{"title":"EL DIARIO PERSONAL EN FRANCIA A PRINCIPIOS DEL SIGLO XXI: INFLEXIONES DE UN GÉNERO LITERARIO","authors":"Michel Braud","doi":"10.5944/signa.vol29.2020.27161","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27161","url":null,"abstract":"Abstract: Appeared in France at the end of the eighteenth century as a private form, the diary progressively became a literary genre during the nineteenth and twentieth century, and underwent various mutations at the end of the twentieth century. The trivialization of the genre at the beginning of the 21st Century is accompanied by new inflections that will be identified on the basis of three examples.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"94 1","pages":"21-35"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83569134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"NUEVOS ENFOQUES TEÓRICOS PARA EL ESTUDIO DE LA POESÍA LÍRICA","authors":"I. G. Gil","doi":"10.5944/signa.vol29.2020.23400","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23400","url":null,"abstract":"Abstract: This paper examines two recent and opposite models for the study of the lyric genre: mimetic-narratological and performative, two important contributions of international literary criticism to the field. Nevertheless, they have had scarcely any repercussions in Spanish literary theory. First, we focus on the narratological applications to the study of poetic and lyric texts. Second, we address Jonathan Culler’s theoretical proposal developed in his book Theory of the Lyric, in which he rejects the assimilation of lyric poetry to the model of narrative fiction, and he proposes instead to investigate its singularity, not imitative but performative.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"32 1","pages":"495-521"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83160879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TELEVISIÓN CRÍTICA O INDUSTRIA DE LA RISA: EL CASO DE LA COMEDIA TELEVISIVA ESPAÑOLA (1990-2018)","authors":"Beatriz María Gómez Morales","doi":"10.5944/signa.vol29.2020.23947","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23947","url":null,"abstract":"Resumen: El potencial critico del humor en la comedia televisiva ha generado un extenso debate entre los investigadores de la ficcion televisiva. La sitcom, su principal exponente, ha sido valorada como vehiculo reproductor de la ideologia dominante por un numero significativo de estudiosos. Otros, en cambio, han destacado su capacidad transgresora. En este articulo se analizan las significaciones criticas o conservadoras de la comedia televisiva espanola de los ultimos 30 anos centrandonos, principalmente, en la introduccion de tematicas de actualidad y problematicas que conectan con las preocupaciones de la audiencia y su respectivo tratamiento narrativo. Abstract: The critical potential of humour in television comedy has generated an extensive debate among researchers of television fiction. The sitcom, its main exponent, has been valued as a reproductive vehicle of the dominant ideology by a significant number of scholars. However, others authors have highlighted their transgressive capacity. This article analyses the critical or conservative meanings of the Spanish television comedy of the last 30 years focusing, mainly, on the introduction of current issues and problems that connect with the concerns of the audience and their respective narrative treatment.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"1 1","pages":"467-494"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83176655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"DE LO FANTÁSTICO EN LA POESÍA: HACIA UNA SEMIÓTICA DE LA DESAPARICIÓN. A PROPÓSITO DE LECTURA, ANTROPOFAGÍA Y PICNOLEPSIA EN “LA DESAPARICIÓN DE UNA FAMILIA” DE JUAN LUIS MARTÍNEZ","authors":"Ricardo Espinaza Solar, Daniela Contreras Ponce","doi":"10.5944/signa.vol29.2020.23758","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23758","url":null,"abstract":"Resumen: El trabajo se propone realizar una lectura semiotica conforme a la presencia de lo fantastico en el poema “La desaparicion de una familia” de Juan Luis Martinez. A este proposito, se articula un amplio marco de conceptos relativos a la lectura de ficcion (Umberto Eco, Roland Barthes, Jean-Luc Nancy, entre otros), el entendimiento de lo fantastico como sistema semiotico (David Roas, Omar Nieto), la antropofagia signica (Rodrigo Browne) y la nocion de picnolepsia (Paul Virilio). Con todo, se pretende formular una idea inicial de semiotica de la desaparicion en tanto cualidad particular del poema. Abstract: The work aims to perform a semiotic reading according to the presence of the fantastic in the poem “La desaparicion de una familia” by Juan Luis Martinez. In this regard, a broad framework of concepts related to fiction reading is articulated (Umberto Eco, Roland Barthes, Jean-Luc Nancy, among others), the understanding of the fantastic as a semiotic system (David Roas, Omar Nieto), the anthropophagy (Rodrigo Browne) and the notion of picnolepsy (Paul Virilio). With everything, it is intended to form an initial idea of semiotic of the disappearance as a particular quality of the poem.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"40 1","pages":"301-331"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86994349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reseña de: Luce y Mercedes LÓPEZ-BARALT. EL CUERPO MUERE Y EL VERSO VUELA: LA POESÍA METAFÍSICA DE PEDRO SALINAS Y LUIS PALÉS MATOS. (Madrid: Mandala Ediciones, 2018, 191 págs.)","authors":"María Caballero Wangemert, J. Calvo","doi":"10.5944/signa.vol29.2020.27223","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27223","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"83 1","pages":"963-978"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83787256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"FLÂNEUR O VOYEUR: LA AMBIGÜEDAD DE LA FIGURACIÓN DEL YO EN VENTANAS DE MANHATTAN (2004), DE ANTONIO MUÑOZ MOLINA","authors":"Mieke Vulkers","doi":"10.5944/signa.vol29.2020.23423","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23423","url":null,"abstract":"Abstract: The novels of Spanish author Antonio Munoz Molina generally are characterized as hybrids, inserting non-fictional genres within the frame of a novelistic work. Although Ventanas de Manhattan (2004) is presented as a diary or even as a travelling journal, this article argues that the work shows a hybrid generic form. Founded upon a theoretical frame, it establishes the components that lead to the characterization of the work as autofictional. Subsequently this article focuses on the construction of the first-person character as a fictional structure, based on literary archetypes.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"26 1","pages":"903-919"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91274994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"LA SEMIÓTICA DE LA COMUNICACIÓN MASIVA EN ESPAÑA: SUS AVATARES ACADÉMICOS CONTADOS POR SUS PROTAGONISTAS","authors":"Luis Pablo Francescutti Pérez","doi":"10.5944/signa.vol29.2020.23455","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23455","url":null,"abstract":"Resumen: La comunicacion masiva ha sido y es un objeto privilegiado de la semiotica. A partir del testimonio de seis semiologos espanoles en este articulo se reconstruye la recepcion y aclimatacion de esa linea de estudios en Espana. Sus evocaciones parten de la llegada de la disciplina a mediados de los anos ‘60, continuan con su periodo de moda intelectual (anos ‘70) y con su insercion en las facultades de comunicacion (anos ‘80), y concluyen en la situacion actual, senalada por la falta de relevo generacional, el avance de paradigmas empirico-positivistas y las dudas sobre su continuidad academica. Abstract: Mass communication is a prominent field of study for semiotics. In this article the Spanish reception and institutionalization of this branch of semiotics is reconstructed. The data collected from the interviews with six distinguished Spanish semioticians allow following the process since its introduction in the mid Sixties to a formative phase in the Seventies, followed by its institutionalisation in the Eighties. These conversational narratives end at the current situation, where the difficulties for generational renewal and the ascendancy of empiricist methodologies and positivist paradigms raise serious doubts about the future of the sub-discipline.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"1 1","pages":"391-414"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75655796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"PRESENTACIÓN. MODAS, MODOS, MANERAS","authors":"R. Aparicio, Raquel Nogal Santamaría","doi":"10.5944/signa.vol29.2020.27194","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27194","url":null,"abstract":"Resumen: La presente compilacion reune una breve seleccion de los textos presentados en el XVII Congreso Internacional de la Asociacion Espanola de Semiotica y el I Congreso Iberico de Semiotica que tuvo lugar entre el 23 y 25 de noviembre de 2017 en la Universidade Nova de Lisboa. En dicho encuentro se dieron cita investigadores de distintos paises con el objetivo de reflexionar sobre el concepto de moda desde el punto de vista semiotico. Abstract: This compilation gathers a brief selection of the texts presented at the XVVII International Congress of the Spanish Association of Semiotics (AES) and the I Iberian Congress of Semiotics (AIS) that took place from 23rd to 25th of November, 2017 at the Universidade Nova de Lisboa. In this meeting, researchers from different countries met to reflect on the concept of fashion from the semiotic point of view.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"512 1","pages":"167-170"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77058858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reseña de: José Antonio PÉREZ BOWIE (ed.). LA TEATRALIDAD EN LA PANTALLA. REFLEXIONES SOBRE EL DIÁLOGO CONTEMPORÁNEO ENTRE CINE Y TEATRO. (Madrid: Catarata, 2018, 190 págs.)","authors":"David Vázquez Couto","doi":"10.5944/signa.vol29.2020.27228","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27228","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"24 1","pages":"995-998"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83478066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TEATRO MÍNIMO: ¿NECESIDAD DE FORMA O FORMA DE NECESIDAD?","authors":"Antonio César Morón Espinosa","doi":"10.5944/signa.vol29.2020.23411","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23411","url":null,"abstract":"Abstract: Short Theater has become a drama enterprise phenomenon with noteworthy characteristics. The relationships of consumption are much more close, spontaneous and informal. It attracts a type of spectator who usually shuns traditional spaces. This article gives account of the socalled Minimum Theatre, which encompasses a group of actors, directors and playwrights in Seville, between 2012 and 2014. They developed an innovative drama project and were very committed to delve into the socioeconomic and political circumstances of the main years of the last largescale crisis in Spain.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"72 1","pages":"605-634"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84318941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}