里卡多·皮格利亚:名字的虚构

IF 0.1 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

Signa-Revista de la Asociacion Espanola de Semiotica Pub Date : 2020-04-08 DOI:10.5944/signa.vol29.2020.23399

Raquel Fernández Cobo

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引用次数: 0

摘要

摘要:本文分析了伦齐的三卷本《埃米里奥的日记》与他之前作品的关系，并将其置于勒琼所谓的“自传体空间”中。我们研究了皮格利亚是如何通过日记和自传找到叙述人生经历的理想方式的:自传体体例主要允许人工呼吸的作者通过三种基本策略来发明自己:家庭和文学血统的建构;恰当名称的虚构和互文性，也就是说，对其他解读的挪用不仅作为美学，而且作为伦理。

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RICARDO PIGLIA: LA FICCIÓN DEL NOMBRE

Abstract: The present study analyzes the three volumes of Los diarios de Emilio Renzi in relation to his previous work, within what Lejeune called “the autobiographical space”. We study how Piglia finds through diary and autobiography the ideal way to narrate the experience of life: the autobiographical genre mainly allows the author of artificial respiration to invent itself through three fundamental strategies: the construction of a family and literary lineage; the fiction of the proper name and the intertextuality, that is, the appropriation of other readings not only as aesthetics but as ethics.

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来源期刊

Signa-Revista de la Asociacion Espanola de Semiotica HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

258