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Signa-Revista de la Asociacion Espanola de Semiotica最新文献

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MODOS DE INTERACCIÓN EN EL DISCURSO INSTITUCIONAL EDUCATIVO SOBRE LAS TIC 信息通信技术教育机构话语中的互动模式
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.27198
Lina Marcela Liñán Durán
{"title":"MODOS DE INTERACCIÓN EN EL DISCURSO INSTITUCIONAL EDUCATIVO SOBRE LAS TIC","authors":"Lina Marcela Liñán Durán","doi":"10.5944/signa.vol29.2020.27198","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27198","url":null,"abstract":"Resumen: La integracion de las tecnologias de la informacion y la comunicacion (TIC) en el campo educativo es una problematica actual sobre la que indagamos desde una perspectiva semiotica. Nos cuestionamos sobre el uso pedagogico de las TIC, interrogando el sentido que construye cada una de las instancias participantes. Nos centramos en el discurso institucional que enmarca la practica con el fin de identificar la manera en que los establecimientos conciben los procesos de ensenanza-aprendizaje en la era digital y como configuran los modos de interaccion entre los actores educativos. Buscamos asi comprender las dinamicas educativas actuales y posicionarnos frente a ellas. Abstract: The integration of the information and communication technologies (ICT) into the educational field is a matter of current questioning that we address from the semiotical perspective. We inquiry about the pedagogic use of the ICT, we examine the sense that each of the participating instances build. We focused on the institutional discourse that frames the practice in order to identify the way in which the establishments conceive the processes of teaching-learning within the digital era and how they configure the modes of interaction between the educative actors. We aim to understand the current educative dynamics and to take a position to it.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"37 1","pages":"203-221"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87458890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reseña de: Carmen PEÑA ARDID (ed.). HISTORIA CULTURAL DE LA TRANSICIÓN. PENSAMIENTO CRÍTICO Y FICCIONES EN LITERATURA, CINE Y TELEVISIÓN. (Madrid: Catarata, 2019, 270 págs.) 评论:Carmen pena ARDID(编)。文化转型的历史。文学、电影和电视中的批判性思维和小说。(马德里:Catarata, 2019, 270页)
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.27227
Enrique Mora Díez
{"title":"Reseña de: Carmen PEÑA ARDID (ed.). HISTORIA CULTURAL DE LA TRANSICIÓN. PENSAMIENTO CRÍTICO Y FICCIONES EN LITERATURA, CINE Y TELEVISIÓN. (Madrid: Catarata, 2019, 270 págs.)","authors":"Enrique Mora Díez","doi":"10.5944/signa.vol29.2020.27227","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27227","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"27 1","pages":"987-994"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83185789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
RICARDO PIGLIA: LA FICCIÓN DEL NOMBRE 里卡多·皮格利亚:名字的虚构
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.23399
Raquel Fernández Cobo
{"title":"RICARDO PIGLIA: LA FICCIÓN DEL NOMBRE","authors":"Raquel Fernández Cobo","doi":"10.5944/signa.vol29.2020.23399","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23399","url":null,"abstract":"Abstract: The present study analyzes the three volumes of Los diarios de Emilio Renzi in relation to his previous work, within what Lejeune called “the autobiographical space”. We study how Piglia finds through diary and autobiography the ideal way to narrate the experience of life: the autobiographical genre mainly allows the author of artificial respiration to invent itself through three fundamental strategies: the construction of a family and literary lineage; the fiction of the proper name and the intertextuality, that is, the appropriation of other readings not only as aesthetics but as ethics.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"21 1","pages":"363-389"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74713370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DE ALTERIDADES Y MADRIGUERAS DE CONEJO: ESPACIALIDAD Y SIMBOLOGÍA EN LOS CUENTOS FANTÁSTICOS DE JULIO CORTÁZAR 关于他者和兔子洞:胡里奥cortazar奇幻故事中的空间性和象征主义
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.23474
Alberto RODRÍGUEZ BARCÓN
{"title":"DE ALTERIDADES Y MADRIGUERAS DE CONEJO: ESPACIALIDAD Y SIMBOLOGÍA EN LOS CUENTOS FANTÁSTICOS DE JULIO CORTÁZAR","authors":"Alberto RODRÍGUEZ BARCÓN","doi":"10.5944/signa.vol29.2020.23474","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23474","url":null,"abstract":"Resumen: El articulo propone una revision critica de los principales analisis en torno a la dimension espacial en los cuentos fantasticos de Julio Cortazar hasta la fecha. A partir de este objetivo general, se sugieren dos hipotesis de trabajo. Primero, confirmar aquellas teorias que senalan que el espacio es la estructura vertebral que sostiene su arquitectura fantastica y, segundo, que este espacio interactua de manera interdependiente y dialogica con otros elementos escenicos hasta configurar una compleja urdimbre de simbolos y codigos que posibilitan el transito entre el mundo real y el extraordinario en el imaginario literario cortazariano. Abstract: The article proposes a critical review of the main approaches about the spatial dimension in Julio Cortazar’s fantastic stories to date. From this general objective, two working hypotheses are suggested. First, confirm those theories that indicate that space is the vertebral structure that sustains its fantastic architecture and, second, that this space interacts in an interdependent and dialogical way with other scenic elements until it forms a complex warp of symbols and codes that make possible the transit between the real world and the extraordinary one in the cortazariano literary imaginary.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"90 1","pages":"763-786"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73920177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
LA POESÍA DE JUAN MALPARTIDA COMO CONSTRUCCIÓN DE SENTIDO 胡安·马尔帕蒂达的诗歌作为意义的建构
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.23452
Juan Carlos Abril Palacios
{"title":"LA POESÍA DE JUAN MALPARTIDA COMO CONSTRUCCIÓN DE SENTIDO","authors":"Juan Carlos Abril Palacios","doi":"10.5944/signa.vol29.2020.23452","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23452","url":null,"abstract":"Resumen: La obra poetica de Juan Malpartida no se ajusta al canon espanol   de las ultimas decadas. La perspectiva que otorga su obra poetica reunida   se vincula a la modernidad de la que habla Octavio Paz, las corrientes   europeas de vanguardia, y no al realismo, tan caracteristico de Espana. Su   poesia busca la construccion del sentido a traves de una semiosfera —en   terminos lotmanianos— que indaga en la arqueologia del sable, tal y como   queria Foucault. Se ponen en otra direccion semantica los simbolos, en   su mayoria bisemicos, y las palabras, motivadas por la influencia de otras   tradiciones. De este modo se articula la interdisciplinariedad de otras artes,  su transversalidad, la lectura mitocritica de la cotidianidad, la relacion   gestaltica entre teoria y practica, la funcion cognitiva de la escritura, o la   reflexion metapoetica. Abstract: The perspective of the poetic work of an author such as Juan Malpartida does not conform to the Spanish canon of the last decades. The vision and perspective of his poetic work is linked to the modernity Octavio Paz would speak about, to the European avant-gard currents, and never to the realism, more characteristic of Spain. His poetry seeks the construction of meaning through a semiosphere, in terms of Lotman. This construction investigates the archeaology of knowledge, as in Foucault.The mostly bisemic symbols are placed in another semantic direction, and so do the words, motivated by the influence of other traditions. Thus, the interdisciplinarity of other arts, their transversality, the mythocriticism reading of everyday life, the gestural relation between theory and practice, the cognitive function of writing, or the metapoetic reflection are all constructed.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"34 1","pages":"245"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86537843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reseña de: Jerónimo LÓPEZ MOZO / Virtudes SERRANO (ed.). YO, MALDITA INDIA…; LA INFANTA DE VELÁZQUEZ; ELLA SE VA. (Madrid: Cátedra, 2019, 414 págs.) 评论:jeronimo lopez MOZO / Virtudes SERRANO(编)。我，该死的印度……velazquez的公主;她离开了(马德里:catedra, 2019, 414页)
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.27225
J. Ortuño
{"title":"Reseña de: Jerónimo LÓPEZ MOZO / Virtudes SERRANO (ed.). YO, MALDITA INDIA…; LA INFANTA DE VELÁZQUEZ; ELLA SE VA. (Madrid: Cátedra, 2019, 414 págs.)","authors":"J. Ortuño","doi":"10.5944/signa.vol29.2020.27225","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27225","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"13 1","pages":"979-982"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77642457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reseña de: Mariano DE PACO SERRANO. ADOLFO MARSILLACH: ESCENIFICAR A LOS CLÁSICOS (1986-1994). (Madrid: Asociación de Directores de Escena, 2019, 448 págs.) 评论:Mariano de PACO SERRANO。ADOLFO MARSILLACH: ESCENIFICAR A LOS clasicos(1986-1994)。(马德里:舞台导演协会，2019年，448页)
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.27212
Marga del Hoyo Ventura
{"title":"Reseña de: Mariano DE PACO SERRANO. ADOLFO MARSILLACH: ESCENIFICAR A LOS CLÁSICOS (1986-1994). (Madrid: Asociación de Directores de Escena, 2019, 448 págs.)","authors":"Marga del Hoyo Ventura","doi":"10.5944/signa.vol29.2020.27212","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27212","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"25 1","pages":"927-930"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77788775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
VÍCTIMAS Y VERDUGOS: LA REPRESENTACIÓN DE LA PENA DE MUERTE EN EL CINE ESPAÑOL 受害者和刽子手:死刑在西班牙电影中的表现
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.23597
Concha GÓMEZ GARCÍA
{"title":"VÍCTIMAS Y VERDUGOS: LA REPRESENTACIÓN DE LA PENA DE MUERTE EN EL CINE ESPAÑOL","authors":"Concha GÓMEZ GARCÍA","doi":"10.5944/signa.vol29.2020.23597","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23597","url":null,"abstract":"Resumen: La ejecucion por garrote vil fue un recurso punitivo habitual en Espana hasta muy avanzado el siglo XX. Esta investigacion aborda como se ha representado en la cinematografia espanola tan espinoso asunto, centrandonos en argumentos basados en hechos reales. Analizaremos como algunos cineastas lo esquivaron o como otros fusionaron la herencia esperpentica, el sainete y la astracanada convirtiendo un film en el mejor proyectil contra la pena de muerte. Desde una estetica opuesta obras mas contemporaneas siguen mostrando la dificultad de la busqueda de la verosimilitud narrativa en relatos que forman parte del imaginario colectivo de un pais. Abstract: Execution by garotte was a common punishing method in Spain until well into the 21st Century. This article will tackle the ways in which Spanish cinema has dealt with this thorny matter, first focusing on plots based on real facts. Attention will be paid to how some filmmakers used the esperpento heritage, the one-act farce and the astracanada as an attack against the death penalty. Using different aesthetics, films nowadays still explore the difficulty to reach verisimilitude in stories that are part of the social imaginary of the country.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"41 1","pages":"445-467"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86022790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
GACETA ILUSTRADA Y LA ACTUALIDAD ESPAÑOLA: ¿DOS ESTILOS DE VIDA? GACETA ILUSTRADA和LA ACTUALIDAD espanola:两种生活方式?
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.27196
Ainara Miguel Sáez de Urabain
{"title":"GACETA ILUSTRADA Y LA ACTUALIDAD ESPAÑOLA: ¿DOS ESTILOS DE VIDA?","authors":"Ainara Miguel Sáez de Urabain","doi":"10.5944/signa.vol29.2020.27196","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.27196","url":null,"abstract":"Resumen: Este trabajo se centra en el analisis de dos numeros de dos de las mas celebres revistas ilustradas publicadas en Espana desde 1950 hasta 1980: La Actualidad Espanola y Gaceta Ilustrada. Mas concretamente, se analizan las portadas, los indices, los reportajes periodisticos y los anuncios publicitarios. Los numeros de las revistas no se han escogido al azar. Se trata de los numeros del 13 y el 15 de julio de 1961, una fecha en la que ambas publicaciones celebraban (celebraban, si) el 25 aniversario del estallido de la Guerra Civil espanola. Abstract: This work focuses on the analysis of two numbers of two of the most famous illustrated magazines published in Spain from 1950 to 1980: La Actualidad Espanola and Gaceta Ilustrada. More specifically, it analyzes covers, indexes, newspaper reports and advertisements. The issues of the journals have not been chosen at random. These are the numbers of July 13 and 15, 1961, a date on which both publications celebrated (celebrated, yes) the 25th anniversary of the outbreak of the Spanish Civil War.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"36 1","pages":"171-190"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84805293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
FLÂNEUR O VOYEUR: LA AMBIGÜEDAD DE LA FIGURACIÓN DEL YO EN VENTANAS DE MANHATTAN (2004), DE ANTONIO MUÑOZ MOLINA 前线ÂNEUR或VOYEUR: AMBIGÜEDAD想象我在曼哈顿的窗口(2004年),ANTONIO munoz MOLINA
IF 0.2 4区 社会学
Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI: 10.5944/signa.vol29.2020.23423
Mieke Vulkers
{"title":"FLÂNEUR O VOYEUR: LA AMBIGÜEDAD DE LA FIGURACIÓN DEL YO EN VENTANAS DE MANHATTAN (2004), DE ANTONIO MUÑOZ MOLINA","authors":"Mieke Vulkers","doi":"10.5944/signa.vol29.2020.23423","DOIUrl":"https://doi.org/10.5944/signa.vol29.2020.23423","url":null,"abstract":"Abstract: The novels of Spanish author Antonio Munoz Molina generally are characterized as hybrids, inserting non-fictional genres within the frame of a novelistic work. Although Ventanas de Manhattan (2004) is presented as a diary or even as a travelling journal, this article argues that the work shows a hybrid generic form. Founded upon a theoretical frame, it establishes the components that lead to the characterization of the work as autofictional. Subsequently this article focuses on the construction of the first-person character as a fictional structure, based on literary archetypes.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":"26 1","pages":"903-919"},"PeriodicalIF":0.2,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91274994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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