pages":"473-499"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77560551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
EL ARTE DE LA CONTEMPLACIÓN Y DE LA SENSORIALIDAD EN LA GÉNESIS CREATIVA DE MARÍA VICTORIA ATENCIA maria维多利亚·阿滕西亚的创作起源中的沉思和感官艺术
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.27089
Blas Sánchez Dueñas
{"title":"EL ARTE DE LA CONTEMPLACIÓN Y DE LA SENSORIALIDAD EN LA GÉNESIS CREATIVA DE MARÍA VICTORIA ATENCIA","authors":"Blas Sánchez Dueñas","doi":"10.5944/SIGNA.VOL30.2021.27089","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.27089","url":null,"abstract":"Resumen: La produccion lirica de Maria Victoria Atencia se eleva como un todo organico atravesado por unos mismos componentes poeticos y tecnicos. La importancia de lo cotidiano, la sustantividad de intertextos y referentes artisticos y el alcance de los entornos del paisanaje vital conforman algunos de los ejes discursivos centrales de su obra. El presente trabajo indaga en la trascendencia de los referentes sensoriales, en especial del sentido de la vista, como claves para elaboracion de una lirica donde el mundo exterior, captado sensorialmente, se convierte en onda de expansion desde la que emerge, convertido en poesia, el mundo interior de la autora. Abstract: Maria Victoria Atencia’s body of lyrical poetry stands as an organic whole woven together by a set of shared poetic and technical threads. The importance of everyday life, the substantivity of intertexts and artistic references, and the scope of vital landscapes constitute some of the central discursive axes of her creative practice. This work explores the transcendence of these sensorial references, especially the sense of sight, as key to the production of a unique body of lyrical works in which the external world, sensorially captured, becomes a wave of expansion from which the author’s interior world.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"45 1","pages":"647-668"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83229827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
GILEAD ESTÁ CERCA 吉利德就在附近
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.29311
Carmen Arocena Badillos
{"title":"GILEAD ESTÁ CERCA","authors":"Carmen Arocena Badillos","doi":"10.5944/SIGNA.VOL30.2021.29311","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29311","url":null,"abstract":"Resumen: Simone de Beauvoir definio a la mujer como el representante mas claro de la alteridad, surgida de un proceso manipulatorio. La mujer ocupa cada una de las cuatro posiciones del cuadrado semiotico con el que Eric Landowski ha representado las diferentes maneras de relacionarse con el diferente. La serie televisiva El cuento de la criada las refleja y formaliza la relacion de asimetria mediante oposiciones entre tipos de planos y la utilizacion reiterada de motivos figurativos. Abstract: Simone de Beauvoir defined women as the clearest representative of otherness, arising from a manipulative process. The woman occupies each of the four positions of the semiotic square with which Eric Landowski has represented the different ways of relating to the different. The television series The Handmaid’s Tale reflects them and formalises the relationship of asymmetry through oppositions between types of planes and the repeated use of figurative motifs.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"99 1","pages":"287-301"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81220559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
LEOPOLDO MARÍA PANERO: LOS LÍMITES DE LA PALABRA POÉTICA Clara I. MARTÍNEZ CANTÓN, Sergio SANTIAGO ROMERO y Javier DOMINGO MARTÍN (eds.) (Valencia: Tirant Humanidades, 2019, 384 págs.) 莱奥波多maria帕内罗:诗歌词的界限克拉拉I. martinez canton，塞尔吉奥圣地亚哥·罗梅罗和哈维尔·多明戈martin(编)(巴伦西亚:蒂兰特人文，2019,384页)
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2021-01-06 DOI: 10.5944/SIGNA.VOL30.2021.29323
Juan Gómez Espinosa
{"title":"LEOPOLDO MARÍA PANERO: LOS LÍMITES DE LA PALABRA POÉTICA Clara I. MARTÍNEZ CANTÓN, Sergio SANTIAGO ROMERO y Javier DOMINGO MARTÍN (eds.) (Valencia: Tirant Humanidades, 2019, 384 págs.)","authors":"Juan Gómez Espinosa","doi":"10.5944/SIGNA.VOL30.2021.29323","DOIUrl":"https://doi.org/10.5944/SIGNA.VOL30.2021.29323","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"18 1","pages":"797-800"},"PeriodicalIF":0.2,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74784601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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