前线ÂNEUR或VOYEUR: AMBIGÜEDAD想象我在曼哈顿的窗口(2004年),ANTONIO munoz MOLINA

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Mieke Vulkers
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引用次数: 0

摘要

摘要:西班牙作家安东尼奥·穆尼奥斯·莫利纳的小说总体上具有混合型的特点,在小说的框架内插入非虚构的类型。尽管《曼哈顿的维塔纳斯》(2004)以日记甚至旅行日记的形式呈现,但本文认为该作品呈现出一种混合的通用形式。在一个理论框架的基础上,它建立了导致作品自传体特征的组成部分。随后,本文重点讨论了基于文学原型的第一人称角色作为一种虚构结构的构建。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FLÂNEUR O VOYEUR: LA AMBIGÜEDAD DE LA FIGURACIÓN DEL YO EN VENTANAS DE MANHATTAN (2004), DE ANTONIO MUÑOZ MOLINA
Abstract: The novels of Spanish author Antonio Munoz Molina generally are characterized as hybrids, inserting non-fictional genres within the frame of a novelistic work. Although Ventanas de Manhattan (2004) is presented as a diary or even as a travelling journal, this article argues that the work shows a hybrid generic form. Founded upon a theoretical frame, it establishes the components that lead to the characterization of the work as autofictional. Subsequently this article focuses on the construction of the first-person character as a fictional structure, based on literary archetypes.
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CiteScore
0.40
自引率
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发文量
258
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