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NUEVOS ENFOQUES TEÓRICOS PARA EL ESTUDIO DE LA POESÍA LÍRICA 抒情诗歌研究的新理论途径
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.23400
I. G. Gil
{"title":"NUEVOS ENFOQUES TEÓRICOS PARA EL ESTUDIO DE LA POESÍA LÍRICA","authors":"I. G. Gil","doi":"10.5944/signa.vol29.2020.23400","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23400","url":null,"abstract":"Abstract: This paper examines two recent and opposite models for the study of the lyric genre: mimetic-narratological and performative, two important contributions of international literary criticism to the field. Nevertheless, they have had scarcely any repercussions in Spanish literary theory. First, we focus on the narratological applications to the study of poetic and lyric texts. Second, we address Jonathan Culler’s theoretical proposal developed in his book Theory of the Lyric, in which he rejects the assimilation of lyric poetry to the model of narrative fiction, and he proposes instead to investigate its singularity, not imitative but performative.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"32 1","pages":"495-521"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83160879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
TELEVISIÓN CRÍTICA O INDUSTRIA DE LA RISA: EL CASO DE LA COMEDIA TELEVISIVA ESPAÑOLA (1990-2018) 电视评论或笑声产业:西班牙电视喜剧案例(1990-2018)
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.23947
Beatriz María Gómez Morales
{"title":"TELEVISIÓN CRÍTICA O INDUSTRIA DE LA RISA: EL CASO DE LA COMEDIA TELEVISIVA ESPAÑOLA (1990-2018)","authors":"Beatriz María Gómez Morales","doi":"10.5944/signa.vol29.2020.23947","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23947","url":null,"abstract":"Resumen: El potencial critico del humor en la comedia televisiva ha generado un extenso debate entre los investigadores de la ficcion televisiva. La sitcom, su principal exponente, ha sido valorada como vehiculo reproductor de la ideologia dominante por un numero significativo de estudiosos. Otros, en cambio, han destacado su capacidad transgresora. En este articulo se analizan las significaciones criticas o conservadoras de la comedia televisiva espanola de los ultimos 30 anos centrandonos, principalmente, en la introduccion de tematicas de actualidad y problematicas que conectan con las preocupaciones de la audiencia y su respectivo tratamiento narrativo. Abstract: The critical potential of humour in television comedy has generated an extensive debate among researchers of television fiction. The sitcom, its main exponent, has been valued as a reproductive vehicle of the dominant ideology by a significant number of scholars. However, others authors have highlighted their transgressive capacity. This article analyses the critical or conservative meanings of the Spanish television comedy of the last 30 years focusing, mainly, on the introduction of current issues and problems that connect with the concerns of the audience and their respective narrative treatment.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"1 1","pages":"467-494"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83176655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
EL DIARIO PERSONAL EN FRANCIA A PRINCIPIOS DEL SIGLO XXI: INFLEXIONES DE UN GÉNERO LITERARIO 21世纪初法国的个人日记:一种文学体裁的变化
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.27161
Michel Braud
{"title":"EL DIARIO PERSONAL EN FRANCIA A PRINCIPIOS DEL SIGLO XXI: INFLEXIONES DE UN GÉNERO LITERARIO","authors":"Michel Braud","doi":"10.5944/signa.vol29.2020.27161","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27161","url":null,"abstract":"Abstract: Appeared in France at the end of the eighteenth century as a private form, the diary progressively became a literary genre during the nineteenth and twentieth century, and underwent various mutations at the end of the twentieth century. The trivialization of the genre at the beginning of the 21st Century is accompanied by new inflections that will be identified on the basis of three examples.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"94 1","pages":"21-35"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83569134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reseña de: Luce y Mercedes LÓPEZ-BARALT. EL CUERPO MUERE Y EL VERSO VUELA: LA POESÍA METAFÍSICA DE PEDRO SALINAS Y LUIS PALÉS MATOS. (Madrid: Mandala Ediciones, 2018, 191 págs.) 评论:Luce和Mercedes lopez - baralt。身体死亡，诗歌飞翔:佩德罗·萨利纳斯和路易斯pales马托斯的形而上学诗歌。(马德里:曼达拉出版社，2018年，191页)
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.27223
María Caballero Wangemert, J. Calvo
{"title":"Reseña de: Luce y Mercedes LÓPEZ-BARALT. EL CUERPO MUERE Y EL VERSO VUELA: LA POESÍA METAFÍSICA DE PEDRO SALINAS Y LUIS PALÉS MATOS. (Madrid: Mandala Ediciones, 2018, 191 págs.)","authors":"María Caballero Wangemert, J. Calvo","doi":"10.5944/signa.vol29.2020.27223","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27223","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"83 1","pages":"963-978"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83787256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ANTONIO BUERO VALLEJO EN HUNGRÍA
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.23775
Eszter Katona
{"title":"ANTONIO BUERO VALLEJO EN HUNGRÍA","authors":"Eszter Katona","doi":"10.5944/signa.vol29.2020.23775","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23775","url":null,"abstract":"Resumen: El objetivo del presente articulo es ofrecer un analisis abarcador sobre la recepcion en Hungria de la obra de Antonio Buero Vallejo. Mencionaremos las once traducciones y, despues, examinaremos, a traves de la critica de la prensa, los cinco estrenos hungaros de sus tres dramas: En la ardiente oscuridad, puesto en escena dos veces (1962, 1976); El sueno de la razon, montado en 1974; y los dos estrenos de La fundacion (1976, 1979). Para completar la recepcion hungara del autor mas destacado del teatro espanol de la posguerra, repasaremos tambien algunos escritos que divulgan su fama en Hungria. Abstract: The aim of this article is to give a comprehensive analysis about the reception of the work of Antonio Buero Vallejo in Hungary. We present the eleven translations and then, based on press criticism, analyse the five Hungarian premieres of three plays: In the Burning Darkness, staged twice (1962, 1976); The Sleep of Reason, debuted in 1974; and two premieres of The Foundation (1976, 1979). To complete the Hungarian image of the most prominent author of the post-civil war Spanish theatre, we also review some articles that popularized him in Hungary.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"9 1","pages":"549-581"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90278785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DE LO FANTÁSTICO EN LA POESÍA: HACIA UNA SEMIÓTICA DE LA DESAPARICIÓN. A PROPÓSITO DE LECTURA, ANTROPOFAGÍA Y PICNOLEPSIA EN “LA DESAPARICIÓN DE UNA FAMILIA” DE JUAN LUIS MARTÍNEZ 从诗歌中的幻想:走向消失的符号学。JUAN LUIS martinez的《一个家庭的消失》中关于阅读、食人症和PICNOLEPSIA
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.23758
Ricardo Espinaza Solar, Daniela Contreras Ponce
{"title":"DE LO FANTÁSTICO EN LA POESÍA: HACIA UNA SEMIÓTICA DE LA DESAPARICIÓN. A PROPÓSITO DE LECTURA, ANTROPOFAGÍA Y PICNOLEPSIA EN “LA DESAPARICIÓN DE UNA FAMILIA” DE JUAN LUIS MARTÍNEZ","authors":"Ricardo Espinaza Solar, Daniela Contreras Ponce","doi":"10.5944/signa.vol29.2020.23758","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23758","url":null,"abstract":"Resumen: El trabajo se propone realizar una lectura semiotica conforme a la presencia de lo fantastico en el poema “La desaparicion de una familia” de Juan Luis Martinez. A este proposito, se articula un amplio marco de conceptos relativos a la lectura de ficcion (Umberto Eco, Roland Barthes, Jean-Luc Nancy, entre otros), el entendimiento de lo fantastico como sistema semiotico (David Roas, Omar Nieto), la antropofagia signica (Rodrigo Browne) y la nocion de picnolepsia (Paul Virilio). Con todo, se pretende formular una idea inicial de semiotica de la desaparicion en tanto cualidad particular del poema. Abstract: The work aims to perform a semiotic reading according to the presence of the fantastic in the poem “La desaparicion de una familia” by Juan Luis Martinez. In this regard, a broad framework of concepts related to fiction reading is articulated (Umberto Eco, Roland Barthes, Jean-Luc Nancy, among others), the understanding of the fantastic as a semiotic system (David Roas, Omar Nieto), the anthropophagy (Rodrigo Browne) and the notion of picnolepsy (Paul Virilio). With everything, it is intended to form an initial idea of semiotic of the disappearance as a particular quality of the poem.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"40 1","pages":"301-331"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86994349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
TEATRO MÍNIMO: ¿NECESIDAD DE FORMA O FORMA DE NECESIDAD? 最小剧场:形式的需要还是形式的需要?
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.23411
Antonio César Morón Espinosa
{"title":"TEATRO MÍNIMO: ¿NECESIDAD DE FORMA O FORMA DE NECESIDAD?","authors":"Antonio César Morón Espinosa","doi":"10.5944/signa.vol29.2020.23411","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23411","url":null,"abstract":"Abstract: Short Theater has become a drama enterprise phenomenon with noteworthy characteristics. The relationships of consumption are much more close, spontaneous and informal. It attracts a type of spectator who usually shuns traditional spaces. This article gives account of the socalled Minimum Theatre, which encompasses a group of actors, directors and playwrights in Seville, between 2012 and 2014. They developed an innovative drama project and were very committed to delve into the socioeconomic and political circumstances of the main years of the last largescale crisis in Spain.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"72 1","pages":"605-634"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84318941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
LA SEMIÓTICA DE LA COMUNICACIÓN MASIVA EN ESPAÑA: SUS AVATARES ACADÉMICOS CONTADOS POR SUS PROTAGONISTAS 西班牙大众传播的符号学:其主角讲述的学术形象
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.23455
Luis Pablo Francescutti Pérez
{"title":"LA SEMIÓTICA DE LA COMUNICACIÓN MASIVA EN ESPAÑA: SUS AVATARES ACADÉMICOS CONTADOS POR SUS PROTAGONISTAS","authors":"Luis Pablo Francescutti Pérez","doi":"10.5944/signa.vol29.2020.23455","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23455","url":null,"abstract":"Resumen: La comunicacion masiva ha sido y es un objeto privilegiado de la semiotica. A partir del testimonio de seis semiologos espanoles en este articulo se reconstruye la recepcion y aclimatacion de esa linea de estudios en Espana. Sus evocaciones parten de la llegada de la disciplina a mediados de los anos ‘60, continuan con su periodo de moda intelectual (anos ‘70) y con su insercion en las facultades de comunicacion (anos ‘80), y concluyen en la situacion actual, senalada por la falta de relevo generacional, el avance de paradigmas empirico-positivistas y las dudas sobre su continuidad academica. Abstract: Mass communication is a prominent field of study for semiotics. In this article the Spanish reception and institutionalization of this branch of semiotics is reconstructed. The data collected from the interviews with six distinguished Spanish semioticians allow following the process since its introduction in the mid Sixties to a formative phase in the Seventies, followed by its institutionalisation in the Eighties. These conversational narratives end at the current situation, where the difficulties for generational renewal and the ascendancy of empiricist methodologies and positivist paradigms raise serious doubts about the future of the sub-discipline.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"1 1","pages":"391-414"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75655796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
CULTURA SAMPLEADA EN LA BABEL CONTEMPORÁNEA. NOTAS SOBRE LA COLONIZACIÓN Y DEPREDACIÓN COMO PRÁCTICAS DISCURSIVAS 当代巴别塔的文化样本。关于殖民和掠夺作为话语实践的注释
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.23610
José Manuel Trabado Cabado
{"title":"CULTURA SAMPLEADA EN LA BABEL CONTEMPORÁNEA. NOTAS SOBRE LA COLONIZACIÓN Y DEPREDACIÓN COMO PRÁCTICAS DISCURSIVAS","authors":"José Manuel Trabado Cabado","doi":"10.5944/signa.vol29.2020.23610","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23610","url":null,"abstract":"Resumen: En este articulo se trata de analizar las relaciones que establecen las diferentes practicas discursivas dentro del mundo audiovisual contemporaneo y la influencia que unas ejercen en otras formando parte de lo que podria venir a denominarse como cultura sampleada. La red de relaciones se hace cada vez mas densa y los textos se saturan de significado en un complejo proceso que obliga al receptor a construir una lectura que va siempre mas alla del propio texto para dar sentido a los mensajes. Todo ello se ejemplifica en el caso del spot televisivo de la compania telefonica espanola Movistar que se valio de discursos precedentes. Algunos hablaron de plagio, pero la cadena de relaciones era mucho mas larga de lo que indica un parecido evidente entre dos discursos. Como se modifican la esencia, las intenciones comunicativas y contextos pragmaticos es el objeto de analisis de estas paginas. Abstract: This article attempts to analyze the relations established by the various discursive practices found in the audiovisual world and the influence some of these strategies exert on each other within what could be known as sampled culture. The network of connections in this complex process becomes increasingly tangled and the texts saturate with meaning, thus forcing the receivers to construct a reading which always goes beyond the text itself in order to confer meaning on the messages. All this can be specifically illustrated by a TV commercial spot produced by the Spanish telephone company Movistar which made use of previous discourses. Although some people considered it plagiarism, the chain of connections was indeed much more intricate than that merely showing an evident similarity between two discourses. How the essence, communicative purposes and pragmatic contexts of these texts are modified is the object of analysis of the following pages.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"190 7 1","pages":"843-874"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80985426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reseña de: José Antonio PÉREZ BOWIE y Antonio Jesús GIL GONZÁLEZ (eds.). FICCIONES NÓMADAS. PROCESOS DE INTERMEDIALIDAD LITERARIA Y AUDIOVISUAL. (Madrid: Sial Pigmalión, 2017, 499 págs.) 评论:jose Antonio perez BOWIE和Antonio jesus GIL gonzalez(合编)。游牧的。文学和视听中介过程。(马德里:Sial pigmalion, 2017,499页)
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.27229
David Vázquez Couto
{"title":"Reseña de: José Antonio PÉREZ BOWIE y Antonio Jesús GIL GONZÁLEZ (eds.). FICCIONES NÓMADAS. PROCESOS DE INTERMEDIALIDAD LITERARIA Y AUDIOVISUAL. (Madrid: Sial Pigmalión, 2017, 499 págs.)","authors":"David Vázquez Couto","doi":"10.5944/signa.vol29.2020.27229","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27229","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"69 1","pages":"999-1004"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77806792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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