{"title":"GILEAD ESTÁ CERCA","authors":"Carmen Arocena Badillos","doi":"10.5944/SIGNA.VOL30.2021.29311","DOIUrl":null,"url":null,"abstract":"Resumen: Simone de Beauvoir definio a la mujer como el representante mas claro de la alteridad, surgida de un proceso manipulatorio. La mujer ocupa cada una de las cuatro posiciones del cuadrado semiotico con el que Eric Landowski ha representado las diferentes maneras de relacionarse con el diferente. La serie televisiva El cuento de la criada las refleja y formaliza la relacion de asimetria mediante oposiciones entre tipos de planos y la utilizacion reiterada de motivos figurativos. Abstract: Simone de Beauvoir defined women as the clearest representative of otherness, arising from a manipulative process. The woman occupies each of the four positions of the semiotic square with which Eric Landowski has represented the different ways of relating to the different. The television series The Handmaid’s Tale reflects them and formalises the relationship of asymmetry through oppositions between types of planes and the repeated use of figurative motifs.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"99 1","pages":"287-301"},"PeriodicalIF":0.1000,"publicationDate":"2021-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signa-Revista de la Asociacion Espanola de Semiotica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5944/SIGNA.VOL30.2021.29311","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Resumen: Simone de Beauvoir definio a la mujer como el representante mas claro de la alteridad, surgida de un proceso manipulatorio. La mujer ocupa cada una de las cuatro posiciones del cuadrado semiotico con el que Eric Landowski ha representado las diferentes maneras de relacionarse con el diferente. La serie televisiva El cuento de la criada las refleja y formaliza la relacion de asimetria mediante oposiciones entre tipos de planos y la utilizacion reiterada de motivos figurativos. Abstract: Simone de Beauvoir defined women as the clearest representative of otherness, arising from a manipulative process. The woman occupies each of the four positions of the semiotic square with which Eric Landowski has represented the different ways of relating to the different. The television series The Handmaid’s Tale reflects them and formalises the relationship of asymmetry through oppositions between types of planes and the repeated use of figurative motifs.
摘要:西蒙娜·德·波伏娃将女性定义为他者最清晰的代表,产生于一个操纵过程。埃里克·兰德斯基(Eric Landowski)在符号学广场上描绘了与不同的人互动的不同方式,女性占据了四个位置中的每一个。电视连续剧《女仆的故事》通过平面类型之间的对立和形象主题的反复使用,反映并形式化了不对称的关系。摘要:西蒙娜·德·波伏娃(Simone de Beauvoir)将女性定义为“异质”的最明显代表,源于一种操纵过程。The woman occupies每of The four of The semiotic广场with which埃里克Landowski消除对你的有关的不同途径不同。The电视系列The Handmaid’s砍掉了反映并formalises The relationship of asymmetry through oppositions between types of计划and The至于use of figurative motifs。